Demo Data from SIGIR 2026 / reviewers in the wild / expert
Oleg I. Kozhushnyan
dblp:58/3502
· DBLP profile ↗
1ranked-venue papers
0as first author
0since 2021 · last 2008
—ORCID · none
Domains — the database's venue-derived domains; a paper can count in several
Graphics, computer vision, multimedia, augmented reality and games · 1
Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.
| Computer graphics and multimedia
1 paper |
Geometric modeling and processing · 50% Computational photography and imaging · 50% |
Topics — the 2 heaviest of 2, each with the papers that count most for it
| Topic | Weight | Papers | Last | Evidence papers |
|---|---|---|---|---|
Geometric modeling and processing › shape modeling › 3d hair modeling
hair geometry capture |
0.1 | 1 | 2008 | Hair photobooth: geometric and photometric acquisition of real hairstyles · ACM Trans. Graph. 2008 |
Computational photography and imaging › reflectance acquisition
reflectance field capture |
0.1 | 1 | 2008 | Hair photobooth: geometric and photometric acquisition of real hairstyles · ACM Trans. Graph. 2008 |
Methods — techniques the papers use, named apart from their topics
structured light · 0.1structure tensor · 0.1reflectance interpolation · 0.1
| Year | Publication | Venue | Position |
|---|---|---|---|
| 2008 | Hair photobooth: geometric and photometric acquisition of real hairstylesabstractWe accurately capture the shape and appearance of a person's hairstyle. We use triangulation and a sweep with planes of light for the geometry. Multiple projectors and cameras address the challenges raised by the reflectance and intricate geometry of hair. We introduce the use of structure tensors to infer the hidden geometry between the hair surface and the scalp. Our triangulation approach affords substantial accuracy improvement and we are able to measure elaborate hair geometry including complex curls and concavities. To reproduce the hair appearance, we capture a six-dimensional reflectance field. We introduce a new reflectance interpolation technique that leverages an analytical reflectance model to alleviate cross-fading artifacts caused by linear methods. Our results closely match the real hairstyles and can be used for animation. Sylvain Paris, Will Chang, Oleg I. Kozhushnyan, Wojciech Jarosz, Wojciech Matusik, Matthias Zwicker, Frédo Durand |
ACM Trans. Graph. | 3 |