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Oleg I. Kozhushnyan

dblp:58/3502 · DBLP profile ↗
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1ranked-venue papers
0as first author
0since 2021 · last 2008
—ORCID · none

Domains — the database's venue-derived domains; a paper can count in several

Graphics, computer vision, multimedia, augmented reality and games · 1

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Computer graphics and multimedia
1 paper
Geometric modeling and processing · 50% Computational photography and imaging · 50%

Topics — the 2 heaviest of 2, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Geometric modeling and processing › shape modeling › 3d hair modeling
hair geometry capture
0.112008
Hair photobooth: geometric and photometric acquisition of real hairstyles · ACM Trans. Graph. 2008
Computational photography and imaging › reflectance acquisition
reflectance field capture
0.112008
Hair photobooth: geometric and photometric acquisition of real hairstyles · ACM Trans. Graph. 2008

Methods — techniques the papers use, named apart from their topics

structured light · 0.1structure tensor · 0.1reflectance interpolation · 0.1
YearPublicationVenuePosition
2008 Hair photobooth: geometric and photometric acquisition of real hairstyles
abstract
We accurately capture the shape and appearance of a person's hairstyle. We use triangulation and a sweep with planes of light for the geometry. Multiple projectors and cameras address the challenges raised by the reflectance and intricate geometry of hair. We introduce the use of structure tensors to infer the hidden geometry between the hair surface and the scalp. Our triangulation approach affords substantial accuracy improvement and we are able to measure elaborate hair geometry including complex curls and concavities. To reproduce the hair appearance, we capture a six-dimensional reflectance field. We introduce a new reflectance interpolation technique that leverages an analytical reflectance model to alleviate cross-fading artifacts caused by linear methods. Our results closely match the real hairstyles and can be used for animation.
Sylvain Paris, Will Chang, Oleg I. Kozhushnyan, Wojciech Jarosz, Wojciech Matusik, Matthias Zwicker, Frédo Durand
ACM Trans. Graph.3