Demo Data from SIGIR 2026 / reviewers in the wild / expert
Xiaodi Li 0004
dblp:63/7279-4
· DBLP profile ↗
1ranked-venue papers
1as first author
1since 2021 · last 2024
0009-0001-1802-3652ORCID · verified
Domains — the database's venue-derived domains; a paper can count in several
Graphics, computer vision, multimedia, augmented reality and games · 1 · 1 first-author · 1 since 2021
Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.
| Computer graphics and multimedia
1 paper |
Visual content generation and editing · 77% Image and video processing · 23% | |
| Artificial intelligence
1 paper |
Video understanding and tracking · 100% |
Topics — the 3 heaviest of 3, each with the papers that count most for it
| Topic | Weight | Papers | Last | Evidence papers |
|---|---|---|---|---|
Computer vision › Video understanding and tracking › temporal modeling
temporal consistency |
0.8 | 1 | 2024 | Streamable Portrait Video Editing with Probabilistic Pixel Correspondence · ACM Multimedia 2024 |
Visual content generation and editing › video editing
portrait video editing |
0.8 | 1 | 2024 | Streamable Portrait Video Editing with Probabilistic Pixel Correspondence · ACM Multimedia 2024 |
Image and video processing › image restoration
image inpainting |
0.2 | 1 | 2024 | Streamable Portrait Video Editing with Probabilistic Pixel Correspondence · ACM Multimedia 2024 |
Methods — techniques the papers use, named apart from their topics
warping · 1.5probabilistic correspondence estimation · 1.5
| Year | Publication | Venue | Position |
|---|---|---|---|
| 2024 | Streamable Portrait Video Editing with Probabilistic Pixel CorrespondenceabstractPortrait video editing has attracted wide attention thanks to its practical applications. Existing methods either target fixed-length clips or perform temporally inconsistent per-frame editing. In this work, we present a brand new system, StreamEdit, which is primarily designed to edit streaming videos. Our system follows the ideology of editing propagation to ensure temporal consistency. Concretely, we choose to edit only one reference frame and warp the outcome to obtain the editing results of other frames. For this purpose, we employ a warping module, aided by a probabilistic pixel correspondence estimation network, to help establish the pixel-wise mapping between two frames. However, such a pipeline requires the reference frame to contain all contents appearing in the video, which is scarcely possible especially when there exist large motions and occlusions. To address this challenge, we propose to adaptively replace the reference frame, benefiting from a heuristic strategy referring to the overall pixel mapping uncertainty. That way, we can easily align the editing of the before- and after-replacement reference frames via image inpainting. Extensive experimental results demonstrate the effectiveness and generalizability of our approach in editing streaming portrait videos. Code will be made public. Xiaodi Li 0004 |
ACM Multimedia | 1 |