Demo Data from SIGIR 2026 / reviewers in the wild / expert
Kyota Tabuchi
dblp:68/7939
· DBLP profile ↗
1ranked-venue papers
0as first author
0since 2021 · last 2010
—ORCID · none
Domains — the database's venue-derived domains; a paper can count in several
Artificial intelligence and machine learning · 1Human-computer interaction and ubiquitous computing · 1
Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.
| Human-computer interaction and pervasive computing
1 paper |
Wearable and physiological sensing · 77% Design research and methods · 23% |
Topics — the 2 heaviest of 2, each with the papers that count most for it
| Topic | Weight | Papers | Last | Evidence papers |
|---|---|---|---|---|
Wearable and physiological sensing
facial expression sensing |
0.1 | 1 | 2010 | From cartoons to robots: facial regions as cues to recognize emotions · HRI 2010 |
Design research and methods › research methodology
cross-cultural study |
0.0 | 1 | 2010 | From cartoons to robots: facial regions as cues to recognize emotions · HRI 2010 |
Methods — techniques the papers use, named apart from their topics
survey · 0.1
| Year | Publication | Venue | Position |
|---|---|---|---|
| 2010 | From cartoons to robots: facial regions as cues to recognize emotionsabstractThis paper introduces a preliminary result of a cross-cultural study on the facial regions as cues to recognize virtual agents' facial expressions. We believe providing research results on the perception of cartoonish virtual agents' facial expressions to HRI research community is meaningful in order to minimize the effort to develop robot's facial expressions. The result implies 1) the mouth region is more effective in conveying the emotions of the facial expressions than the eye region, 2) there are cultural differences in using facial regions as cues to recognize cartoonish facial expressions between Hungary and Japan. Tomoko Koda, Yuka Nakagawa, Kyota Tabuchi, Zsófia Ruttkay |
HRI | 3 |