Demonstration venue · read-only. Every page can be browsed; the buttons that would change it are switched off. Create an account to run TaxoReview on your own data. A simulation from public publication records: the people listed were not invited and did not agree to review.
? Tutorial for this page

Asmita V. Karandikar

dblp:68/8692 · DBLP profile ↗
← Back
1ranked-venue papers
0as first author
0since 2021 · last 2010
—ORCID · none

Domains — the database's venue-derived domains; a paper can count in several

Graphics, computer vision, multimedia, augmented reality and games · 1

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Computer graphics and multimedia
1 paper
Multimedia analysis and retrieval · 100%

Topics — the 4 heaviest of 4, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Multimedia analysis and retrieval › video classification
film genre recognition
0.112010
Movie genre classification via scene categorization · ACM Multimedia 2010
Multimedia analysis and retrieval
video classification
0.112010
Movie genre classification via scene categorization · ACM Multimedia 2010
Multimedia analysis and retrieval › feature coding
bag-of-visual-words
0.012010
Movie genre classification via scene categorization · ACM Multimedia 2010
Multimedia analysis and retrieval › video content analysis
scene classification
0.012010
Movie genre classification via scene categorization · ACM Multimedia 2010

Methods — techniques the papers use, named apart from their topics

unsupervised learning · 0.1shot boundary analysis · 0.1scene detectors · 0.1
YearPublicationVenuePosition
2010 Movie genre classification via scene categorization
abstract
This paper presents a method for movie genre categorization of movie trailers, based on scene categorization. We view our approach as a step forward from using only low-level visual feature cues, towards the eventual goal of high-level seman- tic understanding of feature films. Our approach decom- poses each trailer into a collection of keyframes through shot boundary analysis. From these keyframes, we use state-of- the-art scene detectors and descriptors to extract features, which are then used for shot categorization via unsuper- vised learning. This allows us to represent trailers using a bag-of-visual-words (bovw) model with shot classes as vo- cabularies. We approach the genre classification task by mapping bovw temporally structured trailer features to four high-level movie genres: action, comedy, drama or horror films. We have conducted experiments on 1239 annotated trailers. Our experimental results demonstrate that exploit- ing scene structures improves film genre classification com- pared to using only low-level visual features.
Howard Zhou, Tucker Hermans, Asmita V. Karandikar, James M. Rehg
ACM Multimedia3