Demo Data from SIGIR 2026 / reviewers in the wild / expert
Asmita V. Karandikar
dblp:68/8692
· DBLP profile ↗
1ranked-venue papers
0as first author
0since 2021 · last 2010
—ORCID · none
Domains — the database's venue-derived domains; a paper can count in several
Graphics, computer vision, multimedia, augmented reality and games · 1
Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.
| Computer graphics and multimedia
1 paper |
Multimedia analysis and retrieval · 100% |
Topics — the 4 heaviest of 4, each with the papers that count most for it
| Topic | Weight | Papers | Last | Evidence papers |
|---|---|---|---|---|
Multimedia analysis and retrieval › video classification
film genre recognition |
0.1 | 1 | 2010 | Movie genre classification via scene categorization · ACM Multimedia 2010 |
Multimedia analysis and retrieval
video classification |
0.1 | 1 | 2010 | Movie genre classification via scene categorization · ACM Multimedia 2010 |
Multimedia analysis and retrieval › feature coding
bag-of-visual-words |
0.0 | 1 | 2010 | Movie genre classification via scene categorization · ACM Multimedia 2010 |
Multimedia analysis and retrieval › video content analysis
scene classification |
0.0 | 1 | 2010 | Movie genre classification via scene categorization · ACM Multimedia 2010 |
Methods — techniques the papers use, named apart from their topics
unsupervised learning · 0.1shot boundary analysis · 0.1scene detectors · 0.1
| Year | Publication | Venue | Position |
|---|---|---|---|
| 2010 | Movie genre classification via scene categorizationabstractThis paper presents a method for movie genre categorization of movie trailers, based on scene categorization. We view our approach as a step forward from using only low-level visual feature cues, towards the eventual goal of high-level seman- tic understanding of feature films. Our approach decom- poses each trailer into a collection of keyframes through shot boundary analysis. From these keyframes, we use state-of- the-art scene detectors and descriptors to extract features, which are then used for shot categorization via unsuper- vised learning. This allows us to represent trailers using a bag-of-visual-words (bovw) model with shot classes as vo- cabularies. We approach the genre classification task by mapping bovw temporally structured trailer features to four high-level movie genres: action, comedy, drama or horror films. We have conducted experiments on 1239 annotated trailers. Our experimental results demonstrate that exploit- ing scene structures improves film genre classification com- pared to using only low-level visual features. Howard Zhou, Tucker Hermans, Asmita V. Karandikar, James M. Rehg |
ACM Multimedia | 3 |