Demo Data from SIGIR 2026 / reviewers in the wild / expert
J. J. Nixdorf
dblp:70/6263
· DBLP profile ↗
1ranked-venue papers
1as first author
0since 2021 · last 2006
—ORCID · none
Domains — the database's venue-derived domains; a paper can count in several
Graphics, computer vision, multimedia, augmented reality and games · 1 · 1 first-author
Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.
| Computer graphics and multimedia
1 paper |
Audio and music processing · 100% | |
| Human-computer interaction and pervasive computing
1 paper |
Interaction techniques and input · 100% |
Topics — the 2 heaviest of 2, each with the papers that count most for it
| Topic | Weight | Papers | Last | Evidence papers |
|---|---|---|---|---|
Audio and music processing
spatial audio |
0.1 | 1 | 2006 | RITZ: a RealTime interactive tool for spatialization · ACM Multimedia 2006 |
Interaction techniques and input
musical interface |
0.0 | 1 | 2006 | RITZ: a RealTime interactive tool for spatialization · ACM Multimedia 2006 |
| Year | Publication | Venue | Position |
|---|---|---|---|
| 2006 | RITZ: a RealTime interactive tool for spatializationabstractIn this paper we discuss the use of sound spatialization in western classical music and attempt to explain a potential reason why it is not found in current popular music. We argue that the barriers limiting the use of musical sound spatialization are nearly gone and attempt to facilitate the return by providing a computer interface for musical spatialization. The interface is described in detail and is briefly compared to the few currently available interfaces. The paper focuses on real-time sound spatialization and includes a discussion of real-time spatialization versus spatial choreography. J. J. Nixdorf, David Gerhard |
ACM Multimedia | 1 |