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Jean-Marc Matos

dblp:183/0167 · DBLP profile ↗
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1ranked-venue papers
0as first author
1since 2021 · last 2021
—ORCID · none

Domains — the database's venue-derived domains; a paper can count in several

Human-computer interaction and ubiquitous computing · 1 · 1 since 2021

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Human-computer interaction and pervasive computing
1 paper
Human-robot interaction · 62% Interaction techniques and input · 19% Design research and methods · 19%

Topics — the 3 heaviest of 4, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Human-robot interaction › entertainment robotics
interactive dance
0.512021
RCO : Investigating Social and Technological Constraints through Interactive Dance · CHI 2021
Interaction techniques and input › mobile interaction
mobile phone interaction
0.112021
RCO : Investigating Social and Technological Constraints through Interactive Dance · CHI 2021
Design research and methods
research through design
0.112021
RCO : Investigating Social and Technological Constraints through Interactive Dance · CHI 2021

Methods — techniques the papers use, named apart from their topics

participatory performance · 0.5mobile phone interaction · 0.5
YearPublicationVenuePosition
2021 RCO : Investigating Social and Technological Constraints through Interactive Dance
abstract
We describe the research led by the performance Radical Choreographic Object (RCO). RCO is a participatory performance where the audience members respond to instructions and interactions sent to their mobile phones as well as invitations to dance from the performers.
Sarah Fdili Alaoui, Jean-Marc Matos
CHI2