Serkan Kumyol

dblp:196/4075 · DBLP profile ↗
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3ranked-venue papers
0as first author
3since 2021 · last 2026
0000-0003-4540-911XORCID · corroborated

Domains — the database's venue-derived domains; a paper can count in several

Human-computer interaction and ubiquitous computing · 2 · 2 since 2021Artificial intelligence and machine learning · 1 · 1 since 2021Graphics, computer vision, multimedia, augmented reality and games · 1 · 1 since 2021

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Human-computer interaction and pervasive computing
1 paper
Games and playful interaction · 44% User interface design and tools · 44% Human-AI interaction · 13%

Topics — the 2 heaviest of 3, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
User interface design and tools
authoring tools
1.012026
Orchid-Creator: An Authoring Tool Supporting LLM-Driven Interactive Narrative Creation · CHI 2026
Games and playful interaction
interactive narrative
1.012026
Orchid-Creator: An Authoring Tool Supporting LLM-Driven Interactive Narrative Creation · CHI 2026

Methods — techniques the papers use, named apart from their topics

story graph · 1.0large language model · 1.0
YearPublicationVenuePosition
2026 Orchid-Creator: An Authoring Tool Supporting LLM-Driven Interactive Narrative Creation
abstract
Large language models (LLMs) are reshaping interactive digital narratives (IDNs). However, creating complex interactive narratives while preserving narrative consistency remains challenging. We present Orchid‑Creator (Orchid), an LLM-based authoring tool that represents IDNs as story graphs with a card‑based interface for scene definition and conditional transitions. We evaluated Orchid in two studies: a usability study with eight authors, and a comparative study with 20 participants (authors, developers, and players) that compared Orchid to Twine and AI Dungeon. Authors reported that Orchid’s features met their needs (card‑based interface: 4.0/5; story graph: 4.38/5; variable setup: 4.5/5). Structuring narratives with Orchid was easier (M = 6.0/7, p <.01) and produced better‑structured stories (M = 5.3/7, p <.05) than the alternatives, balancing author control (M = 5.5/7) with outcome diversity (M = 5/7, p <.01) and maintaining comparable usability. Finally, a case study with an artist demonstrates Orchid’s utility for interactive art.
Serkan Kumyol, Zhengyang Ma, Tristan Braud
CHI2
2025 Orchid: A Creative Approach for Authoring LLM-Driven Interactive Narratives
abstract
Integrating Large Language Models (LLMs) into Interactive Digital Narratives (IDNs) enables dynamic storytelling where user interactions shape the narrative in real time, challenging traditional authoring methods.This paper presents the design study of Orchid, a creative approach for authoring LLM-driven IDNs.Orchid allows users to structure the hierarchy of narrative stages and define the rules governing LLM narrative generation and transitions between stages.The development of Orchid consists of three phases.1) Formulating Orchid through desk research on existing IDN practices.2) Implementation of a technology probe based on Orchid.3) Evaluating how IDN authors use Orchid to design IDNs, verify Orchid's hypotheses, and explore user needs for future authoring tools.This study confirms that authors are open to LLM-driven IDNs but desire strong authorial agency in narrative structures, highlighted in accuracy in branching transitions and story details.Future design implications for Orchid include introducing deterministic variable handling, support for trans-media applications, and narrative consistency across branches.
Serkan Kumyol, Shing Yin Wong, Xiaozhu Hu, Xin Tong 0004, Tristan Braud
Creativity & Cognition2
2025 HK-GenSpeech: A Generative AI Scene Creation Framework for Speech Based Cognitive Assessment
Vi Jun Sean Yong, Serkan Kumyol, Pau Le Lisa Low, Winnie Suk Wai Leung, Tristan Braud
INTERSPEECH2