Demo Data from VLDB 2026 / reviewers in the wild / expert
Mao Makino
dblp:69/603
· DBLP profile ↗
5ranked-venue papers
0as first author
0since 2021 · last 2006
—ORCID · none
Domains — the database's venue-derived domains; a paper can count in several
Graphics, computer vision, multimedia, augmented reality and games · 4Human-computer interaction and ubiquitous computing · 3Artificial intelligence and machine learning · 1
Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.
| Human-computer interaction and pervasive computing
1 paper |
Personal fabrication and tangible interfaces · 50% Interaction techniques and input · 50% | |
| Computer graphics and multimedia
1 paper |
Audio and music processing · 100% |
Topics — the 3 heaviest of 3, each with the papers that count most for it
| Topic | Weight | Papers | Last | Evidence papers |
|---|---|---|---|---|
Interaction techniques and input › surface computing
tabletop interaction |
0.0 | 1 | 2003 | The Augmented Composer Project: The Music Table · ISMAR 2003 |
Personal fabrication and tangible interfaces
tangible interaction |
0.0 | 1 | 2003 | The Augmented Composer Project: The Music Table · ISMAR 2003 |
Audio and music processing
music composition |
0.0 | 1 | 2003 | The Augmented Composer Project: The Music Table · ISMAR 2003 |
Methods — techniques the papers use, named apart from their topics
overhead camera tracking · 0.1
| Year | Publication | Venue | Position |
|---|---|---|---|
| 2006 | Tunes on the table
Rodney Berry, Mao Makino, Naoto Hikawa, Masami Suzuki, Naomi Inoue |
Multim. Syst. | 2 |
| 2004 | The Bush Telegraph: Networked Cooperative Music-Making
Rodney Berry, Mao Makino, Naoto Hikawa, Masami Suzuki |
ICEC | 2 |
| 2003 | The Augmented Composer Project: The Music TableabstractThe music table enables the composition of musical patterns by arranging cards on a tabletop. An overhead camera allows the computer to track the movements and positions of the cards and to provide immediate feedback in the form of music and on-screen computer generated images. Musical structure is experienced as a tangible space enriched with physical and visual cues about the music produced. Rodney Berry, Mao Makino, Naoto Hikawa, Masami Suzuki |
ISMAR | 2 |
| 2001 | An Interactive and Concerted Dance System - Emotion Extraction and Support for Emotional ConcertabstractA human activity that expresses one's emotion is significantly important in non-verbal communications. Human body motion such as a dance performance is one of the important factors in expressing such an emotion. An effective method to extract emotional information in real time from dance images is described. A novel heuristic function is also proposed to evaluate the degree of harmony between two dancers. As a typical application, a dance system called MIDAS that interactively combines dancers' images with video, sound, and CG characters is introduced. MIDAS can visualize how well dancers are in harmony with each other and encourage their expressions. Ikuo Harada, Makoto Tadenuma, Takahiro Nakai, Ryotaro Suzuki, Naoto Hikawa, Mao Makino, Masayuki Inoue |
IV | 6 |
| 2000 | MIC Interactive Dance System-an emotional interaction systemabstractWe have been researching a method for expressing emotional images by utilizing multimedia like video and sound and so on. Human body motion is one of the important essences in expressing human emotion. We chose dance as a subject of our research, because dance performers perform motion to express the emotion in their mind. Our research results show that the multiple regression method effectively extracts human emotion from simple motion parameters given by image processing. MIDAS (MIC Interactive Dance System) is an application of the emotion extraction method. The extraction method and MIDAS are introduced. Yuichi Iwadate, Masayuki Inoue, Ryotaro Suzuki, Naoto Hikawa, Mao Makino, Y. Kanemoto |
KES | 5 |