The increasing number of presentation attacks on reliable face matching has raised concerns and garnered attention towards face anti-spoofing (FAS). However, existing methods for FAS modeling commonly fuse multiple visual modalities (e.g., RGB, Depth, and Infrared) in a straightforward manner, disregarding latent feature gaps that can hinder representation learning. To address this challenge, we propose a novel multimodal FAS framework (mmFAS) that focuses on explicit alignment and fusion of latent features across different modalities. Specifically, we develop a multimodal alignment module to alleviate the latent feature gap by using instance-level contrastive learning and class-level matching simultaneously. Further, we explore a new switch-attention based fusion module to automatically aggregate complementary information and control model complexity. To evaluate the anti-spoofing performance more effectively, we adopt a challenging yet meaningful cross-database protocol involving four benchmark multimodal FAS datasets to simulate realworld scenarios. Extensive experimental results demonstrate the effectiveness of mmFAS in improving the accuracy of FAS systems, outperforming 10 representative methods.

Precise 3D hand posture is essential for learning musical instruments. Reconstructing highly precise 3D hand gestures enables learners to correct and master proper techniques through 3D simulation and Extended Reality. However, exsiting methods typically rely on precisely calibrated multi-camera systems, which are not easily deployable in everyday environments. In this paper, we focus on calibration-free multi-view 3D hand reconstruction in unconstrained scenarios. Establishing correspondences between multi-view images is particularly challenging without camera extrinsics. To address this, we propose A^3-Net, a multi-level alignment framework that utilizes 3D structural representations with hierarchical geometric and explicit semantic information as alignment proxies, facilitating multi-view feature interaction in both 3D geometric space and 2D visual space. Specifically, we first perfrom global geometric alignment to map multi-view features into a canonical space. Subsequently, we aggregate information into predefined sparse and dense proxies to further integrate cross-view semantics through mutual interaction. Finnaly, we perfrom 2D alignment to align projected 2D visual features with 2D observations. Our method achieves state-of-the-art results in the multi-view 3D hand reconstruction task, demonstrating the effectiveness of our proposed framework.

Multi-view 3D human pose estimation (HPE) leverages complementary information across views to improve accuracy and robustness. Traditional methods rely on camera calibration to establish geometric correspondences, which is sensitive to calibration accuracy and lacks flexibility in dynamic settings. Calibration-free approaches address these limitations by learning adaptive view interactions, typically leveraging expressive and flexible continuous representations. However, as the multiview interaction relationship is learned entirely from data without constraint, they are vulnerable to noisy input, which can propagate, amplify and accumulate errors across all views, severely corrupting the final estimated pose. To mitigate this, we propose a novel framework that integrates a noise-resilient discrete prior into the continuous representation-based model. Specifically, we introduce the \textit{UniCodebook}, a unified, compact, robust, and discrete representation complementary to continuous features, allowing the model to benefit from robustness to noise while preserving regression capability. Furthermore, we further propose an attribute-preserving and complementarity-enhancing Discrete-Continuous Spatial Attention (DCSA) mechanism to facilitate interaction between discrete priors and continuous pose features. Extensive experiments on three representative datasets demonstrate that our approach outperforms both calibration-required and calibration-free methods, achieving state-of-the-art performance.