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Lassi Seppälä

dblp:99/7922 · DBLP profile ↗
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1ranked-venue papers
0as first author
0since 2021 · last 2011
—ORCID · none

Domains — the database's venue-derived domains; a paper can count in several

Human-computer interaction and ubiquitous computing · 1

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Computer graphics and multimedia
1 paper
Visual content generation and editing · 50% Visualization and visual analytics · 50%
Human-computer interaction and pervasive computing
1 paper
Collaborative and social computing · 100%

Topics — the 3 heaviest of 3, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Visualization and visual analytics
human-computer collaboration		 0.112011
We want more: human-computer collaboration in mobile social video remixing of music concerts · CHI 2011
Visual content generation and editing › video editing
video remixing		 0.112011
We want more: human-computer collaboration in mobile social video remixing of music concerts · CHI 2011
Collaborative and social computing › social media › media sharing
social video sharing		 0.112011
We want more: human-computer collaboration in mobile social video remixing of music concerts · CHI 2011
YearPublicationVenuePosition
2011 We want more: human-computer collaboration in mobile social video remixing of music concerts
abstract
Recording and publishing mobile video clips from music concerts is popular. There is a high potential to increase the concert's perceived value when producing video remixes from individual video clips and using them socially. A digital production of a video remix is an interactive process between human and computer. However, it is not clear what the collaboration implications between human and computer are.
Sami Vihavainen, Sujeet Mate, Lassi Seppälä, Francesco Cricri, Igor D. D. Curcio
 CHI3