The emergence of artificial emotional intelligence technology is revolutionizing the fields of computers and robotics, allowing for a new level of communication and understanding of human behavior that was once thought impossible. While recent advancements in deep learning have transformed the field of computer vision, automated understanding of evoked or expressed emotions in visual media remains in its infancy. This foundering stems from the absence of a universally accepted definition of "emotion," coupled with the inherently subjective nature of emotions and their intricate nuances. In this article, we provide a comprehensive, multidisciplinary overview of the field of emotion analysis in visual media, drawing on insights from psychology, engineering, and the arts. We begin by exploring the psychological foundations of emotion and the computational principles that underpin the understanding of emotions from images and videos. We then review the latest research and systems within the field, accentuating the most promising approaches. We also discuss the current technological challenges and limitations of emotion analysis, underscoring the necessity for continued investigation and innovation. We contend that this represents a "Holy Grail" research problem in computing and delineate pivotal directions for future inquiry. Finally, we examine the ethical ramifications of emotion-understanding technologies and contemplate their potential societal impacts. Overall, this article endeavors to equip readers with a deeper understanding of the domain of emotion analysis in visual media and to inspire further research and development in this captivating and rapidly evolving field.

We proposed a probabilistic approach to joint modeling of participants' reliability and humans' regularity in crowdsourced affective studies. Reliability measures how likely a subject will respond to a question seriously; and regularity measures how often a human will agree with other seriously-entered responses coming from a targeted population. Crowdsourcing-based studies or experiments, which rely on human self-reported affect, pose additional challenges as compared with typical crowdsourcing studies that attempt to acquire concrete non-affective labels of objects. The reliability of participants has been massively pursued for typical non-affective crowdsourcing studies, whereas the regularity of humans in an affective experiment in its own right has not been thoroughly considered. It has been often observed that different individuals exhibit different feelings on the same test question, which does not have a sole correct response in the first place. High reliability of responses from one individual thus cannot conclusively result in high consensus across individuals. Instead, globally testing consensus of a population is of interest to investigators. Built upon the agreement multigraph among tasks and workers, our probabilistic model differentiates subject regularity from population reliability. We demonstrate the method's effectiveness for in-depth robust analysis of large-scale crowdsourced affective data, including emotion and aesthetic assessments collected by presenting visual stimuli to human subjects.

Prior computational studies have examined hundreds of visual characteristics related to color, texture, and composition in an attempt to predict human emotional responses. Beyond those myriad features examined in computer science, roundness, angularity, and visual complexity have also been found to evoke emotions in human perceivers, as demonstrated in psychological studies of facial expressions, dance poses, and even simple synthetic visual patterns. Capturing these characteristics algorithmically to incorporate in computational studies, however, has proven difficult. Here we expand the scope of previous computer vision work by examining these three visual characteristics in computer analysis of complex scenes, and compare the results to the hundreds of visual qualities previously examined. A large collection of ecologically valid stimuli (i.e., photos that humans regularly encounter on the web), named the EmoSet and containing more than 40,000 images crawled from web albums, was generated using crowd-sourcing and subjected to human subject emotion ratings. We developed computational methods to the separate indices of roundness, angularity, and complexity, thereby establishing three new computational constructs. Critically, these three new physically interpretable visual constructs achieve comparable classification accuracy to the hundreds of shape, texture, composition, and facial feature characteristics previously examined. In addition, our experimental results show that color features related most strongly with the positivity of perceived emotions, the texture features related more to calmness or excitement, and roundness, angularity, and simplicity related similarly with both of these emotions dimensions.

We investigated how shape features in natural images influence emotions aroused in human beings. Shapes and their characteristics such as roundness, angularity, simplicity, and complexity have been postulated to affect the emotional responses of human beings in the field of visual arts and psychology. However, no prior research has modeled the dimensionality of emotions aroused by roundness and angularity. Our contributions include an in-depth statistical analysis to understand the relationship between shapes and emotions. Through experimental results on the International Affective Picture System (IAPS) dataset we provide evidence for the significance of roundness-angularity and simplicity-complexity on predicting emotional content in images. We combine our shape features with other state-of-the-art features to show a gain in prediction and classification accuracy. We model emotions from a dimensional perspective in order to predict valence and arousal ratings which have advantages over modeling the traditional discrete emotional categories. Finally, we distinguish images with strong emotional content from emotionally neutral images with high accuracy.