Demonstration venue · read-only. Every page can be browsed; the buttons that would change it are switched off. Create an account to run TaxoReview on your own data. A simulation from public publication records: the people listed were not invited and did not agree to review.
? Tutorial for this page

Gérard Assayag

dblp:05/5440 · DBLP profile ↗
← Back
5ranked-venue papers
2as first author
0since 2021 · last 2011
—ORCID · none

Domains — the database's venue-derived domains; a paper can count in several

Artificial intelligence and machine learning · 3 · 2 first-authorSoftware engineering, systems software and programming languages · 1Graphics, computer vision, multimedia, augmented reality and games · 1Theory of computation · 1

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Computer graphics and multimedia
2 papers
Audio and music processing · 62% Multimedia analysis and retrieval · 38%
Human-computer interaction and pervasive computing
1 paper
User interface design and tools · 100%

Topics — the 5 heaviest of 5, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Multimedia analysis and retrieval › audio retrieval
audio similarity
0.112011
On the Information Geometry of Audio Streams With Applications to Similarity Computing · IEEE Trans. Speech Audio Process. 2011
Audio and music processing
music information retrieval
0.112011
On the Information Geometry of Audio Streams With Applications to Similarity Computing · IEEE Trans. Speech Audio Process. 2011
User interface design and tools › visual programming
visual programming environment
0.112011
OpenMusic: visual programming environment for music composition, analysis and research · ACM Multimedia 2011
Audio and music processing › audio analysis
audio segmentation
0.012011
On the Information Geometry of Audio Streams With Applications to Similarity Computing · IEEE Trans. Speech Audio Process. 2011
Audio and music processing
music composition
0.012011
OpenMusic: visual programming environment for music composition, analysis and research · ACM Multimedia 2011

Methods — techniques the papers use, named apart from their topics

information geometry · 0.1exponential distribution · 0.1bregman divergence · 0.1
YearPublicationVenuePosition
2011 OpenMusic: visual programming environment for music composition, analysis and research
abstract
OpenMusic is an open source environment dedicated to music composition. The core of this environment is a full-featured visual programming language based on Common Lisp and CLOS (Common Lisp Object System) allowing to design processes for the generation or manipulation of musical material. This language can also be used for general purpose visual programming and other (possibly extra-musical) applications.
Jean Bresson, Carlos Agón, Gérard Assayag
ACM Multimedia3
2011 On the Information Geometry of Audio Streams With Applications to Similarity Computing
abstract
This paper proposes methods for information processing of audio streams using methods of information geometry. We lay the theoretical groundwork for a framework allowing the treatment of signal information as information entities, suitable for similarity and symbolic computing on audio signals. The theoretical basis of this paper is based on the information geometry of statistical structures representing audio spectrum features, and specifically through the bijection between the generic families of Bregman divergences and that of exponential distributions. The proposed framework, called Music Information Geometry, allows online segmentation of audio streams to metric balls where each ball represents a quasi-stationary continuous chunk of audio, and discusses methods to qualify and quantify information between entities for similarity computing. We define an information geometry that approximates a similarity metric space, redefine general notions in music information retrieval such as similarity between entities, and address methods for dealing with nonstationarity of audio signals. We demonstrate the framework on two sample applications for online audio structure discovery and audio matching.
Arshia Cont, Shlomo Dubnov, Gérard Assayag
IEEE Trans. Speech Audio Process.3
2009 An Overview of FORCES: An INRIA Project on Declarative Formalisms for Emergent Systems
Jesús Aranda, Gérard Assayag, Carlos Olarte, Jorge A. Pérez 0001, Camilo Rueda, Mauricio Toro, Frank D. Valencia
ICLP2
2004 Preface
Gérard Assayag, Vittorio Cafagna, Marc Chemillier
Soft Comput.1
2004 Using Factor Oracles for Machine Improvisation
Gérard Assayag, Shlomo Dubnov
Soft Comput.1