Demo Data from EDBT 2026 / reviewers in the wild / expert
Gérard Assayag
dblp:05/5440
· DBLP profile ↗
5ranked-venue papers
2as first author
0since 2021 · last 2011
—ORCID · none
Domains — the database's venue-derived domains; a paper can count in several
Artificial intelligence and machine learning · 3 · 2 first-authorSoftware engineering, systems software and programming languages · 1Graphics, computer vision, multimedia, augmented reality and games · 1Theory of computation · 1
Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.
| Computer graphics and multimedia
2 papers |
Audio and music processing · 62% Multimedia analysis and retrieval · 38% | |
| Human-computer interaction and pervasive computing
1 paper |
User interface design and tools · 100% |
Topics — the 5 heaviest of 5, each with the papers that count most for it
| Topic | Weight | Papers | Last | Evidence papers |
|---|---|---|---|---|
Multimedia analysis and retrieval › audio retrieval
audio similarity |
0.1 | 1 | 2011 | On the Information Geometry of Audio Streams With Applications to Similarity Computing · IEEE Trans. Speech Audio Process. 2011 |
Audio and music processing
music information retrieval |
0.1 | 1 | 2011 | On the Information Geometry of Audio Streams With Applications to Similarity Computing · IEEE Trans. Speech Audio Process. 2011 |
User interface design and tools › visual programming
visual programming environment |
0.1 | 1 | 2011 | OpenMusic: visual programming environment for music composition, analysis and research · ACM Multimedia 2011 |
Audio and music processing › audio analysis
audio segmentation |
0.0 | 1 | 2011 | On the Information Geometry of Audio Streams With Applications to Similarity Computing · IEEE Trans. Speech Audio Process. 2011 |
Audio and music processing
music composition |
0.0 | 1 | 2011 | OpenMusic: visual programming environment for music composition, analysis and research · ACM Multimedia 2011 |
Methods — techniques the papers use, named apart from their topics
information geometry · 0.1exponential distribution · 0.1bregman divergence · 0.1
| Year | Publication | Venue | Position |
|---|---|---|---|
| 2011 | OpenMusic: visual programming environment for music composition, analysis and researchabstractOpenMusic is an open source environment dedicated to music composition. The core of this environment is a full-featured visual programming language based on Common Lisp and CLOS (Common Lisp Object System) allowing to design processes for the generation or manipulation of musical material. This language can also be used for general purpose visual programming and other (possibly extra-musical) applications. Jean Bresson, Carlos Agón, Gérard Assayag |
ACM Multimedia | 3 |
| 2011 | On the Information Geometry of Audio Streams With Applications to Similarity ComputingabstractThis paper proposes methods for information processing of audio streams using methods of information geometry. We lay the theoretical groundwork for a framework allowing the treatment of signal information as information entities, suitable for similarity and symbolic computing on audio signals. The theoretical basis of this paper is based on the information geometry of statistical structures representing audio spectrum features, and specifically through the bijection between the generic families of Bregman divergences and that of exponential distributions. The proposed framework, called Music Information Geometry, allows online segmentation of audio streams to metric balls where each ball represents a quasi-stationary continuous chunk of audio, and discusses methods to qualify and quantify information between entities for similarity computing. We define an information geometry that approximates a similarity metric space, redefine general notions in music information retrieval such as similarity between entities, and address methods for dealing with nonstationarity of audio signals. We demonstrate the framework on two sample applications for online audio structure discovery and audio matching. Arshia Cont, Shlomo Dubnov, Gérard Assayag |
IEEE Trans. Speech Audio Process. | 3 |
| 2009 | An Overview of FORCES: An INRIA Project on Declarative Formalisms for Emergent Systems
Jesús Aranda, Gérard Assayag, Carlos Olarte, Jorge A. Pérez 0001, Camilo Rueda, Mauricio Toro, Frank D. Valencia |
ICLP | 2 |
| 2004 | Preface
Gérard Assayag, Vittorio Cafagna, Marc Chemillier |
Soft Comput. | 1 |
| 2004 | Using Factor Oracles for Machine Improvisation
Gérard Assayag, Shlomo Dubnov |
Soft Comput. | 1 |