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Stefano Zambon

dblp:06/8308 · DBLP profile ↗
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1ranked-venue papers
0as first author
0since 2021 · last 2010
—ORCID · none

Domains — the database's venue-derived domains; a paper can count in several

Artificial intelligence and machine learning · 1

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Computer graphics and multimedia
1 paper
Audio and music processing · 100%

Topics — the 3 heaviest of 3, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Audio and music processing › sound synthesis › physical modeling synthesis
modal sound synthesis
0.112010
A Modal-Based Real-Time Piano Synthesizer · IEEE Trans. Speech Audio Process. 2010
Audio and music processing › sound synthesis
music synthesis
0.112010
A Modal-Based Real-Time Piano Synthesizer · IEEE Trans. Speech Audio Process. 2010
Audio and music processing › sound synthesis
physical modeling synthesis
0.112010
A Modal-Based Real-Time Piano Synthesizer · IEEE Trans. Speech Audio Process. 2010

Methods — techniques the papers use, named apart from their topics

parallel second-order filters · 0.1modal synthesis · 0.1fast convolution · 0.1
YearPublicationVenuePosition
2010 A Modal-Based Real-Time Piano Synthesizer
abstract
This paper presents a real-time piano synthesizer where both the transverse and longitudinal motion of the string is modeled by modal synthesis, resulting in a coherent and highly parallel model structure. The paper applies recent developments in piano modeling and focuses on the issues related to practical implementation (e.g., numerical stability, aliasing, and efficiency). A strong emphasis is given to modeling nonlinear string vibrations, and a new variation of earlier synthesis techniques is proposed which is particularly well suited for modal synthesis. For soundboard modeling, the possibilities of using fast Fourier transform-based fast convolution and parallel second-order filters are discussed. Additionally, the paper describes the details of the software implementation and discusses the computational complexity of each model block. The piano model runs on current computer hardware with full polyphony in real time.
Balázs Bank, Stefano Zambon, Federico Fontana
IEEE Trans. Speech Audio Process.2