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Riccardo Marogna

dblp:11/8308 · DBLP profile ↗
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1ranked-venue papers
0as first author
0since 2021 · last 2010
—ORCID · none

Domains — the database's venue-derived domains; a paper can count in several

Artificial intelligence and machine learning · 1

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Computer graphics and multimedia
1 paper
Audio and music processing · 56% Computer animation and physical simulation · 44%

Topics — the 3 heaviest of 3, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Computer animation and physical simulation
physically-based modeling
0.112010
A Modular Physically Based Approach to the Sound Synthesis of Membrane Percussion Instruments · IEEE Trans. Speech Audio Process. 2010
Audio and music processing
sound synthesis
0.112010
A Modular Physically Based Approach to the Sound Synthesis of Membrane Percussion Instruments · IEEE Trans. Speech Audio Process. 2010
Audio and music processing › sound synthesis › physical modeling synthesis
modal sound synthesis
0.012010
A Modular Physically Based Approach to the Sound Synthesis of Membrane Percussion Instruments · IEEE Trans. Speech Audio Process. 2010

Methods — techniques the papers use, named apart from their topics

nonlinear elastic plate theory · 0.1lumped modeling · 0.1
YearPublicationVenuePosition
2010 A Modular Physically Based Approach to the Sound Synthesis of Membrane Percussion Instruments
abstract
This paper presents a set of novel physical models for sound synthesis of membrane percussion instruments. First, a model for tension modulation in a struck circular membrane is discussed, which simulates the dynamic variations of partial frequencies occurring at large amplitude vibrations of the membrane. It is shown that the model, which is derived from a more general theory of nonlinear elastic plates, can be efficiently integrated into a modal synthesis engine. Novel models for two relevant sound production mechanisms in membrane percussions are then proposed, i.e., coupling between two membranes through enclosed air in two-headed percussions, and string-membrane coupling. Both are based on a lumped modeling approach and can be straightforwardly connected to the nonlinear membrane model. By virtue of this modular approach, individual elements (circular linear/nonlinear membranes, impact force, membrane coupling through air, string-membrane coupling) can be combined to form different instruments. The acoustic results of the proposed models are demonstrated by means of analysis of numerical simulations.
Federico Avanzini, Riccardo Marogna
IEEE Trans. Speech Audio Process.2