Demo Data from EDBT 2026 / reviewers in the wild / expert
Beata Jungselius
dblp:129/2128
· DBLP profile ↗
2ranked-venue papers
1as first author
1since 2021 · last 2025
0000-0002-6211-1326ORCID · corroborated
Domains — the database's venue-derived domains; a paper can count in several
Human-computer interaction and ubiquitous computing · 2 · 1 first-author · 1 since 2021
Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.
| Human-computer interaction and pervasive computing
2 papers |
Collaborative and social computing · 81% Usability and user experience research · 19% |
Topics — the 4 heaviest of 4, each with the papers that count most for it
| Topic | Weight | Papers | Last | Evidence papers |
|---|---|---|---|---|
Collaborative and social computing › social media
social media use |
0.9 | 1 | 2025 | Tracing Change in Social Media Use: A Qualitative Longitudinal Study · CHI 2025 |
Usability and user experience research › evaluation methodology
longitudinal study |
0.3 | 1 | 2025 | Tracing Change in Social Media Use: A Qualitative Longitudinal Study · CHI 2025 |
Collaborative and social computing › social media › media sharing
online photo sharing |
0.2 | 1 | 2013 | Instagram at the museum: communicating the museum experience through social photo sharing · CHI 2013 |
Collaborative and social computing
museum experience |
0.0 | 1 | 2013 | Instagram at the museum: communicating the museum experience through social photo sharing · CHI 2013 |
Methods — techniques the papers use, named apart from their topics
stimulated recall · 0.9semi-structured interviews · 0.9qualitative longitudinal study · 0.9interview study · 0.2content analysis · 0.2
| Year | Publication | Venue | Position |
|---|---|---|---|
| 2025 | Tracing Change in Social Media Use: A Qualitative Longitudinal StudyabstractThis study reveals a significant shift in how users perceive and engage with social media over time. Our analysis is based on qualitative longitudinal research carried out over ten years, involving a small group of participants in 2012, 2017, and 2022. Semi-structured, in-depth interviews were conducted using stimulated recall allowing for retrospection and reflection. Through this methodology, we trace the shifting perceptions of social media users, from initially embracing these platforms for quick, fun, and social activities, to later recognizing their potential intrusiveness and seeking strategies to manage their use. We outline three central trajectories that illustrate shifts in social media use across time: from public performance to private interaction, from producing to consuming and from fun to problematic. For HCI and social media studies, these findings underscore the need to prioritize user agency, ethical design practices, and longitudinal research endeavors to understand the evolving impacts of social media. Beata Jungselius, Alexandra Weilenmann |
CHI | 1 |
| 2013 | Instagram at the museum: communicating the museum experience through social photo sharingabstractThe everyday use of smartphones with high quality built-in cameras has lead to an increase in museum visitors' use of these devices to document and share their museum experiences. In this paper, we investigate how one particular photo sharing application, Instagram, is used to communicate visitors' experiences while visiting a museum of natural history. Based on an analysis of 222 instagrams created in the museum, as well as 14 interviews with the visitors who created them, we unpack the compositional resources and concerns contributing to the creation of instagrams in this particular context. By re-categorizing and re-configuring the museum environment, instagrammers work to construct their own narratives from their visits. These findings are then used to discuss what emerging multimedia practices imply for the visitors' engagement with and documentation of museum exhibits. Drawing upon these practices, we discuss the connection between online social media dialogue and the museum site. Alexandra Weilenmann, Thomas Hillman, Beata Jungselius |
CHI | 3 |