To examine the electrophysiological underpinnings of the functional networks involved in music listening, previous approaches based on spatial independent component analysis (ICA) have recently been used to ongoing electroencephalography (EEG) and magnetoencephalography (MEG). However, those studies focused on healthy subjects, and failed to examine the group-level comparisons during music listening. Here, we combined group-level spatial Fourier ICA with acoustic feature extraction, to enable group comparisons in frequency-specific brain networks of musical feature processing. It was then applied to healthy subjects and subjects with major depressive disorder (MDD). The music-induced oscillatory brain patterns were determined by permutation correlation analysis between individual time courses of Fourier-ICA components and musical features. We found that (1) three components, including a beta sensorimotor network, a beta auditory network and an alpha medial visual network, were involved in music processing among most healthy subjects; and that (2) one alpha lateral component located in the left angular gyrus was engaged in music perception in most individuals with MDD. The proposed method allowed the statistical group comparison, and we found that: (1) the alpha lateral component was activated more strongly in healthy subjects than in the MDD individuals, and that (2) the derived frequency-dependent networks of musical feature processing seemed to be altered in MDD participants compared to healthy subjects. The proposed pipeline appears to be valuable for studying disrupted brain oscillations in psychiatric disorders during naturalistic paradigms.

An extension of group independent component analysis (GICA) is introduced, where multi-set canonical correlation analysis (MCCA) is combined with principal component analysis (PCA) for three-stage dimension reduction. The method is applied on naturalistic functional MRI (fMRI) images acquired during task-free continuous music listening experiment, and the results are compared with the outcome of the conventional GICA. The extended GICA resulted slightly faster ICA convergence and, more interestingly, extracted more stimulus-related components than its conventional counterpart. Therefore, we think the extension is beneficial enhancement for GICA, especially when applied to challenging fMRI data.

This study presents a method to analyze blood-oxygen-level-dependent (BOLD) functional magnetic resonance imaging (fMRI) signals associated with listening to continuous music. Semi-blind independent component analysis (ICA) was applied to decompose the fMRI data to source level activation maps and their respective temporal courses. The unmixing matrix in the source separation process of ICA was constrained by a variety of acoustic features derived from the piece of music used as the stimulus in the experiment. This allowed more stable estimation and extraction of more activation maps of interest compared to conventional ICA methods.

This study proposes a novel approach for the analysis of brain responses in the modality of ongoing EEG elicited by the naturalistic and continuous music stimulus. The 512-second long EEG data (recorded with 64 electrodes) are first decomposed into 64 components by independent component analysis (ICA) for each participant. Then, the spatial maps showing dipolar brain activity are selected in terms of the residual dipole variance through a single dipole model in brain imaging, and clustered into a pre-defined number (estimated by the minimum description length) of clusters. Subsequently, the temporal courses of the EEG theta and alpha oscillations of each component for each cluster are produced and correlated with the temporal courses of tonal and rhythmic features of the music. Using this approach, we found that the extracted temporal courses of the theta and alpha oscillations along central and occipital area of scalp in two of the selected clusters significantly correlated with the musical features representing progressions in the rhythmic content of the stimulus. We suggest that this demonstrates that with the proposed approach, we have managed to discover what kinds of brain responses were elicited when a participant was listening continuously to the long piece of naturalistic music.