Temporal detection problems appear in many fields including time-series estimation, activity recognition and sound event detection (SED). In this work, we propose a new approach to temporal event modeling by explicitly modeling event onsets and offsets, and by introducing boundary-aware optimization and inference strategies that substantially enhance temporal event detection. The presented methodology incorporates new temporal modeling layers—Recurrent Event Detection (RED) and Event Proposal Network (EPN)—which, together with tailored loss functions, enable more effective and precise temporal event detection. We evaluate the proposed method in the SED domain using a subset of the temporally-strongly annotated portion of AudioSet. Experimental results show that our approach not only outperforms traditional frame-wise SED models with state-of-the-art post-processing, but also removes the need for post-processing hyperparameter tuning, and scales to achieve new state-of-the-art performance across all AudioSet Strong classes.

Recent years have seen a significant increase in video content creation and consumption. Crafting engaging content requires the careful curation of both visual and audio elements. While visual cue curation, through techniques like optimal viewpoint selection or post-editing, has been central to media production, its natural counterpart, audio, has not undergone equivalent advancements. This often results in a disconnect between visual and acoustic saliency. To bridge this gap, we introduce a novel task: visually-guided acoustic highlighting, which aims to transform audio to deliver appropriate highlighting effects guided by the accompanying video, ultimately creating a more harmonious audio-visual experience. We propose a flexible, transformer-based multimodal framework to solve this task. To train our model, we also introduce a new dataset—THE MUDDY MIX DATASET, leveraging the meticulous audio and video crafting found in movies, which provides a form of free supervision. We develop a pseudo-data generation process to simulate poorly mixed audio, mimicking real-world scenarios through a three-step process—separation, adjustment, and remixing. Our approach consistently outperforms several baselines in both quantitative and subjective evaluation. We also systematically study the impact of different types of contextual guidance and difficulty levels of the dataset. Our project page is here: https://wikichao.github.io/VisAH/.

This paper tackles two major problem settings for interpretability of audio processing networks,post-hocandby-designinterpretation. For post-hoc interpretation, we aim to interpret decisions of a network in terms of high-level audio objects that are also listenable for the end-user. This is extended to present an inherently interpretable model with high performance. To this end, we propose a novel interpreter design that incorporates non-negative matrix factorization (NMF). In particular, an interpreter is trained to generate a regularized intermediate embedding from hidden layers of a target network, learnt as time-activations of a pre-learnt NMF dictionary. Our methodology allows us to generate intuitive audio-based interpretations that explicitly enhance parts of the input signal most relevant for a network's decision. We demonstrate our method's applicability on a variety of classification tasks, including multi-label data for real-world audio and music.

This paper tackles post-hoc interpretability for audio processing networks. Our goal is to interpret decisions of a trained network in terms of high-level audio objects that are also listenable for the end-user. To this end, we propose a novel interpreter design that incorporates non-negative matrix factorization (NMF). In particular, a regularized interpreter module is trained to take hidden layer representations of the targeted network as input and produce time activations of pre-learnt NMF components as intermediate outputs. Our methodology allows us to generate intuitive audio-based interpretations that explicitly enhance parts of the input signal most relevant for a network's decision. We demonstrate our method's applicability on popular benchmarks, including a real-world multi-label classification task.

Audio-visual (AV) representation learning is an important task from the perspective of designing machines with the ability to understand complex events. To this end, we propose a novel multimodal framework that instantiates multiple instance learning. Specifically, we develop methods that identify events and localize corresponding AV cues in unconstrained videos. Importantly, this is done using weak labels where only video-level event labels are known without any information about their location in time. We show that the learnt representations are useful for performing several tasks such as event/object classification, audio event detection, audio source separation and visual object localization. An important feature of our method is its capacity to learn from unsynchronized audio-visual events. We also demonstrate our framework's ability to separate out the audio source of interest through a novel use of nonnegative matrix factorization. State-of-the-art classification results, with a F1-score of 65.0, are achieved on DCASE 2017 smart cars challenge data with promising generalization to diverse object types such as musical instruments. Visualizations of localized visual regions and audio segments substantiate our system's efficacy, especially when dealing with noisy situations where modality-specific cues appear asynchronously.

With the explosive increase in the consumption of multimedia content in recent years, the field of media interestingness analysis has gained a lot of attention. This paper tackles the problem of image interestingness in videos and proposes a novel algorithm based on pairwise-comparisons of frames to rank all frames in a video. Experiments performed on the Predicting Media Interestingness dataset, affirm its effectiveness over existing solutions. In terms of the official metric i.e. Mean Average Precision at 10, it outperforms the previous state-of-the-art (to the best of our knowledge) on this dataset. Additional results on video interestingness substantiate the flexibility and performance reliability of our approach.

In this paper we tackle the problem of single channel audio source separation driven by descriptors of the sounding object's motion. As opposed to previous approaches, motion is included as a soft-coupling constraint within the nonnegative matrix factorization framework. The proposed method is applied to a multimodal dataset of instruments in string quartet performance recordings where bow motion information is used for separation of string instruments. We show that the approach offers better source separation result than an audio-based baseline and the state-of-the-art multimodal-based approaches on these very challenging music mixtures.

The increasing popularity of audio content sharing in online platforms requires the development of techniques to better organize and retrieve this data. In this paper we look at how to improve similarity search through content categorization in the context of Freesound, a popular online sound sharing site. We focus on organization based on morphological description. In particular, we propose to improve search results by incorporating information about query sound's loudness profile. This is performed within a thresholding based framework and can be generalized to structure information about the temporal evolution of other sound attributes. We perform a subjective evaluation to demonstrate the practical relevance of our method.