The presence of multiple talkers in the surrounding environment poses a difficult challenge for real-time speech communication systems considering the constraints on network size and complexity. In this paper, we present Personalized PercepNet, a real-time speech enhancement model that separates a target speaker from a noisy multi-talker mixture without compromising on complexity of the recently proposed PercepNet. To enable speaker-dependent speech enhancement, we first show how we can train a perceptually motivated speaker embedder network to produce a representative embedding vector for the given speaker. Personalized PercepNet uses the target speaker embedding as additional information to pick out and enhance only the target speaker while suppressing all other competing sounds. Our experiments show that the proposed model significantly outperforms PercepNet and other baselines, both in terms of objective speech enhancement metrics and human opinion scores.

Many neural speech enhancement and source separation systems operate in the time-frequency domain. Such models often benefit from making their Short-Time Fourier Transform (STFT) front-ends trainable. In current literature, these are implemented as large Discrete Fourier Transform matrices; which are prohibitively inefficient for low-compute systems. We present an efficient, trainable front-end based on the butterfly mechanism to compute the Fast Fourier Transform, and show its accuracy and efficiency benefits for low-compute neural speech enhancement models. We also explore the effects of making the STFT window trainable.

In this paper, we propose a two-step training procedure for source separation via a deep neural network. In the first step we learn a transform (and it's inverse) to a latent space where masking-based separation performance using oracles is optimal. For the second step, we train a separation module that operates on the previously learned space. In order to do so, we also make use of a scale-invariant signal to distortion ratio (SI-SDR) loss function that works in the latent space, and we prove that it lower-bounds the SI-SDR in the time domain. We run various sound separation experiments that show how this approach can obtain better performance as compared to systems that learn the transform and the separation module jointly. The proposed methodology is general enough to be applicable to a large class of neural network end-to-end separation systems.

Discriminative models for source separation have recently been shown to produce impressive results. However, when operating on sources outside of the training set, these models can not perform as well and are cumbersome to update. Classical methods like Nonnegative Matrix Factorization (NMF) provide modular approaches to source separation that can be easily updated to adapt to new mixture scenarios. In this paper, we generalize NMF to develop end-to-end non-negative auto-encoders and demonstrate how they can be used for source separation. Our experiments indicate that these models deliver comparable separation performance to discriminative approaches, while retaining the modularity of NMF and the modeling flexibility of neural networks.

Isolating individual instruments in a musical mixture has a myriad of potential applications, and seems imminently achievable given the levels of performance reached by recent deep learning methods. While most musical source separation techniques learn an independent model for each instrument, we propose using a common embedding space for the time-frequency bins of all instruments in a mixture inspired by deep clustering and deep attractor networks. Additionally, an auxiliary network is used to generate parameters of a Gaussian mixture model (GMM) where the posterior distribution over GMM components in the embedding space can be used to create a mask that separates individual sources from a mixture. In addition to outperforming a mask-inference baseline on the MUSDB-18 dataset, our embedding space is easily interpretable and can be used for query-based separation.

We present a monophonic source separation system that is trained by only observing mixtures with no ground truth separation information. We use a deep clustering approach which trains on multichannel mixtures and learns to project spectrogram bins to source clusters that correlate with various spatial features. We show that using such a training process we can obtain separation performance that is as good as making use of ground truth separation information. Once trained, this system is capable of performing sound separation on monophonic inputs, despite having learned how to do so using multi-channel recordings.

We present a neural network that can act as an equivalent to a Non-Negative Matrix Factorization (NMF), and further show how it can be used to perform supervised source separation. Due to the extensibility of this approach we show how we can achieve better source separation performance as compared to NMF-based methods, and propose a variety of derivative architectures that can be used for further improvements.

Redubbing is an extensively used technique to correct errors in voiceover recordings. It involves re-recording a part of a voiceover, identifying the corresponding section of audio in the original recording that needs to be replaced, and using low level audio tools to replace the audio. Although this sequence of steps can be performed using traditional audio editing tools, the process can be tedious when dealing with long voiceover recordings and prohibitively difficult for users not familiar with such tools. To address this issue, we present AutoDub, a novel system for redubbing voiceover recordings. Using our system, a user simply needs to re-record the part of the voiceover that needs to be replaced. Our system automatically locates the corresponding part in the original recording and performs the low level audio processing to replace it. The system can be easily incorporated in any existing sophisticated audio editor or can be employed as a functionality in an audio-guided user interface. User studies involving participation from novice, knowledgeable and expert users indicate that our tool is preferred to a traditional audio editor based redubbing approach by all categories of users due to its faster and easier redubbing capabilities.