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Baldev Singh

dblp:16/131 · DBLP profile ↗
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1ranked-venue papers
1as first author
0since 2021 · last 1983
—ORCID · unresolved

Domains — the database's venue-derived domains; a paper can count in several

Graphics, computer vision, multimedia, augmented reality and games · 1 · 1 first-authorHuman-computer interaction and ubiquitous computing · 1 · 1 first-author

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Human-computer interaction and pervasive computing
1 paper
User interface design and tools · 77% Interaction techniques and input · 23%
Computer graphics and multimedia
1 paper
Visualization and visual analytics · 100%

Topics — the 2 heaviest of 3, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
User interface design and tools › interactive design tools
graphics editor
0.011983
A graphics editor for benesh movement notation · SIGGRAPH 1983
Interaction techniques and input › selection techniques › command selection
menu interaction
0.011983
A graphics editor for benesh movement notation · SIGGRAPH 1983
YearPublicationVenuePosition
1983 A graphics editor for benesh movement notation
abstract
This paper describes an interactive computerized editor for Benesh Movement Notation that aids in the preparation of dance scores on a medium resolution colour display. Benesh Movement Notation is a two-dimensional system for recording human movement in three dimensions of space which has been successfully used in the preparation of scores for a wide repertoire of dances. The preparation and revision of Benesh scores is a lengthy and error-prone process which interactive editing techniques can greatly facilitate. We describe the current state and future extensions of a prototype editing system in which all user interaction is based on a menu-driven scheme using a graphics tablet. Extensive visual cues including iconic trackers and semantic information are provided at all times. Both user and system initiated dialogues are supported. This system has served as a testbed for a variety of man-machine interaction studies, allowing us to transfer the wealth of experience with interactive text editing to a related task: the preparation of dance scores. The project has given us a better understanding of the issues involved in implementing an effective user-interface.
Baldev Singh, John C. Beatty, Rhonda Ryman
SIGGRAPH1