We have limited understanding of how older adults use smartphones, how their usage differs from younger users, and the causes for those differences. As a result, researchers and developers may miss promising opportunities to support older adults or offer solutions to unimportant problems. To characterize smartphone usage among older adults, we collected iPhone usage data from 84 healthy older adults over three months. We find that older adults use fewer apps, take longer to complete tasks, and send fewer messages. We use cognitive test results from these same older adults to then show that up to 79% of these differences can be explained by cognitive decline, and that we can predict cognitive test performance from smartphone usage with 83% ROCAUC. While older adults differ from younger adults in app usage behavior, the "cognitively young" older adults use smartphones much like their younger counterparts. Our study suggests that to better support all older adults, researchers and developers should consider the full spectrum of cognitive function.

Despite great efforts over several decades, our best models of primary visual cortex (V1) still predict spiking activity quite poorly when probed with natural stimuli, highlighting our limited understanding of the nonlinear computations in V1. Recently, two approaches based on deep learning have emerged for modeling these nonlinear computations: transfer learning from artificial neural networks trained on object recognition and data-driven convolutional neural network models trained end-to-end on large populations of neurons. Here, we test the ability of both approaches to predict spiking activity in response to natural images in V1 of awake monkeys. We found that the transfer learning approach performed similarly well to the data-driven approach and both outperformed classical linear-nonlinear and wavelet-based feature representations that build on existing theories of V1. Notably, transfer learning using a pre-trained feature space required substantially less experimental time to achieve the same performance. In conclusion, multi-layer convolutional neural networks (CNNs) set the new state of the art for predicting neural responses to natural images in primate V1 and deep features learned for object recognition are better explanations for V1 computation than all previous filter bank theories. This finding strengthens the necessity of V1 models that are multiple nonlinearities away from the image domain and it supports the idea of explaining early visual cortex based on high-level functional goals.

Neural Style Transfer has shown very exciting results enabling new forms of image manipulation. Here we extend the existing method to introduce control over spatial location, colour information and across spatial scale. We demonstrate how this enhances the method by allowing high-resolution controlled stylisation and helps to alleviate common failure cases such as applying ground textures to sky regions. Furthermore, by decomposing style into these perceptual factors we enable the combination of style information from multiple sources to generate new, perceptually appealing styles from existing ones. We also describe how these methods can be used to more efficiently produce large size, high-quality stylisation. Finally we show how the introduced control measures can be applied in recent methods for Fast Neural Style Transfer.

Understanding where people look in images is an important problem in computer vision. Despite significant research, it remains unclear to what extent human fixations can be predicted by low-level (contrast) compared to highlevel (presence of objects) image features. Here we address this problem by introducing two novel models that use different feature spaces but the same readout architecture. The first model predicts human fixations based on deep neural network features trained on object recognition. This model sets a new state-of-the art in fixation prediction by achieving top performance in area under the curve metrics on the MIT300 hold-out benchmark (AUC = 88%, sAUC = 77%, NSS = 2.34). The second model uses purely low-level (isotropic contrast) features. This model achieves better performance than all models not using features pretrained on object recognition, making it a strong baseline to assess the utility of high-level features. We then evaluate and visualize which fixations are better explained by lowlevel compared to high-level image features. Surprisingly we find that a substantial proportion of fixations are better explained by the simple low-level model than the stateof- the-art model. Comparing different features within the same powerful readout architecture allows us to better understand the relevance of low- versus high-level features in predicting fixation locations, while simultaneously achieving state-of-the-art saliency prediction.

Rendering the semantic content of an image in different styles is a difficult image processing task. Arguably, a major limiting factor for previous approaches has been the lack of image representations that explicitly represent semantic information and, thus, allow to separate image content from style. Here we use image representations derived from Convolutional Neural Networks optimised for object recognition, which make high level image information explicit. We introduce A Neural Algorithm of Artistic Style that can separate and recombine the image content and style of natural images. The algorithm allows us to produce new images of high perceptual quality that combine the content of an arbitrary photograph with the appearance of numerous wellknown artworks. Our results provide new insights into the deep image representations learned by Convolutional Neural Networks and demonstrate their potential for high level image synthesis and manipulation.

Here we introduce a new model of natural textures based on the feature spaces of convolutional neural networks optimised for object recognition. Samples from the model are of high perceptual quality demonstrating the generative power of neural networks trained in a purely discriminative fashion. Within the model, textures are represented by the correlations between feature maps in several layers of the network. We show that across layers the texture representations increasingly capture the statistical properties of natural images while making object information more and more explicit. The model provides a new tool to generate stimuli for neuroscience and might offer insights into the deep representations learned by convolutional neural networks.