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Yuki Shiba

dblp:176/1544 · DBLP profile ↗
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3ranked-venue papers
1as first author
0since 2021 · last 2017
—ORCID · none

Domains — the database's venue-derived domains; a paper can count in several

Artificial intelligence and machine learning · 3 · 1 first-authorGraphics, computer vision, multimedia, augmented reality and games · 3 · 1 first-author

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Computer graphics and multimedia
2 papers
Computational photography and imaging · 73% Image and video processing · 27%
Artificial intelligence
1 paper
3D vision · 100%

Topics — the 5 heaviest of 5, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Computational photography and imaging
depth imaging
0.312017
Temporal Shape Super-Resolution by Intra-frame Motion Encoding Using High-fps Structured Light · ICCV 2017
Computational photography and imaging › 3d scanning
structured light
0.312017
Temporal Shape Super-Resolution by Intra-frame Motion Encoding Using High-fps Structured Light · ICCV 2017
Image and video processing › super-resolution
temporal super-resolution
0.312017
Temporal Shape Super-Resolution by Intra-frame Motion Encoding Using High-fps Structured Light · ICCV 2017
Computer vision › 3D vision
depth estimation
0.212015
Active One-Shot Scan for Wide Depth Range Using a Light Field Projector Based on Coded Aperture · ICCV 2015
Computational photography and imaging
light field imaging
0.212015
Active One-Shot Scan for Wide Depth Range Using a Light Field Projector Based on Coded Aperture · ICCV 2015

Methods — techniques the papers use, named apart from their topics

hierarchical search · 0.4feature-based search · 0.4coded aperture · 0.4learning-based decoding · 0.3
YearPublicationVenuePosition
2017 Temporal Shape Super-Resolution by Intra-frame Motion Encoding Using High-fps Structured Light
abstract
One of the solutions of depth imaging of moving scene is to project a static pattern on the object and use just a single image for reconstruction. However, if the motion of the object is too fast with respect to the exposure time of the image sensor, patterns on the captured image are blurred and reconstruction fails. In this paper, we impose multiple projection patterns into each single captured image to realize temporal super resolution of the depth image sequences. With our method, multiple patterns are projected onto the object with higher fps than possible with a camera. In this case, the observed pattern varies depending on the depth and motion of the object, so we can extract temporal information of the scene from each single image. The decoding process is realized using a learning-based approach where no geometric calibration is needed. Experiments confirm the effectiveness of our method where sequential shapes are reconstructed from a single image. Both quantitative evaluations and comparisons with recent techniques were also conducted.
Yuki Shiba, Satoshi Ono, Ryo Furukawa 0001, Shinsaku Hiura, Hiroshi Kawasaki
ICCV1
2016 Automatic feature extraction using CNN for robust active one-shot scanning
abstract
Active one-shot scanning techniques have been widely used for various applications. Stereo-based active one-shot scanning embeds a positional information regarding the image plane of a projector onto a projected pattern to retrieve correspondences entirely from a captured image. Many combinations of patterns and decoding algorithms for active one-shot scanning have been proposed. If the capturing environment lacks the assumed conditions, such as the absence of strong external lights, then reconstruction using those methods is degraded, because the pattern decoding fails. In this paper, we propose a general reconstruction algorithm that can be used for any kind of patterns without strict assumptions. The technique is based on an efficient feature extraction function that can drastically reduce redundant information from the raw pixel values of patches of captured images. Shapes are reconstructed by efficiently finding correspondences between a captured image and the pattern using low-dimensional feature vectors. Such a function is created automatically by a convolutional neural network using a large database of pattern images that are efficiently synthesized by using GPU with wide variation of depth and surface orientation. Experimental results show that our technique can be used for several existing patterns without any ad hoc algorithm or information regarding the scene or the sensor.
Ryusuke Sagawa, Yuki Shiba, Takuto Hirukawa, Satoshi Ono, Hiroshi Kawasaki, Ryo Furukawa 0001
ICPR2
2015 Active One-Shot Scan for Wide Depth Range Using a Light Field Projector Based on Coded Aperture
abstract
The central projection model commonly used to model cameras as well as projectors, results in similar advantages and disadvantages in both types of system. Considering the case of active stereo systems using a projector and camera setup, a central projection model creates several problems, among them, narrow depth range and necessity of wide baseline are crucial. In the paper, we solve the problems by introducing a light field projector, which can project a depth-dependent pattern. The light field projector is realized by attaching a coded aperture with a high frequency mask in front of the lens of the video projector, which also projects a high frequency pattern. Because the light field projector cannot be approximated by a thin lens model and a precise calibration method is not established yet, an image-based approach is proposed to apply a stereo technique to the system. Although image-based techniques usually require a large database and often imply heavy computational costs, we propose a hierarchical approach and a feature-based search for solution. In the experiments, it is confirmed that our method can accurately recover the dense shape of curved and textured objects for a wide range of depths from a single captured image.
Hiroshi Kawasaki, Satoshi Ono, Yuuki Horita, Yuki Shiba, Ryo Furukawa 0001, Shinsaku Hiura
ICCV4