Digital halftoning is an essential part of the process for printing color, continuous-tone content. Traditionally, the highest quality has been achieved with analog, offset lithographic presses, using color screen sets that yield periodic, clustered-dot halftone patterns. Increasingly, these systems are being supplanted by digital presses that are based on either electrophotographic or inkjet marking processes. Due to the inherent instability of the electrophotographic marking process, periodic, clustered-dot halftone patterns are also widely used with such presses. However, digital presses have much lower resolution than their analog counterparts. Simply mimicking the traditional screen designs used with commercial, offset presses will result in halftone patterns that are more susceptible to moire due to the interaction between the periodic patterns used to render the different color channels. The moire can be reduced by increasing the frequency of the halftone patterns. But this may make the print appear grainier than its analog counterpart. In this paper, we introduce a principled design procedure that allows one to design color screen sets that generate periodic, clustered-dot halftone patterns that improve color stability without increasing graininess.

Digital halftoning is an essential part of the process for printing color, continuous-tone content. Traditionally, the highest quality has been achieved with analog, offset lithographic presses, using color screen sets that yield periodic, clustereddot halftone patterns. Increasingly, these systems are being supplanted by digital presses that are based on either electrophotographic or inkjet marking processes. Due to the inherent instability of the electrophotographic marking process, periodic, clustered-dot halftone patterns are also widely used with such presses. However, digital presses have much lower resolution than their analog counterparts. Simply mimicking the traditional screen designs used with commercial, offset presses will result in halftone patterns that are more susceptible to moire due to the interaction between the periodic patterns used to render the different color channels. This causes instability in the printed colors. The moire can be reduced by increasing the frequency of the halftone patterns. But this may make the print appear grainier than its analog counterpart. In this paper, we introduce a principled design procedure that allows one to design color screen sets that generate periodic, clustered-dot halftone patterns that improve color stability without increasing graininess. We present experimental results to support the benefits of our new color screen set design framework.

The goal of this paper is to investigate the effect of choosing a certain halftone screen on image graininess development and to establish the metrics for image graininess in high-end digital printing technologies. With the obtained knowledge, our model helps us choose the optimal periodicity matrices for designing regular or irregular clustered dot halftones. The main advantage of the proposed model lies in predicting the graininess ratios based solely on the periodicity matrix. We conduct an in-depth Fourier analysis, which exposes to us all the details regarding the spectrum of a desired halftone screen. Hence, at this stage of the design process, there is no need to generate the halftone screens themselves.