Video generated by the current state-of-the-art generative models contain undesirable artifacts. We introduce GeneVA, the first large-scale dataset of human-annotated artifact bounding boxes in AI-generated videos. The dataset consists of 16,356 AI-generated videos, each labeled by a human annotator with per-frame artifact bounding boxes, their labels and descriptions, and video quality ratings. A custom data collection pipeline was developed in Prolific, and a novel taxonomy for spatio-temporal artifacts present in AI-generated videos was defined. The videos were from the VidProM [41] dataset, with text prompts from this dataset then used to generate an additional subset of videos using Sora. We trained an artifact detector and caption generator using a pre-trained image-based model, and a custom temporal fusion module. The dataset can be found at https://www.immersivecomputinglab.org/publication/geneva. We hope that datasets like GeneVA will encourage improvements in artifact detection in AI-generated video towards applications such as deepfake detection.

Our paper seeks to transfer the hairstyle of a reference image to an input photo for virtual hair tryon. We target a variety of challenges scenarios, such as transforming a long hairstyle with bangs to a pixie cut, which requires removing the existing hair and inferring how the forehead would look, or transferring partially visible hair from a hat-wearing person in a different pose. Past solutions leverage StyleGAN for hallucinating any missing parts and producing a seamless face-hair composite through so-called GAN inversion or projection. However, there remains a challenge in controlling the hallucinations to accurately transfer hairstyle and preserve the face shape and identity of the input. To overcome this, we propose a multi-view optimization framework that uses two different views of reference composites to semantically guide occluded or ambiguous regions. Our optimization shares information between two poses, which allows us to produce high fidelity and realistic results from incomplete references. Our framework produces high-quality results and outperforms prior work in a user study that consists of significantly more challenging hair transfer scenarios than previously studied. Project page: https://stylegan-salon.github.io/.

We present Argoverse, a dataset designed to support autonomous vehicle perception tasks including 3D tracking and motion forecasting. Argoverse includes sensor data collected by a fleet of autonomous vehicles in Pittsburgh and Miami as well as 3D tracking annotations, 300k extracted interesting vehicle trajectories, and rich semantic maps. The sensor data consists of 360 degree images from 7 cameras with overlapping fields of view, forward-facing stereo imagery, 3D point clouds from long range LiDAR, and 6-DOF pose. Our 290km of mapped lanes contain rich geometric and semantic metadata which are not currently available in any public dataset. All data is released under a Creative Commons license at Argoverse.org. In baseline experiments, we use map information such as lane direction, driveable area, and ground height to improve the accuracy of 3D object tracking. We use 3D object tracking to mine for more than 300k interesting vehicle trajectories to create a trajectory forecasting benchmark. Motion forecasting experiments ranging in complexity from classical methods (k-NN) to LSTMs demonstrate that using detailed vector maps with lane-level information substantially reduces prediction error. Our tracking and forecasting experiments represent only a superficial exploration of the potential of rich maps in robotic perception. We hope that Argoverse will enable the research community to explore these problems in greater depth.

We propose a novel procedure which adds "content-addressability" to any given unconditional implicit model e.g., a generative adversarial network (GAN). The procedure allows users to control the generative process by specifying a set (arbitrary size) of desired examples based on which similar samples are generated from the model. The proposed approach, based on kernel mean matching, is applicable to any generative models which transform latent vectors to samples, and does not require retraining of the model. Experiments on various high-dimensional image generation problems (CelebA-HQ, LSUN bedroom, bridge, tower) show that our approach is able to generate images which are consistent with the input set, while retaining the image quality of the original model. To our knowledge, this is the first work that attempts to construct, at test time, a content-addressable generative model from a trained marginal model.

In this paper, we investigate deep image synthesis guided by sketch, color, and texture. Previous image synthesis methods can be controlled by sketch and color strokes but we are the first to examine texture control. We allow a user to place a texture patch on a sketch at arbitrary locations and scales to control the desired output texture. Our generative network learns to synthesize objects consistent with these texture suggestions. To achieve this, we develop a local texture loss in addition to adversarial and content loss to train the generative network. We conduct experiments using sketches generated from real images and textures sampled from a separate texture database and results show that our proposed algorithm is able to generate plausible images that are faithful to user controls. Ablation studies show that our proposed pipeline can generate more realistic images than adapting existing methods directly.

Given two candidate models, and a set of target observations, we address the problem of measuring the relative goodness of fit of the two models. We propose two new statistical tests which are nonparametric, computationally efficient (runtime complexity is linear in the sample size), and interpretable. As a unique advantage, our tests can produce a set of examples (informative features) indicating the regions in the data domain where one model fits significantly better than the other. In a real-world problem of comparing GAN models, the test power of our new test matches that of the state-of-the-art test of relative goodness of fit, while being one order of magnitude faster.

Several recent works have used deep convolutional networks to generate realistic imagery. These methods sidestep the traditional computer graphics rendering pipeline and instead generate imagery at the pixel level by learning from large collections of photos (e.g. faces or bedrooms). However, these methods are of limited utility because it is difficult for a user to control what the network produces. In this paper, we propose a deep adversarial image synthesis architecture that is conditioned on sketched boundaries and sparse color strokes to generate realistic cars, bedrooms, or faces. We demonstrate a sketch based image synthesis system which allows users to scribble over the sketch to indicate preferred color for objects. Our network can then generate convincing images that satisfy both the color and the sketch constraints of user. The network is feed-forward which allows users to see the effect of their edits in real time. We compare to recent work on sketch to image synthesis and show that our approach generates more realistic, diverse, and controllable outputs. The architecture is also effective at user-guided colorization of grayscale images.

We present the Sketchy database , the first large-scale collection of sketch-photo pairs. We ask crowd workers to sketch particular photographic objects sampled from 125 categories and acquire 75,471 sketches of 12,500 objects. The Sketchy database gives us fine-grained associations between particular photos and sketches, and we use this to train cross-domain convolutional networks which embed sketches and photographs in a common feature space. We use our database as a benchmark for fine-grained retrieval and show that our learned representation significantly outperforms both hand-crafted features as well as deep features trained for sketch or photo classification. Beyond image retrieval, we believe the Sketchy database opens up new opportunities for sketch and image understanding and synthesis.