Multi-modal Magnetic Resonance Imaging (MRI) is imperative for accurate brain tumor segmentation, offering indispensable complementary information. Nonetheless, the absence of modalities poses significant challenges in achieving precise segmentation. Recognizing the shared anatomical structures between mono-modal and multi-modal representations, it is noteworthy that mono-modal images typically exhibit limited features in specific regions and tissues. In response to this, we present Anatomical Consistency Distillation and Inconsistency Synthesis (ACDIS), a novel framework designed to transfer anatomical structures from multi-modal to mono-modal representations and synthesize modality-specific features. ACDIS consists of two main components: Anatomical Consistency Distillation (ACD) and Modality Feature Synthesis Block (MFSB). ACD incorporates the Anatomical Feature Enhancement Block (AFEB), meticulously mining anatomical information. Simultaneously, Anatomical Consistency ConsTraints (ACCT) are employed to facilitate the consistent knowledge transfer, i.e., the richness of information and the similarity in anatomical structure, ensuring precise alignment of structural features across mono-modality and multi-modality. Complementarily, MFSB produces modality-specific features to rectify anatomical inconsistencies, thereby compensating for missing information in the segmented features. Through validation on the BraTS2018 and BraTS2020 datasets, ACDIS substantiates its efficacy in the segmentation of brain tumors with missing MRI modalities.

We introduce a dataset for facilitating audio-visual analysis of music performances. The dataset comprises 44 simple multi-instrument classical music pieces assembled from coordinated but separately recorded performances of individual tracks. For each piece, we provide the musical score in MIDI format, the audio recordings of the individual tracks, the audio and video recording of the assembled mixture, and ground-truth annotation files including frame-level and note-level transcriptions. We describe our methodology for the creation of the dataset, particularly highlighting our approaches to address the challenges involved in maintaining synchronization and expressiveness. We demonstrate the high quality of synchronization achieved with our proposed approach by comparing the dataset with existing widely used music audio datasets. We anticipate that the dataset will be useful for the development and evaluation of existing music information retrieval (MIR) tasks, as well as for novel multimodal tasks. We benchmark two existing MIR tasks (multipitch analysis and score-informed source separation) on the dataset and compare them with other existing music audio datasets. In addition, we consider two novel multimodal MIR tasks (visually informed multipitch analysis and polyphonic vibrato analysis) enabled by the dataset and provide evaluation measurements and baseline systems for future comparisons (from our recent work). Finally, we propose several emerging research directions that the dataset enables.

Multi-pitch analysis of polyphonic music requires estimating concurrent pitches (estimation) and organizing them into temporal streams according to their sound sources (streaming). This is challenging for approaches based on audio alone due to the polyphonic nature of the audio signals. Video of the performance, when available, can be useful to alleviate some of the difficulties. In this paper, we propose to detect the play/non-play (P/NP) activities from musical performance videos using optical flow analysis to help with audio-based multi-pitch analysis. Specifically, the detected P/NP activity provides a more accurate estimate of the instantaneous polyphony (i.e., the number of pitches at a time instant), and also helps with assigning pitch estimates to only active sound sources. As the first attempt towards audio-visual multi-pitch analysis of multi-instrument musical performances, we demonstrate the concept on 11 string ensembles. Experiments show a high overall P/NP detection accuracy of 85.3%, and a statistically significant improvement on both the multi-pitch estimation and streaming accuracy, under paired t-tests at a significance level of 0:01 in most cases.