Event cameras capture the motion of intensity gradients (edges) in the image plane in the form of rapid asynchronous events. When accumulated in 2D histograms, these events depict overlays of the edges in motion, consequently obscuring the spatial structure of the generating edges. Contrast maximization (CM) is an optimization framework that can reverse this effect and produce sharp spatial structures that resemble the moving intensity gradients by estimating the motion trajectories of the events. Nonetheless, CM is still an underexplored area of research with avenues for improvement. In this paper, we propose a novel hybrid approach that extends CM from uni-modal (events only) to bi-modal (events and edges). We leverage the underpinning concept that, given a reference time, optimally warped events produce sharp gradients consistent with the moving edge at that time. Specifically, we formalize a correlation-based objective to aid CM and provide key insights into the incorporation of multiscale and multireference techniques. Moreover, our edge-informed CM method yields superior sharpness scores and establishes new state-of-the-art event optical flow benchmarks on the MVSEC, DSEC, and ECD datasets.

Music Emotion Recognition has attracted a lot of academic research work in recent years because it has a wide range of applications, including song recommendation and music visualization. As music is a way for humans to express emotion, there is a need for a machine to automatically infer the perceived emotion of pieces of music. In this paper, we compare the accuracy difference between music emotion recognition models given music pieces as a whole versus music pieces separated by instruments. To compare the models' emotion predictions, which are distributions over valence and arousal values, we provide a metric that compares two distribution curves. Using this metric, we provide empirical evidence that training Random Forest and Convolution Recurrent Neural Network with mixed instrumental music data conveys a better understanding of emotion than training the same models with music that are separated into each instrumental source.

In this paper, we introduce a novel implicit neural network for the task of single image super-resolution at arbitrary scale factors. To do this, we represent an image as a decoding function that maps locations in the image along with their associated features to their reciprocal pixel attributes. Since the pixel locations are continuous in this representation, our method can refer to any location in an image of varying resolution. To retrieve an image of a particular resolution, we apply a decoding function to a grid of locations each of which refers to the center of a pixel in the output image. In contrast to other techniques, our dual interactive neural network decouples content and positional features. As a result, we obtain a fully implicit representation of the image that solves the super-resolution problem at (real-valued) elective scales using a single model. We demonstrate the efficacy and flexibility of our approach against the state of the art on publicly available benchmark datasets.