EDBT 2026 Demo / reviewers in the wild / expert
Curtis Hawthorne
dblp:207/8244
· DBLP profile ↗
8ranked-venue papers
2as first author
4since 2021 · last 2023
—ORCID · none
Domains — the database's venue-derived domains; a paper can count in several
Artificial intelligence and machine learning · 7 · 2 first-author · 3 since 2021Graphics, computer vision, multimedia, augmented reality and games · 1 · 1 since 2021
Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.
| Artificial intelligence
6 papers |
Generative modeling · 46% Efficient and distributed learning · 26% Deep learning architectures and training · 22% | |
| Computer graphics and multimedia
6 papers |
Audio and music processing · 82% Visual content generation and editing · 18% |
Topics — the 16 heaviest of 18, each with the papers that count most for it
| Topic | Weight | Papers | Last | Evidence papers |
|---|---|---|---|---|
Machine learning › Generative modeling
autoregressive model |
1.3 | 3 | 2022 | General-purpose, long-context autoregressive modeling with Perceiver AR · ICML 2022 Music Transformer: Generating Music with Long-Term Structure · ICLR (Poster) 2019 Enabling Factorized Piano Music Modeling and Generation with the MAESTRO Dataset · ICLR 2019 |
Audio and music processing
music generation |
0.9 | 3 | 2022 | Music Transformer: Generating Music with Long-Term Structure · ICLR (Poster) 2019 A Hierarchical Latent Vector Model for Learning Long-Term Structure in Music · ICML 2018 General-purpose, long-context autoregressive modeling with Perceiver AR · ICML 2022 |
Machine learning › Deep learning architectures and training
transformer |
0.7 | 2 | 2022 | General-purpose, long-context autoregressive modeling with Perceiver AR · ICML 2022 Music Transformer: Generating Music with Long-Term Structure · ICLR (Poster) 2019 |
Machine learning › Efficient and distributed learning › distributed training
distributed training systems |
0.7 | 1 | 2023 | Scaling Up Models and Data with t5x and seqio · J. Mach. Learn. Res. 2023 |
Machine learning › Efficient and distributed learning › large-scale learning
large-scale model training |
0.7 | 1 | 2023 | Scaling Up Models and Data with t5x and seqio · J. Mach. Learn. Res. 2023 |
Audio and music processing
music information retrieval |
0.6 | 1 | 2022 | MT3: Multi-Task Multitrack Music Transcription · ICLR 2022 |
Audio and music processing
music transcription |
0.6 | 1 | 2022 | MT3: Multi-Task Multitrack Music Transcription · ICLR 2022 |
Machine learning › Deep learning architectures and training › autoencoder
transformer autoencoder |
0.4 | 1 | 2020 | Encoding Musical Style with Transformer Autoencoders · ICML 2020 |
Visual content generation and editing
style control |
0.4 | 1 | 2020 | Encoding Musical Style with Transformer Autoencoders · ICML 2020 |
Audio and music processing › music generation
symbolic music generation |
0.4 | 1 | 2020 | Encoding Musical Style with Transformer Autoencoders · ICML 2020 |
Machine learning › Generative modeling
music generation |
0.4 | 1 | 2019 | Enabling Factorized Piano Music Modeling and Generation with the MAESTRO Dataset · ICLR 2019 |
Machine learning › Generative modeling › variational autoencoder
hierarchical latent variable model |
0.3 | 1 | 2018 | A Hierarchical Latent Vector Model for Learning Long-Term Structure in Music · ICML 2018 |
Machine learning › Generative modeling
variational autoencoder |
0.3 | 1 | 2018 | A Hierarchical Latent Vector Model for Learning Long-Term Structure in Music · ICML 2018 |
Natural language and speech › Language models and text generation
large language model |
0.2 | 1 | 2023 | Scaling Up Models and Data with t5x and seqio · J. Mach. Learn. Res. 2023 |
Visual content generation and editing
image generation |
0.2 | 1 | 2022 | General-purpose, long-context autoregressive modeling with Perceiver AR · ICML 2022 |
Machine learning › Representation and self-supervised learning › representation learning
sequence representation learning |
0.1 | 1 | 2020 | Encoding Musical Style with Transformer Autoencoders · ICML 2020 |
Methods — techniques the papers use, named apart from their topics
cross-attention · 1.1causal masking · 1.1transformer · 0.9autoencoder · 0.9self-attention · 0.8relative positional encoding · 0.8factorized modeling · 0.8autoregressive generation · 0.8recurrent neural network · 0.7multi-task learning · 0.6variational inference · 0.3
| Year | Publication | Venue | Position |
|---|---|---|---|
| 2023 | Scaling Up Models and Data with t5x and seqioabstractScaling up training datasets and model parameters have benefited neural network-based language models, but also present challenges like distributed compute, input data bottlenecks and reproducibility of results. We introduce two simple and scalable software libraries that simplify these issues: t5x enables training large language models at scale, while seqio enables reproducible input and evaluation pipelines. These open-source libraries have been used to train models with hundreds of billions of parameters on multi-terabyte datasets. Configurations and instructions for T5-like and GPT-like models are also provided. The libraries can be found at https://github.com/google-research/t5x and https://github.com/google/seqio. Adam Roberts, Hyung Won Chung, Anselm Levskaya, Daniel Andor, Sharan Narang, Brian Lester, Colin Gaffney, Afroz Mohiuddin, Curtis Hawthorne, Aitor Lewkowycz, Alex Salcianu, Marc van Zee, Jacob Austin, Sebastian Goodman, Livio B. Soares, Haitang Hu, Sasha Tsvyashchenko, Aakanksha Chowdhery, Jasmijn Bastings, Jannis Bulian, Xavier Garcia, Jianmo Ni, Kathleen Kenealy, Kehang Han, Michelle Casbon, Jonathan H. Clark, Stephan Lee, Dan Garrette, James Lee-Thorp, Colin Raffel, Noam Shazeer, Marvin Ritter, Maarten Bosma, Alexandre Tachard Passos, Jeremy Maitin-Shepard, Noah Fiedel, Mark Omernick, Brennan Saeta, Ryan Sepassi, Alexander Spiridonov, Joshua Newlan, Andrea Gesmundo |
J. Mach. Learn. Res. | 11 |
| 2022 | Improving Source Separation by Explicitly Modeling Dependencies between SourcesabstractWe propose a new method for training a supervised source separation system that aims to learn the interdependent relationships between all combinations of sources in a mixture. Rather than independently estimating each source from a mix, we reframe the source separation problem as an Orderless Neural Autoregressive Density Estimator (NADE), and estimate each source from both the mix and a random subset of the other sources. We adapt a standard source separation architecture, Demucs, with additional inputs for each individual source, in addition to the input mixture. We randomly mask these input sources during training so that the network learns the conditional dependencies between the sources. By pairing this training method with a blocked Gibbs sampling procedure at inference time, we demonstrate that the network can iteratively improve its separation performance by conditioning a source estimate on its earlier source estimates. Experiments on two source separation datasets show that training a Demucs model with an Orderless NADE approach and using Gibbs sampling (up to 512 steps) at inference time strongly outperforms a Demucs baseline that uses a standard regression loss and direct (one step) estimation of sources. Ethan Manilow, Curtis Hawthorne, Cheng-Zhi Anna Huang, Bryan Pardo, Jesse H. Engel |
ICASSP | 2 |
| 2022 | MT3: Multi-Task Multitrack Music Transcription
Josh Gardner 0001, Ian Simon, Ethan Manilow, Curtis Hawthorne, Jesse H. Engel |
ICLR | 4 |
| 2022 | General-purpose, long-context autoregressive modeling with Perceiver ARabstractReal-world data is high-dimensional: a book, image, or musical performance can easily contain hundreds of thousands of elements even after compression. However, the most commonly used autoregressive models, Transformers, are prohibitively expensive to scale to the number of inputs and layers needed to capture this long-range structure. We develop Perceiver AR, an autoregressive, modality-agnostic architecture which uses cross-attention to map long-range inputs to a small number of latents while also maintaining end-to-end causal masking. Perceiver AR can directly attend to over a hundred thousand tokens, enabling practical long-context density estimation without the need for hand-crafted sparsity patterns or memory mechanisms. When trained on images or music, Perceiver AR generates outputs with clear long-term coherence and structure. Our architecture also obtains state-of-the-art likelihood on long-sequence benchmarks, including 64x64 ImageNet images and PG-19 books. Curtis Hawthorne, Andrew Jaegle, Catalina Cangea, Sebastian Borgeaud, Charlie Nash, Mateusz Malinowski, Sander Dieleman, Oriol Vinyals, Matt M. Botvinick, Ian Simon, Hannah Sheahan, Neil Zeghidour, Jean-Baptiste Alayrac, João Carreira 0001, Jesse H. Engel |
ICML | 1 |
| 2020 | Encoding Musical Style with Transformer AutoencodersabstractWe consider the problem of learning high-level controls over the global structure of generated sequences, particularly in the context of symbolic music generation with complex language models. In this work, we present the Transformer autoencoder, which aggregates encodings of the input data across time to obtain a global representation of style from a given performance. We show it is possible to combine this global representation with other temporally distributed embeddings, enabling improved control over the separate aspects of performance style and melody. Empirically, we demonstrate the effectiveness of our method on various music generation tasks on the MAESTRO dataset and a YouTube dataset with 10,000+ hours of piano performances, where we achieve improvements in terms of log-likelihood and mean listening scores as compared to baselines. Kristy Choi, Curtis Hawthorne, Ian Simon, Monica Dinculescu, Jesse H. Engel |
ICML | 2 |
| 2019 | Enabling Factorized Piano Music Modeling and Generation with the MAESTRO Dataset
Curtis Hawthorne, Andriy Stasyuk, Adam Roberts, Ian Simon, Cheng-Zhi Anna Huang, Sander Dieleman, Erich Elsen, Jesse H. Engel, Douglas Eck |
ICLR | 1 |
| 2019 | Music Transformer: Generating Music with Long-Term Structure
Cheng-Zhi Anna Huang, Ashish Vaswani, Jakob Uszkoreit, Ian Simon, Curtis Hawthorne, Noam Shazeer, Andrew M. Dai, Matthew Hoffman 0001, Monica Dinculescu, Douglas Eck |
ICLR (Poster) | 5 |
| 2018 | A Hierarchical Latent Vector Model for Learning Long-Term Structure in MusicabstractThe Variational Autoencoder (VAE) has proven to be an effective model for producing semantically meaningful latent representations for natural data. However, it has thus far seen limited application to sequential data, and, as we demonstrate, existing recurrent VAE models have difficulty modeling sequences with long-term structure. To address this issue, we propose the use of a hierarchical decoder, which first outputs embeddings for subsequences of the input and then uses these embeddings to generate each subsequence independently. This structure encourages the model to utilize its latent code, thereby avoiding the "posterior collapse" problem which remains an issue for recurrent VAEs. We apply this architecture to modeling sequences of musical notes and find that it exhibits dramatically better sampling, interpolation, and reconstruction performance than a "flat" baseline model. An implementation of our "MusicVAE" is available online at https://goo.gl/magenta/musicvae-code. Adam Roberts, Jesse H. Engel, Colin Raffel, Curtis Hawthorne, Douglas Eck |
ICML | 4 |