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Ethan Manilow

dblp:210/6197 · DBLP profile ↗
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6ranked-venue papers
3as first author
4since 2021 · last 2022
—ORCID · none

Domains — the database's venue-derived domains; a paper can count in several

Graphics, computer vision, multimedia, augmented reality and games · 4 · 3 first-author · 2 since 2021Artificial intelligence and machine learning · 3 · 2 since 2021

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Computer graphics and multimedia
2 papers
Audio and music processing · 100%

Topics — the 4 heaviest of 4, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Audio and music processing
music generation
0.612022
MIDI-DDSP: Detailed Control of Musical Performance via Hierarchical Modeling · ICLR 2022
Audio and music processing
music information retrieval
0.612022
MT3: Multi-Task Multitrack Music Transcription · ICLR 2022
Audio and music processing › sound synthesis
music synthesis
0.612022
MIDI-DDSP: Detailed Control of Musical Performance via Hierarchical Modeling · ICLR 2022
Audio and music processing
music transcription
0.612022
MT3: Multi-Task Multitrack Music Transcription · ICLR 2022

Methods — techniques the papers use, named apart from their topics

multi-task learning · 0.6hierarchical modeling · 0.6
YearPublicationVenuePosition
2022 Improving Source Separation by Explicitly Modeling Dependencies between Sources
abstract
We propose a new method for training a supervised source separation system that aims to learn the interdependent relationships between all combinations of sources in a mixture. Rather than independently estimating each source from a mix, we reframe the source separation problem as an Orderless Neural Autoregressive Density Estimator (NADE), and estimate each source from both the mix and a random subset of the other sources. We adapt a standard source separation architecture, Demucs, with additional inputs for each individual source, in addition to the input mixture. We randomly mask these input sources during training so that the network learns the conditional dependencies between the sources. By pairing this training method with a blocked Gibbs sampling procedure at inference time, we demonstrate that the network can iteratively improve its separation performance by conditioning a source estimate on its earlier source estimates. Experiments on two source separation datasets show that training a Demucs model with an Orderless NADE approach and using Gibbs sampling (up to 512 steps) at inference time strongly outperforms a Demucs baseline that uses a standard regression loss and direct (one step) estimation of sources.
Ethan Manilow, Curtis Hawthorne, Cheng-Zhi Anna Huang, Bryan Pardo, Jesse H. Engel
ICASSP1
2022 Source Separation By Steering Pretrained Music Models
abstract
We showcase a method that repurposes deep models trained for music generation and music tagging for audio source separation, without any retraining. An audio generation model is conditioned on an input mixture, producing a latent encoding of the audio used to generate audio. This generated audio is fed to a pretrained music tagger that creates source labels. The cross-entropy loss between the tag distribution for the generated audio and a predefined distribution for an isolated source is used to guide gradient ascent in the (unchanging) latent space of the generative model. This system does not update the weights of the generative model or the tagger, and only relies on moving through the generative model’s latent space to produce separated sources. We use OpenAI’s Jukebox as the pretrained generative model, and we couple it with four kinds of pretrained music taggers (two architectures and two tagging datasets). Experimental results on two source separation datasets, show this approach can produce separation estimates for a wider variety of sources than any tested system. This work points to the vast and heretofore untapped potential of large pretrained music models for audio-to-audio tasks like source separation.
Ethan Manilow, Patrick O'Reilly, Prem Seetharaman, Bryan Pardo
ICASSP1
2022 MT3: Multi-Task Multitrack Music Transcription
Josh Gardner 0001, Ian Simon, Ethan Manilow, Curtis Hawthorne, Jesse H. Engel
ICLR3
2022 MIDI-DDSP: Detailed Control of Musical Performance via Hierarchical Modeling
Yusong Wu, Ethan Manilow, Rigel Swavely, Kyle Kastner, Tim Cooijmans, Aaron C. Courville, Cheng-Zhi Anna Huang, Jesse H. Engel
ICLR2
2020 Simultaneous Separation and Transcription of Mixtures with Multiple Polyphonic and Percussive Instruments
abstract
We present a single deep learning architecture that can both separate an audio recording of a musical mixture into constituent single-instrument recordings and transcribe these instruments into a human-readable format at the same time, learning a shared musical representation for both tasks. This novel architecture, which we call Cerberus, builds on the Chimera network for source separation by adding a third "head" for transcription. By training each head with different losses, we are able to jointly learn how to separate and transcribe up to five instruments with a single network. We show that separation and transcription are highly complementary with one another and when learned jointly, lead to Cerberus networks that are better at both separation and transcription and generalize better to unseen mixtures.
Ethan Manilow, Prem Seetharaman, Bryan Pardo
ICASSP1
2019 WHAM!: Extending Speech Separation to Noisy Environments
abstract
Recent progress in separating the speech signals from multiple overlapping speakers using a single audio channel has brought us closer to solving the cocktail party problem. However, most studies in this area use a constrained problem setup, comparing performance when speakers overlap almost completely, at artificially low sampling rates, and with no external background noise. In this paper, we strive to move the field towards more realistic and challenging scenarios. To that end, we created the WSJ0 Hipster Ambient Mixtures (WHAM!) dataset, consisting of two speaker mixtures from the wsj0-2mix dataset combined with real ambient noise samples. The samples were collected in coffee shops, restaurants, and bars in the San Francisco Bay Area, and are made publicly available. We benchmark various speech separation architectures and objective functions to evaluate their robustness to noise. While separation performance decreases as a result of noise, we still observe substantial gains relative to the noisy signals for most approaches.
Gordon Wichern, Joe Antognini, Michael Flynn, Licheng Richard Zhu, Emmett McQuinn, Dwight Crow, Ethan Manilow, Jonathan Le Roux
INTERSPEECH7