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Clara Fernandez-Labrador

dblp:222/2872 · DBLP profile ↗
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7ranked-venue papers
2as first author
5since 2021 · last 2024
0000-0002-3355-6780ORCID · verified

Domains — the database's venue-derived domains; a paper can count in several

Artificial intelligence and machine learning · 5 · 2 first-author · 3 since 2021Graphics, computer vision, multimedia, augmented reality and games · 4 · 2 first-author · 3 since 2021Systems, architecture and hardware · 1Databases, data management, data science and information retrieval · 1 · 1 since 2021

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Artificial intelligence
3 papers
3D vision · 32% Segmentation and scene understanding · 32% Information extraction and text analysis · 21%
Computer graphics and multimedia
3 papers
Image and video coding · 46% Multimedia systems and quality of experience · 29% Multimedia analysis and retrieval · 25%

Topics — the 11 heaviest of 12, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Image and video coding › image quality assessment
image aesthetics assessment
1.222023
A Retrieval System for Images and Videos based on Aesthetic Assessment of Visuals · SIGIR 2023
Understanding Aesthetics with Language: A Photo Critique Dataset for Aesthetic Assessment · NeurIPS 2022
Multimedia systems and quality of experience › multimedia synchronization
audio-visual synchronization
0.812024
DiVAS: Video and Audio Synchronization with Dynamic Frame Rates · CVPR 2024
Multimedia analysis and retrieval › multimedia retrieval › content-based retrieval
image and video retrieval
0.712023
A Retrieval System for Images and Videos based on Aesthetic Assessment of Visuals · SIGIR 2023
Natural language and speech › Information extraction and text analysis
sentiment analysis
0.612022
Understanding Aesthetics with Language: A Photo Critique Dataset for Aesthetic Assessment · NeurIPS 2022
Computer vision › 3D vision › 3d object detection › 3d object localization
3d bounding box estimation
0.412020
What's in my Room? Object Recognition on Indoor Panoramic Images · ICRA 2020
Computer vision › 3D vision › 3d shape analysis
3d keypoint detection
0.412020
Unsupervised Learning of Category-Specific Symmetric 3D Keypoints from Point Sets · ECCV (25) 2020
Computer vision › Segmentation and scene understanding › scene understanding
indoor scene understanding
0.412020
What's in my Room? Object Recognition on Indoor Panoramic Images · ICRA 2020
Computer vision › Segmentation and scene understanding
instance segmentation
0.412020
What's in my Room? Object Recognition on Indoor Panoramic Images · ICRA 2020
Computer vision › Vision and language › multimodal understanding
text-rich image understanding
0.212022
Understanding Aesthetics with Language: A Photo Critique Dataset for Aesthetic Assessment · NeurIPS 2022
Computer vision › Image recognition and object detection
object detection
0.112020
What's in my Room? Object Recognition on Indoor Panoramic Images · ICRA 2020
Machine learning › Learning paradigms
unsupervised learning
0.112020
Unsupervised Learning of Category-Specific Symmetric 3D Keypoints from Point Sets · ECCV (25) 2020

Methods — techniques the papers use, named apart from their topics

sentiment analysis · 1.1ranking model · 1.1transformer · 0.8lip movement analysis · 0.8machine learning · 0.7unsupervised learning · 0.4point cloud analysis · 0.4equirectangular image processing · 0.4deep learning · 0.4
YearPublicationVenuePosition
2024 CoARF: Controllable 3D Artistic Style Transfer for Radiance Fields
abstract
Creating artistic 3D scenes can be time-consuming and requires specialized knowledge. To address this, recent works such as ARF [57], use a radiance field-based approach with style constraints to generate 3D scenes that resemble a style image provided by the user. However, these methods lack fine-grained control over the resulting scenes. In this paper, we introduce Controllable Artistic Radiance Fields (CoARF), a novel algorithm for controllable 3D scene stylization. CoARF enables style transfer for specified objects, compositional 3D style transfer and semantic-aware style transfer. We achieve controllability using segmentation masks with different label-dependent loss functions. We also propose a semantic-aware nearest neighbor matching algorithm to improve the style transfer quality. Our extensive experiments demonstrate that CoARF provides user-specified controllability of style transfer and superior style transfer quality with more precise feature matching.
Deheng Zhang, Clara Fernandez-Labrador, Christopher Schroers
3DV2
2024 DiVAS: Video and Audio Synchronization with Dynamic Frame Rates
abstract
Synchronization issues between audio and video are one of the most disturbing quality defects in film production and live broadcasting. Even a discrepancy as short as 45 milliseconds can degrade the viewer's experience enough to warrant manual quality checks over entire movies. In this paper, we study the automatic discovery of such issues. Specifically, we focus on the alignment of lip movements with spoken words, targeting realistic production scenarios which can include background noise and music, intricate head poses, excessive makeup, or scenes with multiple individuals where the speaker is unknown. Our model's robustness also extends to various media specifications, including different video frame rates and audio sample rates. To address these challenges, we present a model fully based on Transformers that encodes face crops or full video frames and raw audio using timestamp information, identifies the speaker and provides highly accurate synchronization predictions much faster than previous methods.
Clara Fernandez-Labrador, Mertcan Akçay, Eitan Abecassis, Joan Massich Vall, Christopher Schroers
CVPR1
2024 RAST: A Reference-Audio Synchronization Tool for Dubbed Content
David Meyer, Eitan Abecassis, Clara Fernandez-Labrador, Christopher Schroers
INTERSPEECH3
2023 A Retrieval System for Images and Videos based on Aesthetic Assessment of Visuals
abstract
Attractive images or videos are the visual backbones of journalism and social media to gain the user's attention. From trailers to teaser images to image galleries, appealing visuals have only grown in importance over the years. However, selecting eye-catching shots from a video or the perfect image from large image collections is a challenging and time-consuming task. We present our tool that can assess image and video content from an aesthetic standpoint. We discovered that it is possible to perform such an assessment by combining expert knowledge with data-driven information. We combine the relevant aesthetic features and machine learning algorithms into an aesthetics retrieval system, which enables users to sort uploaded visuals based on an aesthetic score and interact with additional photographic, cinematic, and person-specific features.
Daniel Vera Nieto, Saikishore Kalloori, Fabio Zünd, Clara Fernandez-Labrador, Marc Willhaus, Severin Klingler, Markus Gross 0001
SIGIR4
2022 Understanding Aesthetics with Language: A Photo Critique Dataset for Aesthetic Assessment
abstract
Computational inference of aesthetics is an ill-defined task due to its subjective nature. Many datasets have been proposed to tackle the problem by providing pairs of images and aesthetic scores based on human ratings. However, humans are better at expressing their opinion, taste, and emotions by means of language rather than summarizing them in a single number. In fact, photo critiques provide much richer information as they reveal how and why users rate the aesthetics of visual stimuli. In this regard, we propose the Reddit Photo Critique Dataset (RPCD), which contains tuples of image and photo critiques. RPCD consists of 74K images and 220K comments and is collected from a Reddit community used by hobbyists and professional photographers to improve their photography skills by leveraging constructive community feedback. The proposed dataset differs from previous aesthetics datasets mainly in three aspects, namely (i) the large scale of the dataset and the extension of the comments criticizing different aspects of the image, (ii) it contains mostly UltraHD images, and (iii) it can easily be extended to new data as it is collected through an automatic pipeline. To the best of our knowledge, in this work, we propose the first attempt to estimate the aesthetic quality of visual stimuli from the critiques. To this end, we exploit the polarity of the sentiment of criticism as an indicator of aesthetic judgment. We demonstrate how sentiment polarity correlates positively with the aesthetic judgment available for two aesthetic assessment benchmarks. Finally, we experiment with several models by using the sentiment scores as a target for ranking images. Dataset and baselines are available https://github.com/mediatechnologycenter/aestheval.
Daniel Vera Nieto, Luigi Celona, Clara Fernandez-Labrador
NeurIPS3
2020 Unsupervised Learning of Category-Specific Symmetric 3D Keypoints from Point Sets
Clara Fernandez-Labrador, Ajad Chhatkuli, Danda Pani Paudel, Josechu J. Guerrero, Cédric Demonceaux, Luc Van Gool
ECCV (25)1
2020 What's in my Room? Object Recognition on Indoor Panoramic Images
abstract
In the last few years, there has been a growing interest in taking advantage of the 360°panoramic images potential, while managing the new challenges they imply. While several tasks have been improved thanks to the contextual information these images offer, object recognition in indoor scenes still remains a challenging problem that has not been deeply investigated. This paper provides an object recognition system that performs object detection and semantic segmentation tasks by using a deep learning model adapted to match the nature of equirectangular images. From these results, instance segmentation masks are recovered, refined and transformed into 3D bounding boxes that are placed into the 3D model of the room. Quantitative and qualitative results support that our method outperforms the state of the art by a large margin and show a complete understanding of the main objects in indoor scenes.
Julia Guerrero-Viu, Clara Fernandez-Labrador, Cédric Demonceaux, Josechu J. Guerrero
ICRA2