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Inske Groenen

dblp:228/1382 · DBLP profile ↗
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2ranked-venue papers
1as first author
1since 2021 · last 2024
0000-0002-3462-5952ORCID · corroborated

Domains — the database's venue-derived domains; a paper can count in several

Graphics, computer vision, multimedia, augmented reality and games · 2 · 1 first-author · 1 since 2021

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Artificial intelligence
1 paper
Image recognition and object detection · 100%
Databases, data mining, and information retrieval
1 paper
Web and social media mining · 100%
Computer graphics and multimedia
1 paper
Multimedia analysis and retrieval · 62% Visualization and visual analytics · 38%
Interdisciplinary, comprehensive, and emerging computing
1 paper
Smart cities and intelligent transportation · 100%

Topics — the 3 heaviest of 6, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Computer vision › Image recognition and object detection
object detection
0.812024
PanorAMS: Automatic Annotation for Detecting Objects in Urban Context · IEEE Trans. Multim. 2024
Visualization and visual analytics
3d visualization
0.112018
ArtSight: An Artistic Data Exploration Engine · ACM Multimedia 2018
Visualization and visual analytics
interactive data exploration
0.112018
ArtSight: An Artistic Data Exploration Engine · ACM Multimedia 2018

Methods — techniques the papers use, named apart from their topics

geospatial metadata fusion · 2.3crowdsourcing protocol · 2.3unsupervised color palette extraction · 0.3hierarchical filtering · 0.3
YearPublicationVenuePosition
2024 PanorAMS: Automatic Annotation for Detecting Objects in Urban Context
abstract
Large collections of geo-referenced panoramic images are freely available for cities across the globe, as well as detailed maps with location and meta-data on a great variety of urban objects. They provide a potentially rich source of information on urban objects, but manual annotation for object detection is expensive, laborious and challenging. Can we utilize such multimedia sources to automatically annotate street level images as an inexpensive alternative to manual labeling? With the PanorAMS framework we introduce a method to automatically generate bounding box annotations for panoramic images based on urban context information. Following this method, we acquire large-scale, albeit noisy, annotations for an urban dataset solely from open data sources in a fast and automatic manner. The dataset covers the City of Amsterdam and includes over 14 million noisy bounding box annotations of 22 object categories present in 771,299 panoramic images. For many objects further fine-grained information is available, obtained from geospatial meta-data, such asbuilding value,functionandaverage surface area. Such information would have been difficult, if not impossible, to acquire via manual labeling based on the image alone. For detailed evaluation, we introduce an efficient crowdsourcing protocol for bounding box annotations in panoramic images, which we deploy to acquire 147,075 ground-truth object annotations for a subset of 7,348 images, the PanorAMS-clean dataset. For our PanorAMS-noisy dataset, we provide an extensive analysis of the noise and how different types of noise affect image classification and object detection performance.
Inske Groenen, Stevan Rudinac, Marcel Worring
IEEE Trans. Multim.1
2018 ArtSight: An Artistic Data Exploration Engine
abstract
This technical demo presents ArtSight, a comprehensive query-by-color explorative interface built on top of the large scale artistic dataset OmniArt. Color is of paramount importance in the artistic realm and querying such large data collections by colors that appear in their palette allows for intuitive exploration. This demo allows users to browse the 3 million artwork items in the OmniArt collection by color, and hierarchically filter each result-set by multiple attributes existing in the collection itself. Colors are extracted from the digital photographic reproductions in an unsupervised fashion in palettes of twelve and matched with their meta-data seamlessly to exploit both modalities in our filtering module. The user interaction quality is moderated by a responsive framework with touch capability and an unfoldable interactive 3D sphere visualization offering two exploration options - CompactExplore or GridExplore.
Gjorgji Strezoski, Inske Groenen, Jurriaan Besenbruch, Marcel Worring
ACM Multimedia2