We tackle audio-visual inpainting, the problem of completing an image in such a way to be consistent with the sound associated to the scene. To this end, we propose a multimodal, audio-visual inpainting method (AVIN), and show how to leverage sound to reconstruct semantically consistent images. AVIN is a 2-stage algorithm, which first learns the scene semantics and reconstructs low resolution images based on a conditional probability distribution of pixels in the space conditioned to audio, and then refines such result with a GAN-based network to increase the resolution of the reconstructed image. We show that AVIN is able to recover the original content, especially in the hard cases where the missing area heavily degrades the scene semantics: it can perform cross-modal generation whenever no visual context is observed at all, reconstructing visual data from sound only. Code will be made available upon acceptance.

Acoustic images are an emergent data modality for multimodal scene understanding. Such images have the peculiarity of distinguishing the spectral signature of the sound coming from different directions in space, thus providing a richer information as compared to that derived from single or binaural microphones. However, acoustic images are typically generated by cumbersome and costly microphone arrays which are not as widespread as ordinary microphones. This paper shows that it is still possible to generate acoustic images from off-the-shelf cameras equipped with only a single microphone and how they can be exploited for audio-visual scene understanding. We propose three architectures inspired by Variational Autoencoder, U-Net and adversarial models, and we assess their advantages and drawbacks. Such models are trained to generate spatialized audio by conditioning them to the associated video sequence and its corresponding monaural audio track. Our models are trained using the data collected by a microphone array as ground truth. Thus they learn to mimic the output of an array of microphones in the very same conditions. We assess the quality of the generated acoustic images considering standard generation metrics and different downstream tasks (classification, cross-modal retrieval and sound localization). We also evaluate our proposed models by considering multimodal datasets containing acoustic images, as well as datasets containing just monaural audio signals and RGB video frames. In all of the addressed downstream tasks we obtain notable performances using the generated acoustic data, when compared to the state of the art and to the results obtained using real acoustic images as input.

Acoustic images constitute an emergent data modality for multimodal scene understanding. Such images have the peculiarity to distinguish the spectral signature of sounds coming from different directions in space, thus providing richer information than the one derived from mono and binaural microphones. However, acoustic images are typically generated by cumbersome microphone arrays, which are not as widespread as ordinary microphones mounted on optical cameras. To exploit this empowered modality while using standard microphones and cameras we propose to leverage the generation of synthetic acoustic images from common audio-video data for the task of audio-visual localization. The generation of synthetic acoustic images is obtained by a novel deep architecture, based on Variational Autoencoder and U-Net models, which is trained to reconstruct the ground truth spatialized audio data collected by a microphone array, from the associated video and its corresponding monaural audio signal. Namely, the model learns how to mimic what an array of microphones can produce in the same conditions. We assess the quality of the generated synthetic acoustic images on the task of unsupervised sound source localization in a qualitative and quantitative manner, while also considering standard generation metrics. Our model is evaluated by considering both multimodal datasets containing acoustic images, used for the training, and unseen datasets containing just monaural audio signals and RGB frames, showing to reach more accurate localization results as compared to the state of the art.

In this paper, we investigate how to learn rich and robust feature representations for audio classification from visual data and acoustic images, a novel audio data modality. Former models learn audio representations from raw signals or spectral data acquired by a single microphone, with remarkable results in classification and retrieval. However, such representations are not so robust towards variable environmental sound conditions. We tackle this drawback by exploiting a new multimodal labeled action recognition dataset acquired by a hybrid audio-visual sensor that provides RGB video, raw audio signals, and spatialized acoustic data, also known as acoustic images, where the visual and acoustic images are aligned in space and synchronized in time. Using this richer information, we train audio deep learning models in a teacher-student fashion. In particular, we distill knowledge into audio networks from both visual and acoustic image teachers. Our experiments suggest that the learned representations are more powerful and have better generalization capabilities than the features learned from models trained using just single-microphone audio data.

We present an approach to learn a model to estimate the dynamical states at continuous and discrete inference levels when trajectory information is available. We learn from sparse data a probabilistic switching model that generates trajectories associated with a stationary plan of an agent. The learned generative model is used within a Markov Jump Linear System (MJLSs) to switch among set of space dependent linear filters that analyze new trajectories and detect deviations from the learned model based on internal innovation measurements. We show examples of application of the proposed approach to learn filters for evaluating deviations from a reference human driving task execution that includes static and dynamic obstacle avoidance.