Natural language offers a highly intuitive interface for enabling localized fine-grained edits of 3D shapes. However, prior works face challenges in preserving global coherence while locally modifying the input 3D shape. In this work, we introduce an inpainting-based framework for editing shapes represented as point clouds. Our approach leverages foundation 3D diffusion models for achieving localized shape edits, adding structural guidance in the form of a partial conditional shape, ensuring that other regions correctly preserve the shape's identity. Furthermore, to encourage identity preservation also within the local edited region, we propose an inference-time coordinate blending algorithm which balances reconstruction of the full shape with inpainting at a progression of noise levels during the inference process. Our coordinate blending algorithm seamlessly blends the original shape with its edited version, enabling a fine-grained editing of 3D shapes, all while circumventing the need for computationally expensive and often inaccurate inversion. Extensive experiments show that our method outperforms alternative techniques across a wide range of metrics that evaluate both fidelity to the original shape and also adherence to the textual description.

Recent large-scale text-guided diffusion models provide powerful image generation capabilities. Currently, a massive effort is given to enable the modification of these images using text only as means to offer intuitive and versatile editing tools. To edit a real image using these state-of-the-art tools, one must first invert the image with a meaningful text prompt into the pretrained model's domain. In this paper, we introduce an accurate inversion technique and thus facilitate an intuitive text-based modification of the image. Our proposed inversion consists of two key novel components: (i) Pivotal inversion for diffusion models. While current methods aim at mapping random noise samples to a single input image, we use a single pivotal noise vector for each timestamp and optimize around it. We demonstrate that a direct DDIM inversion is inadequate on its own, but does provide a rather good anchor for our optimization. (ii) Null-text optimization, where we only modify the unconditional textual embedding that is used for classifier-free guidance, rather than the input text embedding. This allows for keeping both the model weights and the conditional embedding intact and hence enables applying prompt-based editing while avoiding the cumbersome tuning of the model's weights. Our null-text inversion, based on the publicly available Stable Diffusion model, is extensively evaluated on a variety of images and various prompt editing, showing high-fidelity editing of real images.

Recently, numerous facial editing techniques have been proposed that leverage the generative power of a pretrained StyleGAN. To successfully edit an image this way, one must first project (or invert) the image into the pretrained generator’s domain. As it turns out, StyleGAN’s latent space induces an inherent tradeoff between distortion and editability, i.e., between maintaining the original appearance and convincingly altering its attributes. Hence, it remains challenging to apply ID-preserving edits to real facial images. In this article, we present an approach to bridge this gap. The idea is Pivotal Tuning —a brief training process that preserves editing quality, while surgically changing the portrayed identity and appearance. In Pivotal Tuning Inversion, an initial inverted latent code serves as a pivot, around which the generator is fine-tuned. At the same time, a regularization term keeps nearby identities intact, to locally contain the effect. We further show that Pivotal Tuning also applies to accommodating for a multitude of faces, while introducing negligible distortion on the rest of the domain. We validate our technique through inversion and editing metrics and show preferable scores to state-of-the-art methods. Last, we present successful editing for harder cases, including elaborate make-up or headwear.

The inversion of real images into StyleGAN's latent space is a well-studied problem. Nevertheless, applying existing approaches to real-world scenarios remains an open challenge, due to an inherent trade-off between reconstruction and editability: latent space regions which can accurately represent real images typically suffer from degraded semantic control. Recent work proposes to mitigate this trade-off by fine-tuning the generator to add the target image to well-behaved, editable regions of the latent space. While promising, this fine-tuning scheme is impractical for prevalent use as it requires a lengthy training phase for each new image. In this work, we introduce this approach into the realm of encoder-based inversion. We propose HyperStyle, a hypernetwork that learns to modulate StyleGAN's weights to faithfully express a given image in editable regions of the latent space. A naive modulation approach would require training a hypernetwork with over three billion parameters. Through careful network design, we reduce this to be in line with existing encoders. HyperStyle yields reconstructions comparable to those of optimization techniques with the near real-time inference capabilities of encoders. Lastly, we demonstrate HyperStyle's effectiveness on several applications beyond the inversion task, including the editing of out-of-domain images which were never seen during training. Code is available on our project page: https://yuval-alaluf.github.io/hyperstyle/.

The ability of Generative Adversarial Networks to encode rich semantics within their latent space has been widely adopted for facial image editing. However, replicating their success with videos has proven challenging. Applying StyleGAN editing to real videos introduces two main challenges: (i) StyleGAN operates over aligned crops. When editing videos, these crops need to be pasted back into the frame, resulting in a spatial inconsistency. (ii) Videos introduce a fundamental barrier to overcome — temporal coherency. To address the first challenge, we propose a novel stitching-tuning procedure. The generator is carefully tuned to overcome the spatial artifacts at crop borders, resulting in smooth transitions even when difficult backgrounds are involved. Turning to temporal coherence, we propose that this challenge is largely artificial. The source video is already temporally coherent, and deviations arise in part due to careless treatment of individual components in the editing pipeline. We leverage the natural alignment of StyleGAN and the tendency of neural networks to learn low-frequency functions, and demonstrate that they provide a strongly consistent prior. These components are combined in an end-to-end framework for semantic editing of facial videos. We compare our pipeline to the current state-of-the-art and demonstrate significant improvements. Our method produces meaningful manipulations and maintains greater spatial and temporal consistency, even on challenging talking head videos which current methods struggle with. Our code and videos are available at https://stitch-time.github.io/.

Abstract Generative Adversarial Networks (GANs) have established themselves as a prevalent approach to image synthesis. Of these, StyleGAN offers a fascinating case study, owing to its remarkable visual quality and an ability to support a large array of downstream tasks. This state‐of‐the‐art report covers the StyleGAN architecture, and the ways it has been employed since its conception, while also analyzing its severe limitations. It aims to be of use for both newcomers, who wish to get a grasp of the field, and for more experienced readers that might benefit from seeing current research trends and existing tools laid out. Among StyleGAN's most interesting aspects is its learned latent space. Despite being learned with no supervision, it is surprisingly well‐behaved and remarkably disentangled. Combined with StyleGAN's visual quality, these properties gave rise to unparalleled editing capabilities. However, the control offered by StyleGAN is inherently limited to the generator's learned distribution, and can only be applied to images generated by StyleGAN itself. Seeking to bring StyleGAN's latent control to real‐world scenarios, the study of GAN inversion and latent space embedding has quickly gained in popularity. Meanwhile, this same study has helped shed light on the inner workings and limitations of StyleGAN. We map out StyleGAN's impressive story through these investigations, and discuss the details that have made StyleGAN the go‐to generator. We further elaborate on the visual priors StyleGAN constructs, and discuss their use in downstream discriminative tasks. Looking forward, we point out StyleGAN's limitations and speculate on current trends and promising directions for future research, such as task and target specific fine‐tuning.

Abstract In unsupervised video retargeting, content is transferred from one video to another while preserving the original appearance and style, without any additional annotations. While this challenge has seen substantial advancements through the use of deep neural networks, current methods struggle when the source and target videos are of shapes that are different in limb lengths or other body proportions. In this work, we consider this task for the case of objects of different shapes and appearances, that consist of similar skeleton connectivity and depict similar motion. We introduce JOKR—a JOint Keypoint Representation that captures the geometry common to both videos, while being disentangled from their unique styles. Our model first extracts unsupervised keypoints from the given videos. From this representation, two decoders reconstruct geometry and appearance, one for each of the input sequences. By employing an affine‐invariant domain confusion term over the keypoints bottleneck, we enforce the unsupervised keypoint representations of both videos to be indistinguishable. This encourages the aforementioned disentanglement between motion and appearance, mapping similar poses from both domains to the same representation. This allows yielding a sequence with the appearance and style of one video, but the content of the other. Our applicability is demonstrated through challenging video pairs compared to state‐of‐the‐art methods. Furthermore, we demonstrate that this geometry‐driven representation enables intuitive control, such as temporal coherence and manual pose editing. Videos can be viewed in the supplement HTML.

Abstract The task of unsupervised image‐to‐image translation has seen substantial advancements in recent years through the use of deep neural networks. Typically, the proposed solutions learn the characterizing distribution of two large, unpaired collections of images, and are able to alter the appearance of a given image, while keeping its geometry intact. In this paper, we explore the capabilities of neural networks to understand image structure given only a single pair of images, and . We seek to generate images that are structurally aligned: that is, to generate an image that keeps the appearance and style of , but has a structural arrangement that corresponds to . The key idea is to map between image patches at different scales. This enables controlling the granularity at which analogies are produced, which determines the conceptual distinction between style and content. In addition to structural alignment, our method can be used to generate high quality imagery in other conditional generation tasks utilizing images and only: guided image synthesis, style and texture transfer, text translation as well as video translation. Our code and additional results are available in https://github.com/rmokady/structural-analogy/