In this paper, we propose RI3D, a novel 3DGS-based approach that harnesses the power of diffusion models to reconstruct high-quality novel views given a sparse set of input images. Our key contribution is separating the view synthesis process into two tasks of reconstructing visible regions and hallucinating missing regions, and introducing two personalized diffusion models, each tailored to one of these tasks. Specifically, one model ('repair') takes a rendered image as input and predicts the corresponding high-quality image, which in turn is used as a pseudo ground truth image to constrain the optimization. The other model ('inpainting') primarily focuses on hallucinating details in unobserved areas. To integrate these models effectively, we introduce a two-stage optimization strategy: the first stage reconstructs visible areas using the repair model, and the second stage reconstructs missing regions with the inpainting model while ensuring coherence through further optimization. Moreover, we augment the optimization with a novel Gaussian initialization method that obtains per-image depth by combining 3D-consistent and smooth depth with highly detailed relative depth. We demonstrate that by separating the process into two tasks and addressing them with the repair and inpainting models, we produce results with detailed textures in both visible and missing regions that outperform state-of-the-art approaches on a diverse set of scenes with extremely sparse inputs.

In this paper, we present PanoDreamer, a novel method for producing a coherent 360° 3D scene from a single input image. Unlike existing methods that generate the scene sequentially, we frame the problem as single-image panorama and depth estimation. Once the coherent panoramic image and its corresponding depth are obtained, the scene can be reconstructed by inpainting the small occluded regions and projecting them into 3D space. Our key contribution is formulating single-image panorama and depth estimation as two optimization tasks and introducing alternating minimization strategies to effectively solve their objectives. We demonstrate that our approach outperforms existing techniques in single-image 360° 3D scene reconstruction in terms of consistency and overall quality.

In this paper, we propose an approach for view-time interpolation of stereo videos. Specifically, we build upon X-Fields that approximates an interpolatable mapping between the input coordinates and 2D RGB images using a convolutional decoder. Our main contribution is to analyze and identify the sources of the problems with using X-Fields in our application and propose novel techniques to overcome these challenges. Specifically, we observe that X-Fields struggles to implicitly interpolate the disparities for large baseline cameras. Therefore, we propose multi-plane disparities to reduce the spatial distance of the objects in the stereo views. Moreover, we propose non-uniform time coordinates to handle the non-linear and sudden motion spikes in videos. We additionally introduce several simple, but important, improvements over X-Fields. We demonstrate that our approach is able to produce better results than the state of the art, while running in near real-time rates and having low memory and storage costs.

In this paper, we propose an algorithm to interpolate between a pair of images of a dynamic scene. While in the past years significant progress in frame interpolation has been made, current approaches are not able to handle images with brightness and illumination changes, which are common even when the images are captured shortly apart. We propose to address this problem by taking advantage of the existing optical flow methods that are highly robust to the variations in the illumination. Specifically, using the bidirectional flows estimated using an existing pre-trained flow network, we predict the flows from an intermediate frame to the two input images. To do this, we propose to encode the bidirectional flows into a coordinate-based network, powered by a hypernetwork, to obtain a continuous representation of the flow across time. Once we obtain the estimated flows, we use them within an existing blending network to obtain the final intermediate frame. Through extensive experiments, we demonstrate that our approach is able to produce significantly better results than state-of-the-art frame interpolation algorithms.

In recent years, novel view synthesis from a single image has seen significant progress thanks to the rapid advancements in 3D scene representation and image inpainting techniques. While the current approaches are able to synthesize geometrically consistent novel views, they often do not handle the view-dependent effects properly. Specifically, the highlights in their synthesized images usually appear to be glued to the surfaces, making the novel views unrealistic. To address this major problem, we make a key observation that the process of synthesizing novel views requires changing the shading of the pixels based on the novel camera, and moving them to appropriate locations. Therefore, we propose to split the view synthesis process into two independent tasks of pixel reshading and relocation. During the reshading process, we take the single image as the input and adjust its shading based on the novel camera. This reshaded image is then used as the input to an existing view synthesis method to relocate the pixels and produce the final novel view image. We propose to use a neural network to perform reshading and generate a large set of synthetic input-reshaded pairs to train our network. We demonstrate that our approach produces plausible novel view images with realistic moving highlights on a variety of real world scenes.

In this paper, we propose a learning-based approach for denoising raw videos captured under low lighting conditions. We propose to do this by first explicitly aligning the neighboring frames to the current frame using a convolutional neural network (CNN). We then fuse the registered frames using another CNN to obtain the final denoised frame. To avoid directly aligning the temporally distant frames, we perform the two processes of alignment and fusion in multiple stages. Specifically, at each stage, we perform the denoising process on three consecutive input frames to generate the intermediate denoised frames which are then passed as the input to the next stage. By performing the process in multiple stages, we can effectively utilize the information of neighboring frames without directly aligning the temporally distant frames. We train our multi-stage system using an adversarial loss with a conditional discriminator. Specifically, we condition the discriminator on a soft gradient mask to prevent introducing high-frequency artifacts in smooth regions. We show that our system is able to produce temporally coherent videos with realistic details. Furthermore, we demonstrate through extensive experiments that our approach outperforms state-of-the-art image and video denoising methods both numerically and visually.

Slow motion videos are becoming increasingly popular, but capturing high-resolution videos at extremely high frame rates requires professional high-speed cameras. To mitigate this problem, current techniques increase the frame rate of standard videos through frame interpolation by assuming linear object motion which is not valid in challenging cases. In this paper, we address this problem using two video streams as input; an auxiliary video with high frame rate and low spatial resolution, providing temporal information, in addition to the standard main video with low frame rate and high spatial resolution. We propose a two-stage deep learning system consisting of alignment and appearance estimation that reconstructs high resolution slow motion video from the hybrid video input. For alignment, we propose to compute flows between the missing frame and two existing frames of the main video by utilizing the content of the auxiliary video frames. For appearance estimation, we propose to combine the warped and auxiliary frames using a context and occlusion aware network. We train our model on synthetically generated hybrid videos and show high-quality results on a variety of test scenes. To demonstrate practicality, we show the performance of our system on two real dual camera setups with small baseline.