Light-field imaging is based on images taken on a regular grid. Thus, high-quality 3D reconstructions are obtainable by analyzing orientations in epipolar plane images (EPIs). Unfortunately, such data only allows to evaluate one side of the object. Moreover, a constant intensity along each orientation is mandatory for most of the approaches. This paper presents a novel method which allows to reconstruct depth information from data acquired with a circular camera motion, termed circular light fields. With this approach it is possible to determine the full 360° view of target objects. Additionally, circular light fields allow retrieving depth from datasets acquired with telecentric lenses, which is not possible with linear light fields. The proposed method finds trajectories of 3D points in the EPIs by means of a modified Hough transform. For this purpose, binary EPI-edge images are used, which not only allow to obtain reliable depth information, but also overcome the limitation of constant intensity along trajectories. Experimental results on synthetic and real datasets demonstrate the quality of the proposed algorithm.

We present a novel multi-view photometric stereo technique that recovers the surface of texture less objects with unknown BRDF and lighting. The camera and light positions are allowed to vary freely and change in each image. We exploit orientation consistency between the target and an example object to develop a consistency measure. Motivated by the fact that normals can be recovered more reliably than depth, we represent our surface as both a depth map and a normal map. These maps are jointly optimized and allow us to formulate constraints on depth that take surface orientation into account. Our technique does not require the visual hull or stereo reconstructions for bootstrapping and solely exploits image intensities without the need for radiometric camera calibration. We present results on real objects with varying degree of specularity and show that these can be used to create globally consistent models from multiple views.

We present a photometric stereo technique that operates on time-lapse sequences captured by static outdoor webcams over the course of several months. Outdoor webcams produce a large set of uncontrolled images subject to varying lighting and weather conditions. We first automatically select a suitable subset of the captured frames for further processing, reducing the dataset size by several orders of magnitude. A camera calibration step is applied to recover the camera response function, the absolute camera orientation, and to compute the light directions for each image. Finally, we describe a new photometric stereo technique for non-Lambertian scenes and unknown light source intensities to recover normal maps and spatially varying materials of the scene.

View interpolation and image-based rendering algorithms often produce visual artifacts in regions where the 3D scene geometry is erroneous, uncertain, or incomplete. We introduce ambient point clouds constructed from colored pixels with uncertain depth, which help reduce these artifacts while providing non-photorealistic background coloring and emphasizing reconstructed 3D geometry. Ambient point clouds are created by randomly sampling colored points along the viewing rays associated with uncertain pixels. Our real-time rendering system combines these with more traditional rigid 3D point clouds and colored surface meshes obtained using multiview stereo. Our resulting system can handle larger-range view transitions with fewer visible artifacts than previous approaches.