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Venkatesh S. Kadandale

dblp:261/2868 · also Venkatesh Shenoy Kadandale · DBLP profile ↗
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4ranked-venue papers
2as first author
3since 2021 · last 2022
0000-0002-6674-0883ORCID · corroborated

Domains — the database's venue-derived domains; a paper can count in several

Graphics, computer vision, multimedia, augmented reality and games · 4 · 2 first-author · 3 since 2021Artificial intelligence and machine learning · 3 · 1 first-author · 3 since 2021

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Computer graphics and multimedia
1 paper
Audio and music processing · 100%
Artificial intelligence
1 paper
Speech recognition and synthesis · 100%

Topics — the 2 heaviest of 2, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Audio and music processing › source separation › speech separation
audio-visual speech separation
0.612022
VoViT: Low Latency Graph-Based Audio-Visual Voice Separation Transformer · ECCV (37) 2022
Natural language and speech › Speech recognition and synthesis
speech separation
0.212022
VoViT: Low Latency Graph-Based Audio-Visual Voice Separation Transformer · ECCV (37) 2022

Methods — techniques the papers use, named apart from their topics

transformer · 1.1graph neural network · 1.1
YearPublicationVenuePosition
2022 VoViT: Low Latency Graph-Based Audio-Visual Voice Separation Transformer
Juan F. Montesinos, Venkatesh S. Kadandale, Gloria Haro
ECCV (37)2
2022 VocaLiST: An Audio-Visual Synchronisation Model for Lips and Voices
abstract
Comunicació presentada a Interspeech 2022, celebrat del 18 al 22 de setembre de 2022 a Inchon, Corea del Sud.
Venkatesh S. Kadandale, Juan F. Montesinos, Gloria Haro
INTERSPEECH1
2021 A cappella: Audio-visual Singing Voice Separation
Juan F. Montesinos, Venkatesh S. Kadandale, Gloria Haro
BMVC2
2020 Multi-channel U-Net for Music Source Separation
abstract
A fairly straightforward approach for music source separation is to train independent models, wherein each model is dedicated for estimating only a specific source. Training a single model to estimate multiple sources generally does not perform as well as the independent dedicated models. However, Conditioned U-Net (C-U-Net) uses a control mechanism to train a single model for multi-source separation and attempts to achieve a performance comparable to that of the dedicated models. We propose a multi-channel U-Net (M-U-Net) trained using a weighted multi-task loss as an alternative to the C-U-Net. We investigate two weighting strategies for our multi-task loss: 1) Dynamic Weighted Average (DWA), and 2) Energy Based Weighting (EBW). DWA determines the weights by tracking the rate of change of loss of each task during training. EBW aims to neutralize the effect of the training bias arising from the difference in energy levels of each of the sources in a mixture. Our methods provide three-fold advantages compared to C-U-Net: 1) Fewer effective training iterations per epoch, 2) Fewer trainable network parameters (no control parameters), and 3) Faster processing at inference. Our methods achieve performance comparable to that of C-U-Net and the dedicated U-Nets at a much lower training cost.
Venkatesh S. Kadandale, Juan F. Montesinos, Gloria Haro, Emilia Gómez
MMSP1