Since facial actions such as lip movements contain significant information about speech content, it is not surprising that audio-visual speech enhancement methods are more accurate than their audio-only counterparts. Yet, state-of-the-art approaches still struggle to generate clean, realistic speech without noise artifacts and unnatural distortions in challenging acoustic environments. In this paper, we propose a novel audio-visual speech enhancement framework for high-fidelity telecommunications in AR/VR. Our approach leverages audio-visual speech cues to generate the codes of a neural speech codec, enabling efficient synthesis of clean, realistic speech from noisy signals. Given the importance of speaker-specific cues in speech, we focus on developing personalized models that work well for individual speakers. We demonstrate the efficacy of our approach on a new audio-visual speech dataset collected in an unconstrained, large vocabulary setting, as well as existing audio-visual datasets, outperforming speech enhancement baselines on both quantitative metrics and human evaluation studies. Please see the supplemental video for qualitative results11https://github.com/facebookresearch/facestar/releases/download/paper_materials/video.mp4.

Beyond achieving high performance across many vision tasks, multimodal models are expected to be robust to single-source faults due to the availability of redundant information between modalities. In this paper, we investigate the robustness of multimodal neural networks against worst-case (i.e., adversarial) perturbations on a single modality. We first show that standard multimodal fusion models are vulnerable to single-source adversaries: an attack on any single modality can overcome the correct information from multiple unperturbed modalities and cause the model to fail. This surprising vulnerability holds across diverse multimodal tasks and necessitates a solution. Motivated by this finding, we propose an adversarially robust fusion strategy that trains the model to compare information coming from all the input sources, detect inconsistencies in the perturbed modality compared to the other modalities, and only allow information from the unperturbed modalities to pass through. Our approach significantly improves on state-of-the-art methods in single-source robustness, achieving gains of 7.8-25.2% on action recognition, 19.7-48.2% on object detection, and 1.6-6.7% on sentiment analysis, without degrading performance on unperturbed (i.e., clean) data.

Self-supervised audio-visual learning aims to capture useful representations of video by leveraging correspondences between visual and audio inputs. Existing approaches have focused primarily on matching semantic information between the sensory streams. We propose a novel self-supervised task to leverage an orthogonal principle: matching spatial information in the audio stream to the positions of sound sources in the visual stream. Our approach is simple yet effective. We train a model to determine whether the left and right audio channels have been flipped, forcing it to reason about spatial localization across the visual and audio streams. To train and evaluate our method, we introduce a large-scale video dataset, YouTube-ASMR-300K, with spatial audio comprising over 900 hours of footage. We demonstrate that understanding spatial correspondence enables models to perform better on three audio-visual tasks, achieving quantitative gains over supervised and self-supervised baselines that do not leverage spatial audio cues. We also show how to extend our self-supervised approach to 360 degree videos with ambisonic audio.