In this paper, we democratise 3D content creation, enabling precise generation of 3D shapes from abstract sketches while overcoming limitations tied to drawing skills. We introduce a novel part-level modelling and alignment framework that facilitates abstraction modelling and cross-modal correspondence. Leveraging the same part-level decoder, our approach seamlessly extends to sketch modelling by establishing correspondence between CLIPasso edgemaps and projected 3D part regions, eliminating the need for a dataset pairing human sketches and 3D shapes. Additionally, our method introduces a seamless in-position editing process as a byproduct of cross-modal part-aligned modelling. Operating in a low-dimensional implicit space, our approach significantly reduces computational demands and processing time.

Vector drawings are innately interactive as they preserve creational cues. Despite this desirable property they remain relatively under explored due to the difficulties in modeling complex vector drawings. This is in part due to the primarily _sequential and auto-regressive nature_ of existing approaches failing to scale beyond simple drawings. In this paper, we define generative models over _highly complex_ vector drawings by first representing them as “stroke-clouds” – _sets_ of arbitrary cardinality comprised of semantically meaningful strokes. The dimensionality of the strokes is a design choice that allows the model to adapt to a range of complexities. We learn to encode these _set of strokes_ into compact latent codes by a probabilistic reconstruction procedure backed by _De-Finetti’s Theorem of Exchangability_. The parametric generative model is then defined over the latent vectors of the encoded stroke-clouds. The resulting “Latent stroke-cloud generator (LSG)” thus captures the distribution of complex vector drawings on an implicit _set space_. We demonstrate the efficacy of our model on complex drawings (a newly created Anime line-art dataset) through a range of generative tasks.

The problem of sketch semantic segmentation is far from being solved. Despite existing methods exhibiting near-saturating performances on simple sketches with high recognisability, they suffer serious setbacks when the target sketches are products of an imaginative process with high degree of creativity. We hypothesise that human creativity, being highly individualistic, induces a significant shift in distribution of sketches, leading to poor model generalisation. Such hypothesis, backed by empirical evidences, opens the door for a solution that explicitly disentangles creativity while learning sketch representations. We materialise this by crafting a learnable creativity estimator that assigns a scalar score of creativity to each sketch. It follows that we introduce CreativeSeg, a learning-to-learn framework that leverages the estimator in order to learn creativity-agnostic representation, and eventually the downstream semantic segmentation task. We empirically verify the superiority of CreativeSeg on the recent "Creative Birds" and "Creative Creatures" creative sketch datasets. Through a human study, we further strengthen the case that the learned creativity score does indeed have a positive correlation with the subjective creativity of human. Codes are available at https://github.com/PRIS-CV/Sketch-CS.

Analysis of human sketches in deep learning has advanced immensely through the use of waypoint-sequences rather than raster-graphic representations. We further aim to model sketches as a sequence of low-dimensional parametric curves. To this end, we propose an inverse graphics framework capable of approximating a raster or waypoint based stroke encoded as a point-cloud with a variable-degree Bézier curve. Building on this module, we present Cloud2Curve, a generative model for scalable high-resolution vector sketches that can be trained end-to-end using point-cloud data alone. As a consequence, our model is also capable of deterministic vectorization which can map novel raster or waypoint based sketches to their corresponding high-resolution scalable Bézier equivalent. We evaluate the generation and vectorization capabilities of our model on Quick, Draw! and K-MNIST datasets.

We present the first competitive drawing agent Pixelor that exhibits humanlevel performance at a Pictionary-like sketching game, where the participant whose sketch is recognized first is a winner. Our AI agent can autonomously sketch a given visual concept, and achieve a recognizable rendition as quickly or faster than a human competitor. The key to victory for the agent's goal is to learn the optimal stroke sequencing strategies that generate the most recognizable and distinguishable strokes first. Training Pixelor is done in two steps. First, we infer the stroke order that maximizes early recognizability of human training sketches. Second, this order is used to supervise the training of a sequence-to-sequence stroke generator. Our key technical contributions are a tractable search of the exponential space of orderings using neural sorting; and an improved Seq2Seq Wasserstein (S2S-WAE) generator that uses an optimal-transport loss to accommodate the multi-modal nature of the optimal stroke distribution. Our analysis shows that Pixelor is better than the human players of the Quick, Draw! game, under both AI and human judging of early recognition. To analyze the impact of human competitors' strategies, we conducted a further human study with participants being given unlimited thinking time and training in early recognizability by feedback from an AI judge. The study shows that humans do gradually improve their strategies with training, but overall Pixelor still matches human performance. The code and the dataset are available at http://sketchx.ai/pixelor.