Novel object synthesis by integrating distinct textual concepts from diverse categories remains a significant challenge in text-to-image generation. Existing methods often suffer from insufficient concept mixing, lack of rigorous evaluation, and suboptimal outputs, resulting in conceptual imbalance, superficial combinations, or mere juxtapositions. To address these limitations, we propose Reinforcement Mixing Learning (RMLer), a framework that formulates cross-category concept fusion as a reinforcement learning problem: mixed features serve as states, mixing strategies as actions, and visual outcomes as rewards. Specifically, we design an MLP policy network to predict dynamic coefficients for blending cross-category text embeddings. We further introduce visual rewards based on (1) semantic similarity and (2) compositional balance between the fused object and its constituent concepts, and optimize the policy via proximal policy optimization. At inference time, a selection strategy leverages these rewards to curate the highest-quality fused objects. Extensive experiments demonstrate that RMLer synthesizes coherent, high-fidelity objects from diverse categories and consistently outperforms existing methods. Our work provides a robust framework for generating novel visual concepts, with promising applications in film, gaming, and design.

Personalized text-to-image generation aims to learn new concepts from user-provided images and subsequently generate diverse scenes or styles of the concepts from input prompts. Most existing methods usually require a set of images (typically 3-5) for each concept, which can be cumbersome. Although several methods allow personalized generation with a single reference image, they often require heavy model training and suffer from many issues such as domain-specific applicability, insufficient fidelity, and limited editability. To address these problems, we propose a novel one-shot personalized text-to-image generation method called ConceptCraft, which explicitly separates the reference image into object and background regions and treats them as two distinct concepts to learn, significantly improving the personalization performance. Specifically, we incorporate two unique identifiers into the text prompts: one followed by the object’s class name and the other by the word “background”. To bind these two identifiers to the reference image’s object and background respectively, we introduce a mask-aware object preservation loss and a mask-aware background preservation loss to optimize their corresponding token embeddings under well-designed text conditions, enabling both object and background personalization. In addition, we also develop an identifier regularization scheme to enhance our editability, allowing the synthesis of personalized images across a broader range of scenes and styles without changing the identity. Extensive qualitative and quantitative experiments are conducted to verify the effectiveness and superiority of our method.

Text-guided style transfer aims to repaint a content image with the target style described by a text prompt, offering greater flexibility and creativity compared to traditional image-guided style transfer. Despite the potential, existing text-guided style transfer methods often suffer from many issues, including insufficient visual quality, poor generalization ability, or a reliance on large amounts of paired training data. To address these limitations, we leverage the inherent strengths of transformers in handling multimodal data and propose a novel transformer-based framework called TRTST that not only achieves unpaired arbitrary text-guided style transfer but also significantly improves the visual quality. Specifically, TRTST explores combining a text transformer encoder with an image transformer encoder to project the input text prompt and content image into a joint embedding space and extract the desired style and content features. These features are then input into a multimodal co-attention module to stylize the image sequence based on the text sequence. We also propose a new adaptive parametric positional encoding (APPE) scheme which can adaptively produce different positional encodings to optimally match different inputs with a position encoder. In addition, to further improve content preservation, we introduce a text-guided identity loss to our model. Extensive results and comparisons are conducted to demonstrate the effectiveness and superiority of our method.

3D scene stylization refers to transform the appearance of a 3D scene to match a given style image, ensuring that images rendered from different viewpoints exhibit the same style as the given style image, while maintaining the 3D consistency of the stylized scene. Several existing methods have obtained impressive results in stylizing 3D scenes. However, the mod- els proposed by these methods need to be re-trained when applied to a new scene. In other words, their models are cou- pled with a specific scene and cannot adapt to arbitrary other scenes. To address this issue, we propose a novel 3D scene stylization framework to transfer an arbitrary style to an ar- bitrary scene, without any style-related or scene-related re- training. Concretely, we first map the appearance of the 3D scene into a 2D style pattern space, which realizes complete disentanglement of the geometry and appearance of the 3D scene and makes our model be generalized to arbitrary 3D scenes. Then we stylize the appearance of the 3D scene in the 2D style pattern space via a prompt-based 2D stylization al- gorithm. Experimental results demonstrate that our proposed framework is superior to SOTA methods in both visual qual- ity and generalization.

Existing generative adversarial network (GAN) based conditional image generative models typically produce fixed output for the same conditional input, which is unreasonable for highly subjective tasks, such as large-mask image inpainting or style transfer. On the other hand, GAN-based diverse image generative methods require retraining/fine-tuning the network or designing complex noise injection functions, which is computationally expensive, task-specific, or struggle to generate high-quality results. Given that many deterministic conditional image generative models have been able to produce high-quality yet fixed results, we raise an intriguing question: is it possible for pre-trained deterministic conditional image generative models to generate diverse results without changing network structures or parameters? To answer this question, we re-examine the conditional image generation tasks from the perspective of adversarial attack and propose a simple and efficient plug-in projected gradient descent (PGD) like method for diverse and controllable image generation. The key idea is attacking the pre-trained deterministic generative models by adding a micro perturbation to the input condition. In this way, diverse results can be generated without any adjustment of network structures or fine-tuning of the pre-trained models. In addition, we can also control the diverse results to be generated by specifying the attack direction according to a reference text or image. Our work opens the door to applying adversarial attack to low-level vision tasks, and experiments on various conditional image generation tasks demonstrate the effectiveness and superiority of the proposed method.

Arbitrary style transfer (AST) transfers arbitrary artistic styles onto content images. Despite the recent rapid progress, existing AST methods are either incapable or too slow to run at ultra-resolutions (e.g., 4K) with limited resources, which heavily hinders their further applications. In this paper, we tackle this dilemma by learning a straightforward and lightweight model, dubbed MicroAST. The key insight is to completely abandon the use of cumbersome pre-trained Deep Convolutional Neural Networks (e.g., VGG) at inference. Instead, we design two micro encoders (content and style encoders) and one micro decoder for style transfer. The content encoder aims at extracting the main structure of the content image. The style encoder, coupled with a modulator, encodes the style image into learnable dual-modulation signals that modulate both intermediate features and convolutional filters of the decoder, thus injecting more sophisticated and flexible style signals to guide the stylizations. In addition, to boost the ability of the style encoder to extract more distinct and representative style signals, we also introduce a new style signal contrastive loss in our model. Compared to the state of the art, our MicroAST not only produces visually superior results but also is 5-73 times smaller and 6-18 times faster, for the first time enabling super-fast (about 0.5 seconds) AST at 4K ultra-resolutions.

Artistic style transfer aims to create new artistic images by rendering a given photograph with the target artistic style. Existing methods learn styles simply based on global statistics or local patches, lacking careful consideration of the drawing process in practice. Consequently, the stylization results either fail to capture abundant and diversified local style patterns, or contain undesired semantic information of the style image and deviate from the global style distribution. To address this issue, we imitate the drawing process of humans and propose a Two-Stage Statistics-Aware Transformation (TSSAT) module, which first builds the global style foundation by aligning the global statistics of content and style features and then further enriches local style details by swapping the local statistics (instead of local features) in a patch-wise manner, significantly improving the stylization effects. Moreover, to further enhance both content and style representations, we introduce two novel losses: an attention-based content loss and a patch-based style loss, where the former enables better content preservation by enforcing the semantic relation in the content image to be retained during stylization, and the latter focuses on increasing the local style similarity between the style and stylized images. Extensive qualitative and quantitative experiments verify the effectiveness of our method.

In this paper, we present the texture reformer, a fast and universal neural-based framework for interactive texture transfer with user-specified guidance. The challenges lie in three aspects: 1) the diversity of tasks, 2) the simplicity of guidance maps, and 3) the execution efficiency. To address these challenges, our key idea is to use a novel feed-forward multi-view and multi-stage synthesis procedure consisting of I) a global view structure alignment stage, II) a local view texture refinement stage, and III) a holistic effect enhancement stage to synthesize high-quality results with coherent structures and fine texture details in a coarse-to-fine fashion. In addition, we also introduce a novel learning-free view-specific texture reformation (VSTR) operation with a new semantic map guidance strategy to achieve more accurate semantic-guided and structure-preserved texture transfer. The experimental results on a variety of application scenarios demonstrate the effectiveness and superiority of our framework. And compared with the state-of-the-art interactive texture transfer algorithms, it not only achieves higher quality results but, more remarkably, also is 2-5 orders of magnitude faster.

Gram-based and patch-based approaches are two important research lines of style transfer. Recent diversified Gram-based methods have been able to produce multiple and diverse stylized outputs for the same content and style images. However, as another widespread research interest, the diversity of patch-based methods remains challenging due to the stereotyped style swapping process based on nearest patch matching. To resolve this dilemma, in this paper, we dive into the crux of existing patch-based methods and propose a universal and efficient module, termed DivSwapper, for diversified patch-based arbitrary style transfer. The key insight is to use an essential intuition that neural patches with higher activation values could contribute more to diversity. Our DivSwapper is plug-and-play and can be easily integrated into existing patch-based and Gram-based methods to generate diverse results for arbitrary styles. We conduct theoretical analyses and extensive experiments to demonstrate the effectiveness of our method, and compared with state-of-the-art algorithms, it shows superiority in diversity, quality, and efficiency.

Artistic style transfer is the task of synthesizing content images with learned artistic styles. Recent studies have shown the potential of Generative Adversarial Networks (GANs) for producing artistically rich stylizations. Despite the promising results, they usually fail to control the generated images' style degree, which is inflexible and limits their applicability for practical use. To address the issue, in this paper, we propose a novel method that for the first time allows adjusting the style degree for existing GAN-based artistic style transfer frameworks in real time after training. Our method introduces two novel modules into existing GAN-based artistic style transfer frameworks: a Style Scaling Injection (SSI) module and a Style Degree Interpretation (SDI) module. The SSI module accepts the value of Style Degree Factor (SDF) as the input and outputs parameters that scale the feature activations in existing models, offering control signals to alter the style degrees of the stylizations. And the SDI module interprets the output probabilities of a multi-scale content-style binary classifier as the style degrees, providing a mechanism to parameterize the style degree of the stylizations. Moreover, we show that after training our method can enable existing GAN-based frameworks to produce over-stylizations. The proposed method can facilitate many existing GAN-based artistic style transfer frameworks with marginal extra training overheads and modifications. Extensive qualitative evaluations on two typical GAN-based style transfer models demonstrate the effectiveness of the proposed method for gaining style degree control for them.

Artistic style transfer is an image editing task that aims at repainting everyday photographs with learned artistic styles. Existing methods learn styles from either a single style example or a collection of artworks. Accordingly, the stylization results are either inferior in visual quality or limited in style controllability. To tackle this problem, we propose a novel Dual Style-Learning Artistic Style Transfer (DualAST) framework to learn simultaneously both the holistic artist-style (from a collection of artworks) and the specific artwork-style (from a single style image): the artist-style sets the tone (i.e., the overall feeling) for the stylized image, while the artwork-style determines the details of the stylized image, such as color and texture. Moreover, we introduce a Style-Control Block (SCB) to adjust the styles of generated images with a set of learnable style-control factors. We conduct extensive experiments to evaluate the performance of the proposed framework, the results of which confirm the superiority of our method.

Image style transfer aims to transfer the styles of artworks onto arbitrary photographs to create novel artistic images. Although style transfer is inherently an underdetermined problem, existing approaches usually assume a deterministic solution, thus failing to capture the full distribution of possible outputs. To address this limitation, we propose a Diverse Image Style Transfer (DIST) framework which achieves significant diversity by enforcing an invertible cross-space mapping. Specifically, the framework consists of three branches: disentanglement branch, inverse branch, and stylization branch. Among them, the disentanglement branch factorizes artworks into content space and style space; the inverse branch encourages the invertible mapping between the latent space of input noise vectors and the style space of generated artistic images; the stylization branch renders the input content image with the style of an artist. Armed with these three branches, our approach is able to synthesize significantly diverse stylized images without loss of quality. We conduct extensive experiments and comparisons to evaluate our approach qualitatively and quantitatively. The experimental results demonstrate the effectiveness of our method.

Although existing artistic style transfer methods have achieved significant improvement with deep neural networks, they still suffer from artifacts such as disharmonious colors and repetitive patterns. Motivated by this, we propose an internal-external style transfer method with two contrastive losses. Specifically, we utilize internal statistics of a single style image to determine the colors and texture patterns of the stylized image, and in the meantime, we leverage the external information of the large-scale style dataset to learn the human-aware style information, which makes the color distributions and texture patterns in the stylized image more reasonable and harmonious. In addition, we argue that existing style transfer methods only consider the content-to-stylization and style-to-stylization relations, neglecting the stylization-to-stylization relations. To address this issue, we introduce two contrastive losses, which pull the multiple stylization embeddings closer to each other when they share the same content or style, but push far away otherwise. We conduct extensive experiments, showing that our proposed method can not only produce visually more harmonious and satisfying artistic images, but also promote the stability and consistency of rendered video clips.

Image style transfer is an underdetermined problem, where a large number of solutions can satisfy the same constraint (the content and style). Although there have been some efforts to improve the diversity of style transfer by introducing an alternative diversity loss, they have restricted generalization, limited diversity and poor scalability. In this paper, we tackle these limitations and propose a simple yet effective method for diversified arbitrary style transfer. The key idea of our method is an operation called deep feature perturbation (DFP), which uses an orthogonal random noise matrix to perturb the deep image feature maps while keeping the original style information unchanged. Our DFP operation can be easily integrated into many existing WCT (whitening and coloring transform)-based methods, and empower them to generate diverse results for arbitrary styles. Experimental results demonstrate that this learning-free and universal method can greatly increase the diversity while maintaining the quality of stylization.

Although existing image inpainting approaches have been able to produce visually realistic and semantically correct results, they produce only one result for each masked input. In order to produce multiple and diverse reasonable solutions, we present Unsupervised Cross-space Translation Generative Adversarial Network (called UCTGAN) which mainly consists of three network modules: conditional encoder module, manifold projection module and generation module. The manifold projection module and the generation module are combined to learn one-to-one image mapping between two spaces in an unsupervised way by projecting instance image space and conditional completion image space into common low-dimensional manifold space, which can greatly improve the diversity of the repaired samples. For understanding of global information, we also introduce a new cross semantic attention layer that exploits the long-range dependencies between the known parts and the completed parts, which can improve realism and appearance consistency of repaired samples. Extensive experiments on various datasets such as CelebA-HQ, Places2, Paris Street View and ImageNet clearly demonstrate that our method not only generates diverse inpainting solutions from the same image to be repaired, but also has high image quality.

Existing style transfer methods have achieved great success in artwork generation by transferring artistic styles onto everyday photographs while keeping their contents unchanged. Despite this success, these methods have one inherent limitation: they cannot produce newly created image contents, lacking creativity and flexibility. On the other hand, generative adversarial networks (GANs) can synthesise images with new content, whereas cannot specify the artistic style of these images. The authors consider combining style transfer with convolutional GANs to generate more creative and diverse artworks. Instead of simply concatenating these two networks: the first for synthesising new content and the second for transferring artistic styles, which is inefficient and inconvenient, they design an end‐to‐end network called ArtistGAN to perform these two operations at the same time and achieve visually better results. Moreover, to generate images of higher quality, they propose the bi‐discriminator GAN containing a pixel discriminator and a feature discriminator that constrain the generated image from pixel level and feature level, respectively. They conduct extensive experiments and comparisons to evaluate their methods quantitatively and qualitatively. The experimental results verify the effectiveness of their methods.