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Mirabelle Jones

dblp:311/5613 · DBLP profile ↗
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2ranked-venue papers
2as first author
2since 2021 · last 2025
0000-0001-5029-9344ORCID · corroborated

Domains — the database's venue-derived domains; a paper can count in several

Human-computer interaction and ubiquitous computing · 2 · 2 first-author · 2 since 2021

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Human-computer interaction and pervasive computing
2 papers
Human-AI interaction · 58% Immersive interaction · 25% Design research and methods · 17%

Topics — the 3 heaviest of 5, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Human-AI interaction
algorithmic experience
0.712023
Embodying the Algorithm: Exploring Relationships with Large Language Models Through Artistic Performance · CHI 2023
Immersive interaction
embodiment
0.712023
Embodying the Algorithm: Exploring Relationships with Large Language Models Through Artistic Performance · CHI 2023
Design research and methods
research through design
0.212023
Embodying the Algorithm: Exploring Relationships with Large Language Models Through Artistic Performance · CHI 2023

Methods — techniques the papers use, named apart from their topics

fine-tuning LLMs · 0.9artistic methods · 0.9artistic performance · 0.7GPT-3 · 0.7
YearPublicationVenuePosition
2025 Artificial Intimacy: Exploring Normativity and Personalization Through Fine-tuning LLM Chatbots
abstract
Fine-tuning Large Language Models (LLMs) is one response to the critique of LLMs being biased, erasing diversity, and raising ethical concerns.The Artificial Intimacy project employs artistic methods, taking personalization of chatbots to an extreme by finetuning LLMs on individual social media data.We find that regular GPT-3 chatbots attempt to circumvent value-laden content through flagging prompts and producing generic non-answers with variable success.While the transactional nature of such output allowed participants to make sense of responses with less personification, fine-tuned models presented value-laden, normative, and familiar personalities, resulting in strong personification as a way of making sense of the interactions.This mimicry of emotional connection resulted in a sense of artificial intimacy creating expectations for reciprocity and consideration that the models cannot express by design.As the commercialization of interactions with chatbots continues, we discuss the ethics of such emotional manipulation and its implications for personalization of LLMs.
Mirabelle Jones, Nastasia Griffioen, Christina Neumayer, Irina Shklovski
CHI1
2023 Embodying the Algorithm: Exploring Relationships with Large Language Models Through Artistic Performance
abstract
Despite the proliferation of research on how people engage with and experience algorithmic systems, the materiality and physicality of these experiences is often overlooked. We tend to forget about bodies. The Embodying the Algorithm1 project worked with artists to explore the experience of translating algorithmically produced performance instructions through human bodies. As performers interpreted the rules of engagement produced by GPT-3, they struggled with the lack of consideration the rules showed for the limits of the human body. Performers made sense of their experience through personification, reflexivity, and interpretation, which gave rise to three modes of relating with the algorithm – agonistic, perfunctory, and agreeable. We demonstrate that collaboration with algorithmic systems is ultimately impossible as people can only relate to algorithmic systems (a one-way relation) due to the material limitations of algorithmic systems for reciprocity, understanding, and consideration for the human body.
Mirabelle Jones, Christina Neumayer, Irina Shklovski
CHI1