Demo Data from EDBT 2026 / reviewers in the wild / expert
Tommy Fortes
dblp:311/6706
· DBLP profile ↗
1ranked-venue papers
0as first author
1since 2021 · last 2021
—ORCID · unresolved
Domains — the database's venue-derived domains; a paper can count in several
Graphics, computer vision, multimedia, augmented reality and games · 1 · 1 since 2021
Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.
| Computer graphics and multimedia
1 paper |
Virtual and augmented reality · 51% Rendering · 26% Audio and music processing · 23% |
Topics — the 6 heaviest of 6, each with the papers that count most for it
| Topic | Weight | Papers | Last | Evidence papers |
|---|---|---|---|---|
Virtual and augmented reality › 3d display › stereoscopic display
autostereoscopic display |
0.5 | 1 | 2021 | Project starline: a high-fidelity telepresence system · ACM Trans. Graph. 2021 |
Rendering
image-based rendering |
0.5 | 1 | 2021 | Project starline: a high-fidelity telepresence system · ACM Trans. Graph. 2021 |
Virtual and augmented reality
telepresence |
0.5 | 1 | 2021 | Project starline: a high-fidelity telepresence system · ACM Trans. Graph. 2021 |
Audio and music processing › speech enhancement
dereverberation |
0.1 | 1 | 2021 | Project starline: a high-fidelity telepresence system · ACM Trans. Graph. 2021 |
Audio and music processing
spatial audio |
0.1 | 1 | 2021 | Project starline: a high-fidelity telepresence system · ACM Trans. Graph. 2021 |
Audio and music processing › sound source localization
speaker localization |
0.1 | 1 | 2021 | Project starline: a high-fidelity telepresence system · ACM Trans. Graph. 2021 |
Methods — techniques the papers use, named apart from their topics
multi-view capture · 0.5depth video compression · 0.5
| Year | Publication | Venue | Position |
|---|---|---|---|
| 2021 | Project starline: a high-fidelity telepresence systemabstractWe present a real-time bidirectional communication system that lets two people, separated by distance, experience a face-to-face conversation as if they were copresent. It is the first telepresence system that is demonstrably better than 2D videoconferencing, as measured using participant ratings (e.g., presence, attentiveness, reaction-gauging, engagement), meeting recall, and observed nonverbal behaviors (e.g., head nods, eyebrow movements). This milestone is reached by maximizing audiovisual fidelity and the sense of copresence in all design elements, including physical layout, lighting, face tracking, multi-view capture, microphone array, multi-stream compression, loudspeaker output, and lenticular display. Our system achieves key 3D audiovisual cues (stereopsis, motion parallax, and spatialized audio) and enables the full range of communication cues (eye contact, hand gestures, and body language), yet does not require special glasses or body-worn microphones/headphones. The system consists of a head-tracked autostereoscopic display, high-resolution 3D capture and rendering subsystems, and network transmission using compressed color and depth video streams. Other contributions include a novel image-based geometry fusion algorithm, free-space dereverberation, and talker localization. Jason Lawrence, Dan B. Goldman, Supreeth Achar, Gregory Major Blascovich, Joseph G. Desloge, Tommy Fortes, Eric M. Gomez, Sascha Häberling, Hugues Hoppe, Andy Huibers, Claude Knaus, Brian Kuschak, Ricardo Martin-Brualla, Harris Nover, Andrew Ian Russell, Steven M. Seitz, Kevin Tong |
ACM Trans. Graph. | 6 |