Pedro Ortiz Suarez, Laurie Burchell, Catherine Arnett, Rafael Mosquera, Sara Hincapié Monsalve, Thom Vaughan, Damian Stewart, Malte Ostendorff, Idris Abdulmumin, Vukosi Marivate, Shamsuddeen Hassan Muhammad, Atnafu Lambebo Tonja, Hend Al-Khalifa, Nadia Ghezaiel Hammouda, Verrah Akinyi Otiende, Tack Hwa Wong, Jakhongir Saydaliev, Melika Nobakhtian, Muhammad Ravi Shulthan Habibi, Chalamalasetti Kranti, Carol Muchemi, Khang Nguyen, Faisal Muhammad Adam, Luis Frentzen Salim, Reem Alqifari, Cynthia Jayne Amol, Joseph Marvin Imperial, Ilker Kesen, Ahmad Mustafid, Pavel Stepachev, Leshem Choshen, David Anugraha, Hamada Nayel, Seid Muhie Yimam, Vallerie Alexandra Putra, My Chiffon Nguyen, Azmine Toushik Wasi, Gouthami Vadithya, Rob Van Der Goot, Lanwenn ar C’horr, Karan Dua, Andrew Yates, Mithil Bangera, Yeshil Bangera, Hitesh Laxmichand Patel, Shu Okabe, Fenal Ashokbhai Ilasariya, Dmitry Gaynullin, Genta Indra Winata, Yiyuan Li, Juan Pablo Martínez, Amit Agarwal, Ikhlasul Akmal Hanif, Raia Abu Ahmad, Esther Adenuga, Filbert Aurelian Tjiaranata, Weerayut Buaphet, Michael Anugraha, Sowmya Vajjala, Benjamin L Rice, Azril Hafizi Amirudin, Jesujoba Oluwadara Alabi, Srikant Panda, Yassine Toughrai, Bruhan Kyomuhendo, Daniel Ruffinelli, Akshata, Manuel Goulão, Ej Zhou, Ingrid Gabriela Franco Ramirez, Cristina Aggazzotti, Konstantin Dobler, Jun Kevin, Quentin Pagès, Nicholas Andrews, Nuhu Ibrahim, Mattes Ruckdeschel, Amr Keleg, Mike Zhang, Casper Rufaro Muziri, Saron Samuel, Sotaro Takeshita, Kun Kerdthaisong, Luca Foppiano, Rasul Dent, Tommaso Green, Ahmad Mustapha Wali, Kamohelo Makaaka, Vicky Feliren, Inshirah Idris, Hande Celikkanat, Abdulhamid Abubakar, Jean Maillard, Benoît Sagot, Thibault Clérice, Kenton Murray, Sarah K. K. Luger. Proceedings of the 64th Annual Meeting of the Association for Computational Linguistics (Volume 1: Long Papers). 2026.

Large Language Models are known to capture real-world knowledge, allowing them to excel in many downstream tasks. Despite recent advances, these models are still prone to what are commonly known as hallucinations, causing them to emit unwanted and factually incorrect text. In this work, we propose a novel calibration method that can be used to combat hallucinations. We add a special [IDK] (“I Don't Know”) token to the model's vocabulary and introduce an objective function that shifts probability mass to the [IDK] token for incorrect predictions. This approach allows the model to express uncertainty in its output explicitly. We evaluate our proposed method across multiple model architectures and factual downstream tasks. We find that models trained with our method are able to express uncertainty in places where they would previously make mistakes while suffering only a small loss of encoded knowledge. We further perform extensive ablation studies of multiple variations of our approach and provide a detailed analysis of the precision-recall tradeoff of our method.

Using model weights pretrained on a highresource language as a warm start can reduce the need for data and compute to obtain highquality language models for other, especially low-resource, languages.However, if we want to use a new tokenizer specialized for the target language, we cannot transfer the source model's embedding matrix.In this paper, we propose FOCUS -Fast Overlapping Token Combinations Using Sparsemax, a novel embedding initialization method that initializes the embedding matrix effectively for a new tokenizer based on information in the source model's embedding matrix.FOCUS represents newly added tokens as combinations of tokens in the overlap of the source and target vocabularies.The overlapping tokens are selected based on semantic similarity in an auxiliary static token embedding space.We focus our study on using the multilingual XLM-R as a source model and empirically show that FOCUS outperforms random initialization and previous work in language modeling and on a range of downstream tasks (NLI, QA, and NER).We publish our checkpoints and code on GitHub. 1

Creating art is often viewed as a uniquely human endeavor. In this paper, we introduce a multi-conditional Generative Adversarial Network (GAN) approach trained on large amounts of human paintings to synthesize realistic-looking paintings that emulate human art. Our approach is based on the StyleGAN neural network architecture, but incorporates a custom multi-conditional control mechanism that provides fine-granular control over characteristics of the generated paintings, e.g., with regard to the perceived emotion evoked in a spectator. We also investigate several evaluation techniques tailored to multi-conditional generation.