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Shihong Ren

dblp:326/7092 · DBLP profile ↗
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1ranked-venue papers
0as first author
1since 2021 · last 2025
—ORCID · unresolved

Domains — the database's venue-derived domains; a paper can count in several

Artificial intelligence and machine learning · 1 · 1 since 2021Graphics, computer vision, multimedia, augmented reality and games · 1 · 1 since 2021

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Computer graphics and multimedia
1 paper
Audio and music processing · 67% Multimedia analysis and retrieval · 33%

Topics — the 3 heaviest of 3, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Audio and music processing
music generation
0.912025
GVMGen: A General Video-to-Music Generation Model with Hierarchical Attentions · AAAI 2025
Multimedia analysis and retrieval › audio-visual analysis
video-music correspondence
0.912025
GVMGen: A General Video-to-Music Generation Model with Hierarchical Attentions · AAAI 2025
Audio and music processing › music generation
video-to-music generation
0.912025
GVMGen: A General Video-to-Music Generation Model with Hierarchical Attentions · AAAI 2025

Methods — techniques the papers use, named apart from their topics

zero-shot generation · 0.9hierarchical attention · 0.9
YearPublicationVenuePosition
2025 GVMGen: A General Video-to-Music Generation Model with Hierarchical Attentions
abstract
Composing music for video is essential yet challenging, leading to a growing interest in automating music generation for video applications. Existing approaches often struggle to achieve robust music-video correspondence and generative diversity, primarily due to inadequate feature alignment methods and insufficient datasets. In this study, we present General Video-to-Music Generation model (GVMGen), designed for generating high-related music to the video input. Our model employs hierarchical attentions to extract and align video features with music in both spatial and temporal dimensions, ensuring the preservation of pertinent features while minimizing redundancy. Remarkably, our method is versatile, capable of generating multi-style music from different video inputs, even in zero-shot scenarios. We also propose an evaluation model along with two novel objective metrics for assessing video-music alignment. Additionally, we have compiled a large-scale dataset comprising diverse types of video-music pairs. Experimental results demonstrate that GVMGen surpasses previous models in terms of music-video correspondence, music quality generative diversity, and application universality.
Heda Zuo, Weitao You, Junxian Wu 0003, Shihong Ren, Pei Chen 0005, Mingxu Zhou, Yujia Lu, Lingyun Sun
AAAI4