Demo Data from EDBT 2026 / reviewers in the wild / expert
Judith Yue Li
dblp:327/3504
· DBLP profile ↗
2ranked-venue papers
0as first author
2since 2021 · last 2025
—ORCID · none
Domains — the database's venue-derived domains; a paper can count in several
Graphics, computer vision, multimedia, augmented reality and games · 2 · 2 since 2021Artificial intelligence and machine learning · 1 · 1 since 2021
Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.
| Computer graphics and multimedia
1 paper |
Audio and music processing · 100% | |
| Artificial intelligence
1 paper |
Generative modeling · 100% |
Topics — the 4 heaviest of 4, each with the papers that count most for it
| Topic | Weight | Papers | Last | Evidence papers |
|---|---|---|---|---|
Audio and music processing
music generation |
0.8 | 1 | 2024 | V2Meow: Meowing to the Visual Beat via Video-to-Music Generation · AAAI 2024 |
Audio and music processing › music generation
video-to-music generation |
0.8 | 1 | 2024 | V2Meow: Meowing to the Visual Beat via Video-to-Music Generation · AAAI 2024 |
Machine learning › Generative modeling
autoregressive model |
0.2 | 1 | 2024 | V2Meow: Meowing to the Visual Beat via Video-to-Music Generation · AAAI 2024 |
Machine learning › Generative modeling › cross-modal generation
text-conditioned generation |
0.2 | 1 | 2024 | V2Meow: Meowing to the Visual Beat via Video-to-Music Generation · AAAI 2024 |
Methods — techniques the papers use, named apart from their topics
visual feature extraction · 1.5autoregressive model · 1.5
| Year | Publication | Venue | Position |
|---|---|---|---|
| 2025 | Diff4Steer: Steerable Diffusion Prior for Generative Music Retrieval with Semantic GuidanceabstractModern music retrieval systems often rely on fixed representations of user preferences, limiting their ability to capture users’ diverse and uncertain retrieval needs. To address this limitation, we introduce Diff4Steer, a novel generative retrieval framework that employs lightweight diffusion models to synthesize diverse seed embeddings representing potential directions for music exploration. Unlike deterministic methods that map user query to a single point in embedding space, Diff4Steer provides a statistical prior on the target modality (audio) for retrieval, effectively capturing the uncertainty and multi-faceted nature of user preferences. Furthermore, Diff4Steer can be steered by image or text inputs, enabling more flexible and controllable music discovery combined with nearest neighbor search. Our framework outperforms deterministic regression methods and LLM-based generative retrieval baseline in terms of retrieval and ranking metrics, demonstrating its effectiveness in capturing user preferences, leading to more diverse and relevant recommendations. Listening examples are available at tinyurl.com/diff4steer. Xuchan Bao, Judith Yue Li, Zhong Yi Wan, Timo I. Denk, Joonseok Lee, Dima Kuzmin, Fei Sha |
ICASSP | 2 |
| 2024 | V2Meow: Meowing to the Visual Beat via Video-to-Music GenerationabstractVideo-to-music generation demands both a temporally localized high-quality listening experience and globally aligned video-acoustic signatures. While recent music generation models excel at the former through advanced audio codecs, the exploration of video-acoustic signatures has been confined to specific visual scenarios. In contrast, our research confronts the challenge of learning globally aligned signatures between video and music directly from paired music and videos, without explicitly modeling domain-specific rhythmic or semantic relationships. We propose V2Meow, a video-to-music generation system capable of producing high-quality music audio for a diverse range of video input types using a multi-stage autoregressive model. Trained on 5k hours of music audio clips paired with video frames mined from in-the-wild music videos, V2Meow is competitive with previous domain-specific models when evaluated in a zero-shot manner. It synthesizes high-fidelity music audio waveforms solely by conditioning on pre-trained general-purpose visual features extracted from video frames, with optional style control via text prompts. Through both qualitative and quantitative evaluations, we demonstrate that our model outperforms various existing music generation systems in terms of visual-audio correspondence and audio quality. Music samples are available at tinyurl.com/v2meow. Judith Yue Li, Dima Kuzmin, Joonseok Lee, Chris Donahue, Fei Sha, Aren Jansen, Mauro Verzetti, Timo I. Denk |
AAAI | 2 |