EDBT 2026 Demo / reviewers in the wild / expert
Binyue Deng
dblp:330/8635
· DBLP profile ↗
1ranked-venue papers
0as first author
1since 2021 · last 2023
—ORCID · none
Domains — the database's venue-derived domains; a paper can count in several
Artificial intelligence and machine learning · 1 · 1 since 2021
Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.
| Computer graphics and multimedia
1 paper |
Audio and music processing · 100% |
Topics — the 1 heaviest of 1, each with the papers that count most for it
| Topic | Weight | Papers | Last | Evidence papers |
|---|---|---|---|---|
Audio and music processing
music information retrieval |
0.7 | 1 | 2023 | MARBLE: Music Audio Representation Benchmark for Universal Evaluation · NeurIPS 2023 |
Methods — techniques the papers use, named apart from their topics
representation learning · 0.7pre-trained music language models · 0.7
| Year | Publication | Venue | Position |
|---|---|---|---|
| 2023 | MARBLE: Music Audio Representation Benchmark for Universal EvaluationabstractIn the era of extensive intersection between art and Artificial Intelligence (AI), such as image generation and fiction co-creation, AI for music remains relatively nascent, particularly in music understanding. This is evident in the limited work on deep music representations, the scarcity of large-scale datasets, and the absence of a universal and community-driven benchmark. To address this issue, we introduce the Music Audio Representation Benchmark for universaL Evaluation, termed MARBLE. It aims to provide a benchmark for various Music Information Retrieval (MIR) tasks by defining a comprehensive taxonomy with four hierarchy levels, including acoustic, performance, score, and high-level description. We then establish a unified protocol based on 18 tasks on 12 public-available datasets, providing a fair and standard assessment of representations of all open-sourced pre-trained models developed on music recordings as baselines. Besides, MARBLE offers an easy-to-use, extendable, and reproducible suite for the community, with a clear statement on copyright issues on datasets. Results suggest recently proposed large-scale pre-trained musical language models perform the best in most tasks, with room for further improvement. The leaderboard and toolkit repository are published to promote future music AI research. Ruibin Yuan, Yinghao Ma, Ge Zhang 0009, Xingran Chen, Hanzhi Yin, Le Zhuo, Zeyue Tian, Binyue Deng, Ningzhi Wang, Chenghua Lin 0002, Emmanouil Benetos, Anton Ragni, Norbert Gyenge, Roger B. Dannenberg, Wenhu Chen, Gus Xia, Wei Xue 0002, Shi Wang 0002, Ruibo Liu, Yike Guo, Jie Fu 0001 |
NeurIPS | 11 |