EDBT 2026 Demo / reviewers in the wild / expert
Kavya Ranjan Saxena
dblp:331/8710
· DBLP profile ↗
1ranked-venue papers
1as first author
1since 2021 · last 2024
0000-0002-6590-2019ORCID · reported
Domains — the database's venue-derived domains; a paper can count in several
Artificial intelligence and machine learning · 1 · 1 first-author · 1 since 2021
Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.
| Computer graphics and multimedia
1 paper |
Audio and music processing · 100% |
Topics — the 3 heaviest of 3, each with the papers that count most for it
| Topic | Weight | Papers | Last | Evidence papers |
|---|---|---|---|---|
Audio and music processing › music transcription
melody extraction |
0.8 | 1 | 2024 | Interactive Singing Melody Extraction Based on Active Adaptation · IEEE ACM Trans. Audio Speech Lang. Process. 2024 |
Audio and music processing
music information retrieval |
0.8 | 1 | 2024 | Interactive Singing Melody Extraction Based on Active Adaptation · IEEE ACM Trans. Audio Speech Lang. Process. 2024 |
Audio and music processing › music information retrieval › singing information processing
singing melody extraction |
0.8 | 1 | 2024 | Interactive Singing Melody Extraction Based on Active Adaptation · IEEE ACM Trans. Audio Speech Lang. Process. 2024 |
Methods — techniques the papers use, named apart from their topics
meta-learning · 0.8confidence criterion · 0.8active learning · 0.8
| Year | Publication | Venue | Position |
|---|---|---|---|
| 2024 | Interactive Singing Melody Extraction Based on Active AdaptationabstractExtraction of predominant pitch from polyphonic audio is one of the fundamental tasks in the field of music information retrieval and computational musicology. To accomplish this task using machine learning, a large amount of labeled audio data is required to train the model. Moreover, a classical model pre-trained on data from one domain (source), e.g., songs of a particular singer or genre, may not perform comparatively well in extracting melody from songs of a different singer or genre in other domains (target). The performance of such models can be boosted by adapting the model using very little annotated data from the target domain. In this work, we propose an efficient interactive melody adaptation method. Our method selects the regions in the target audio that require human annotation using a confidence criterion based on normalized true class probability. The annotations are used by the model to adapt itself to the target domain using meta-learning. Our method also provides a novel meta-learning approach that handles class imbalance, i.e., a few representative samples from a few classes are available for adaptation in the target domain. Experimental results show that the proposed method outperforms other adaptive melody extraction baselines. The proposed method is model-agnostic and hence can be applied to other non-adaptive melody extraction models to boost their performance. Also, we released a Hindustani Alankaar and Raga (HAR) dataset containing 523 audio files of about 6.86 hours of duration intended for singing melody extraction tasks. Kavya Ranjan Saxena, Vipul Arora 0001 |
IEEE ACM Trans. Audio Speech Lang. Process. | 1 |