Diffusion recommender systems achieve strong recommendation accuracy but often suffer from popularity bias, resulting in unequal item exposure. To address this shortcoming, we introduce A2G-DiffRec, a diffusion recommender that incorporates adaptive autoguidance, where the main model is guided by a less-trained version of itself. Instead of using a fixed guidance weight, A2G-DiffRec learns to adaptively weigh the outputs of the main and weak models during training, supervised by a fairness-aware regularization that promotes balanced exposure across items with different popularity levels. Experimental results on three public datasets show that A2G-DiffRec is effective in enhancing item-side fairness at a marginal cost of accuracy reduction compared to existing guided diffusion recommenders and other non-diffusion baselines.

Natural language interfaces offer a compelling approach for music recommendation, enabling users to express complex preferences conversationally. While Large Language Models (LLMs) show promise in this direction, their scalability in recommender systems is limited by high costs and latency. Retrieval-based approaches using smaller language models mitigate these issues but often rely on single-modal item representations, overlook long-term user preferences, and require full model retraining, posing challenges for real-world deployment. In this paper, we present JAM (Just Ask for Music), a lightweight and intuitive framework for natural language music recommendation. JAM models user-query-item interactions as vector translations in a shared latent space, inspired by knowledge graph embedding methods like TransE. To capture the complexity of music and user intent, JAM aggregates multimodal item features via cross-attention and sparse mixture-of-experts. We also introduce JAMSessions, a new dataset of over 100k user-query-item triples with anonymized user/item embeddings, uniquely combining conversational queries and user long-term preferences. Our results show that JAM provides accurate recommendations, produces intuitive representations suitable for practical use cases, and can be easily integrated with existing music recommendation stacks.

Popularity bias in recommendation lists refers to over-representation of popular content and is a challenge for many recommendation algorithms. Previous research has suggested several offline metrics to quantify popularity bias, which commonly relate the popularity of items in users' recommendation lists to the popularity of items in their interaction history. Discrepancies between these two factors are referred to as popularity miscalibration. While popularity metrics provide a straightforward and well-defined means to measure popularity bias, it is unknown whether they actually reflect users' perception of popularity bias.