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Zhichao Zuo

dblp:354/8175 · DBLP profile ↗
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3ranked-venue papers
1as first author
3since 2021 · last 2025
0009-0004-4824-6138ORCID · corroborated

Domains — the database's venue-derived domains; a paper can count in several

Artificial intelligence and machine learning · 3 · 1 first-author · 3 since 2021Databases, data management, data science and information retrieval · 2 · 2 since 2021

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Computer graphics and multimedia
2 papers
Visual content generation and editing · 89% Computer animation and physical simulation · 5% Image and video processing · 5%
Artificial intelligence
2 papers
Generative modeling · 100%

Topics — the 10 heaviest of 11, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Machine learning › Generative modeling
diffusion model
1.522024
High-Fidelity Diffusion Editor for Zero-Shot Text-Guided Video Editing · ICDM 2024
Emotional Synchronization for Audio-Driven Talking-Head Generation · ICDM 2024
Machine learning › Generative modeling › diffusion model
latent diffusion model
0.812024
Emotional Synchronization for Audio-Driven Talking-Head Generation · ICDM 2024
Machine learning › Generative modeling › diffusion model › video diffusion model
video diffusion editing
0.812024
High-Fidelity Diffusion Editor for Zero-Shot Text-Guided Video Editing · ICDM 2024
Visual content generation and editing › talking head generation
audio-driven talking head generation
0.812024
Emotional Synchronization for Audio-Driven Talking-Head Generation · ICDM 2024
Visual content generation and editing
talking head generation
0.812024
Emotional Synchronization for Audio-Driven Talking-Head Generation · ICDM 2024
Visual content generation and editing › video editing
text-driven video editing
0.812024
High-Fidelity Diffusion Editor for Zero-Shot Text-Guided Video Editing · ICDM 2024
Visual content generation and editing
video editing
0.812024
High-Fidelity Diffusion Editor for Zero-Shot Text-Guided Video Editing · ICDM 2024
Visual content generation and editing › video editing
zero-shot video editing
0.812024
High-Fidelity Diffusion Editor for Zero-Shot Text-Guided Video Editing · ICDM 2024
Computer animation and physical simulation
audio-driven animation
0.212024
Emotional Synchronization for Audio-Driven Talking-Head Generation · ICDM 2024
Image and video processing › video processing
temporal consistency
0.212024
High-Fidelity Diffusion Editor for Zero-Shot Text-Guided Video Editing · ICDM 2024

Methods — techniques the papers use, named apart from their topics

null-text embedding · 3.0sync attention block · 1.5prior-guided perceptual loss · 1.5diffusion module · 1.5diffusion model · 1.5
YearPublicationVenuePosition
2025 Cut-and-Paste: Subject-driven video editing with attention control
Zhichao Zuo, Zhao Zhang 0001, Yan Luo 0004, Yang Zhao 0002, Haijun Zhang 0002, Yi Yang 0001, Meng Wang 0001
Neural Networks1
2024 Emotional Synchronization for Audio-Driven Talking-Head Generation
abstract
Audio-driven talking-head synthesis has become a significant focus in the field of virtual human applications. However, existing methodologies face challenges in effectively synchronizing audio and video, especially in maintaining emotional consistency. Additionally, there is a notable inefficiency in leveraging emotional prompts to guide expression generation. To address these limitations, this paper introduces an Emotion Synchronized audio-driven Talking-head synthesis (EST) approach. The EST approach aims to enhance the emotion-agnostic talking-head models by enabling emotion control, and it incorporates a diffusion module to learn diverse latent rep-resentations. Furthermore, EST utilizes null-text embedding to align the latent code with emotional prompts. Additionally, a novel Sync Attention Block (SAB) is developed to broaden the spatial perceptual field, thus preventing the loss of critical information. Extensive experiments demonstrate the effectiveness of the EST method, showcasing state-of-the-art performance across widely-adopted datasets. Moreover, the EST approach exhibits exceptional generalization capabilities, even in scenarios where emotional training videos are unavailable.
Zhao Zhang 0001, Yan Luo 0004, Zhichao Zuo, Richang Hong, Yi Yang 0001, Meng Wang 0001
ICDM3
2024 High-Fidelity Diffusion Editor for Zero-Shot Text-Guided Video Editing
abstract
Text-guided image generative diffusion models achieve fast development on the generation and editing of high-quality images. To extend such success to video editing, some efforts combining image generation with video editing have been made, which however only achieve inferior performance. We attribute it to two challenges: 1) different from the static image generation, it is tricky for dynamic video information to ensure the temporal fidelity of motion consistency across different frames; 2) the randomness of the frame generation process makes it hard to continuously retain the similar spatial fidelity for the original detailed features. In this paper, we propose a new high-fidelity diffusion model-based zero-shot text-guided video editing network, called HiFiVEditor, which aims to conduct effective video editing with high fidelity of the original video's detailed and dynamic information. Specifically, we propose a Spatial-Temporal Fidelity Block (STFB) that enables the model to restore the spatial features by enlarging the spatial perceptual field to avoid loss of important information, and capture more dynamic information between different frames by using all frames for preserving temporal consistency to achieve better temporal fidelity. In addition, we introduce Null-Text Embedding to create a soft text embedding to optimize the noise learning process, so that the latent noise can be aligned with the prompt. Furthermore, to tune the video style and render it more realistic, we employ a Prior-Guided Perceptual Loss to constrain the prediction results to avoid deviating from the original video style. Extensive experiments demonstrate the superior video editing capability compared to existing works.
Yan Luo 0004, Zhichao Zuo, Zhao Zhang 0001, Zhong-Qiu Zhao, Haijun Zhang 0002, Richang Hong
ICDM2