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Marius B. Spinu

dblp:36/411 · DBLP profile ↗
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3ranked-venue papers
0as first author
0since 2021 · last 2002
—ORCID · none

Domains — the database's venue-derived domains; a paper can count in several

Graphics, computer vision, multimedia, augmented reality and games · 2Human-computer interaction and ubiquitous computing · 1

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Human-computer interaction and pervasive computing
1 paper
Collaborative and social computing · 77% User interface design and tools · 23%

Topics — the 1 heaviest of 2, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Collaborative and social computing › collaborative editing
real-time collaborative editing
0.012002
Cooperative visual manipulation of music notation · ACM Trans. Comput. Hum. Interact. 2002

Methods — techniques the papers use, named apart from their topics

system design · 0.0prototype validation · 0.0
YearPublicationVenuePosition
2002 Execution and synchronisation of music score pages and real performance audios
abstract
Among the emerging applications of music scores we can see production and adoption of multimedia digital objects based on music score for distance learning/tuition of music, etc. In these applications, the music notation model has to provide distinct mechanisms for modeling symbolic and visual aspects of music and for defining the relationships among such aspects and in particular between music scores and audio files of real performance. This paper explains the capabilities of WEDELMUSIC regarding the synchronization and execution of music scores synchronous with audio files. The functionality is supported by a free music editor: www.wedelmusic.org. The tool has been developed during the WEDELMUSIC IST Research project funded by the European Commission.
Pierfrancesco Bellini, Ivan Bruno, Paolo Nesi, Marius B. Spinu
ICME (1)4
2002 Cooperative visual manipulation of music notation
abstract
As computer technologies and their potential emerging applications spread out, new needs have been detected for computer-based applications of music; cooperative music notation editing both in orchestras and music schools is one of them. This article is the only public document describing the details of cooperative work on music notation of MOODS (Music Object Oriented Distributed System). MOODS is a synchronous real-time cooperative editor for music scores. Its architecture includes mechanisms for troubleshooting conflicts in real-time, managing histories of commands and versioning, and for performing selective undo. The system also includes specific solutions in order to control the editing on the account of editing permission profiles. The most important aspects of MOODS associated with cooperative work on music notation scores are reported herein. The article highlights the general problems of cooperative systems and provides rationales for the solutions, which were found to build MOODS. The MOODS system has been implemented and validated thanks to the endeavor of several musicians in orchestras, music schools, and project partners. A prototype has been demonstrated in public at the Scala Theatre in Milan, Italy.
Pierfrancesco Bellini, Paolo Nesi, Marius B. Spinu
ACM Trans. Comput. Hum. Interact.3
2001 A high capacity technique for watermarking music sheets while printing
abstract
Most of the commonly used watermark applications are referred to color or black and white pictorial images. Watermarking techniques are adopted to hide codes that can be used to demonstrate the ownership of the digital objects in case of copyright infringement verification. A technique for watermarking music scores/sheets is presented. The solution has been defined to satisfy specific user requirements. These have been collected by using the expert user group of the European Project WEDELMUSIC. They took into account the capability of musicians in detecting changes in the music sheets. The approach has been validated by using experts and technical experiments.
Massimo Monsignori, Paolo Nesi, Marius B. Spinu
MMSP3