Demonstration venue · read-only. Every page can be browsed; the buttons that would change it are switched off. Create an account to run TaxoReview on your own data. A simulation from public publication records: the people listed were not invited and did not agree to review.
? Tutorial for this page

Jishang Chen

dblp:374/4353 · DBLP profile ↗
← Back
4ranked-venue papers
0as first author
4since 2021 · last 2026
0009-0008-4402-3534ORCID · corroborated

Domains — the database's venue-derived domains; a paper can count in several

Artificial intelligence and machine learning · 2 · 2 since 2021Graphics, computer vision, multimedia, augmented reality and games · 2 · 2 since 2021Applied, interdisciplinary, general and emerging computing · 1 · 1 since 2021

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Computer graphics and multimedia
1 paper
Audio and music processing · 100%
Artificial intelligence
1 paper
Generative modeling · 100%

Topics — the 3 heaviest of 3, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Audio and music processing
music generation
1.012026
Video Echoed in Music: Semantic, Temporal, and Rhythmic Alignment for Video-to-Music Generation · AAAI 2026
Audio and music processing › music generation
video-to-music generation
1.012026
Video Echoed in Music: Semantic, Temporal, and Rhythmic Alignment for Video-to-Music Generation · AAAI 2026
Machine learning › Generative modeling
diffusion model
0.312026
Video Echoed in Music: Semantic, Temporal, and Rhythmic Alignment for Video-to-Music Generation · AAAI 2026

Methods — techniques the papers use, named apart from their topics

multimodal encoder · 2.0latent diffusion · 2.0cross-attention · 2.0
YearPublicationVenuePosition
2026 Video Echoed in Music: Semantic, Temporal, and Rhythmic Alignment for Video-to-Music Generation
abstract
Video-to-Music generation seeks to generate musically appropriate background music that enhances audiovisual immersion for videos. However, current approaches suffer from two critical limitations: 1) incomplete representation of video details, leading to weak alignment, and 2) inadequate temporal and rhythmic correspondence, particularly in achieving precise beat synchronization. To address the challenges, we propose Video Echoed in Music (VeM), a latent music diffusion that generates high-quality soundtracks with semantic, temporal, and rhythmic alignment for input videos. To capture video details comprehensively, VeM employs a hierarchical video parsing that acts as a music conductor, orchestrating multi-level information across modalities. Modality-specific encoders, coupled with a storyboard-guided cross-attention mechanism (SG-CAtt), integrate semantic cues while maintaining temporal coherence through position and duration encoding. For rhythmic precision, the frame-level transition-beat aligner and adapter (TB-As) dynamically synchronize visual scene transitions with music beats. We further contribute a novel video-music paired dataset sourced from e-commerce advertisements and video-sharing platforms, which imposes stricter transition-beat synchronization requirements. Meanwhile, we introduce novel metrics tailored to the task. Experimental results demonstrate superiority, particularly in semantic relevance and rhythmic precision.
Xinyi Tong 0001, Yiran Zhu, Jishang Chen, Chunru Zhan, Tianle Wang 0007, Sirui Zhang, Nian Liu 0003, Tiezheng Ge, Duo Xu 0004, Xin Jin 0015, Feng Yu 0032, Song-Chun Zhu
AAAI3
2025 MAML-XL: a symbolic music generation method based on meta-learning and Transformer-XL
Yunze Liang, Halidanmu Abudukelimu, Jishang Chen, Abudoukelimu Abulizi
Multim. Syst.3
2025 MusicAOG: An Energy-Based Model for Learning and Sampling a Hierarchical Representation of Symbolic Music
abstract
In addressing the challenge of interpretability and generalizability of artificial music intelligence, this article introduces a novel symbolic representation that amalgamates both explicit and implicit musical information across diverse traditions and granularities. Utilizing a hierarchical and-or graph representation, the model employs nodes and edges to encapsulate a broad spectrum of musical elements, including structures, textures, rhythms, and harmonies. This hierarchical approach expands the representability across various scales of music. This representation serves as the foundation for an energy-based model, uniquely tailored to learn musical concepts through a flexible algorithm framework relying on the minimax entropy principle. Utilizing an adapted Metropolis–Hastings sampling technique, the model enables fine-grained control over music generation. Through a comprehensive empirical evaluation, this novel approach demonstrates significant improvements in interpretability and controllability compared to existing methodologies. This study marks a substantial contribution to the fields of music analysis, composition, and computational musicology.
Yikai Qian, Tianle Wang 0007, Jishang Chen, Peiyang Yu, Duo Xu 0004, Xin Jin 0015, Feng Yu 0032, Song-Chun Zhu
IEEE Trans. Comput. Soc. Syst.3
2024 SymforNet: application of cross-modal information correspondences based on self-supervision in symbolic music generation
Halidanmu Abudukelimu, Jishang Chen, Yunze Liang, Abudoukelimu Abulizi, Alimujiang Yasen
Appl. Intell.2