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George Joblove

dblp:41/5169 · DBLP profile ↗
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3ranked-venue papers
2as first author
0since 2021 · last 1995
0009-0000-1793-3665ORCID · corroborated

Domains — the database's venue-derived domains; a paper can count in several

Graphics, computer vision, multimedia, augmented reality and games · 3 · 2 first-authorHuman-computer interaction and ubiquitous computing · 3 · 2 first-author

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Computer graphics and multimedia
3 papers
Visual content generation and editing · 94% Image and video processing · 5% Visualization and visual analytics · 2%

Topics — the 3 heaviest of 4, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Visual content generation and editing
visual effects		 0.011995
Visual effects technology - do we have any? (panel session) · SIGGRAPH 1995
Image and video processing
color space		 0.011978
Color spaces for computer graphics · SIGGRAPH 1978
Visualization and visual analytics › perception › visual perception
color perception		 0.011978
Color spaces for computer graphics · SIGGRAPH 1978

Methods — techniques the papers use, named apart from their topics

evolutionary computation · 0.0biological processes · 0.0
YearPublicationVenuePosition
1995 Visual effects technology - do we have any? (panel session)
abstract
No abstract available.
Derek Spears, Scott Dyer, George Joblove, Charles Gibson, Lincoln Hu
 SIGGRAPH3
1993 The applications of evolutionary and biological processes to computer art and animation
George Joblove
 SIGGRAPH1
1978 Color spaces for computer graphics
abstract
Normal human color perception is a product of three independent sensory systems. By mirroring this mechanism, full-color display devices create colors as mixtures of three primaries. Any displayable color can be described by the corresponding values of these primaries. Frequently it is more convenient to define various other color spaces, or coordinate systems, for color representation or manipulation. Several such color spaces are presented which are suitable for applications involving user specification of color, along with the defining equations and illustrations. The use of special color spaces for particular kinds of color computations is discussed.
George Joblove, Donald P. Greenberg
 SIGGRAPH1