Demo Data from EDBT 2026 / reviewers in the wild / expert
Kunjie Lin
dblp:410/4561
· DBLP profile ↗
1ranked-venue papers
0as first author
1since 2021 · last 2025
—ORCID · none
Domains — the database's venue-derived domains; a paper can count in several
Artificial intelligence and machine learning · 1 · 1 since 2021
Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.
| Artificial intelligence
1 paper |
Vision and language · 100% | |
| Computer graphics and multimedia
1 paper |
Computational photography and imaging · 100% | |
| Human-computer interaction and pervasive computing
1 paper |
Human-AI interaction · 100% |
Topics — the 2 heaviest of 3, each with the papers that count most for it
| Topic | Weight | Papers | Last | Evidence papers |
|---|---|---|---|---|
Computer vision › Vision and language › vision-language model
multimodal large language model |
0.9 | 1 | 2025 | JarvisArt: Liberating Human Artistic Creativity via an Intelligent Photo Retouching Agent · NeurIPS 2025 |
Computational photography and imaging › image aesthetics › aesthetic image enhancement
image retouching |
0.9 | 1 | 2025 | JarvisArt: Liberating Human Artistic Creativity via an Intelligent Photo Retouching Agent · NeurIPS 2025 |
Methods — techniques the papers use, named apart from their topics
multimodal large language model · 2.6group relative policy optimization · 2.6chain-of-thought · 2.6
| Year | Publication | Venue | Position |
|---|---|---|---|
| 2025 | JarvisArt: Liberating Human Artistic Creativity via an Intelligent Photo Retouching AgentabstractPhoto retouching has become integral to contemporary visual storytelling, enabling users to capture aesthetics and express creativity. While professional tools such as Adobe Lightroom offer powerful capabilities, they demand substantial expertise and manual effort. In contrast, existing AI-based solutions provide automation but often suffer from limited adjustability and poor generalization, failing to meet diverse and personalized editing needs. To bridge this gap, we introduce JarvisArt, a multi-modal large language model (MLLM)-driven agent that understands user intent, mimics the reasoning process of professional artists, and intelligently coordinates over 200 retouching tools within Lightroom. JarvisArt undergoes a two-stage training process: an initial Chain-of-Thought supervised fine-tuning to establish basic reasoning and tool-use skills, followed by Group Relative Policy Optimization for Retouching (GRPO-R) to further enhance its decision-making and tool proficiency. We also propose the Agent-to-Lightroom Protocol to facilitate seamless integration with Lightroom. To evaluate performance, we develop MMArt-Bench, a novel benchmark constructed from real-world user edits. JarvisArt demonstrates user-friendly interaction, superior generalization, and fine-grained control over both global and local adjustments, paving a new avenue for intelligent photo retouching. Notably, it outperforms GPT-4o with a 60\% improvement in average pixel-level metrics on MMArt-Bench for content fidelity, while maintaining comparable instruction-following capabilities. Yunlong Lin, Zixu Lin, Kunjie Lin, Jinbin Bai, Panwang Pan, Chenxin Li, Haoyu Chen 0003, Zhongdao Wang, Xinghao Ding, Wenbo Li 0002, Shuicheng Yan |
NeurIPS | 3 |